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Death in Venice (1971)

Morte a Venezia (original title)
GP | | Drama | 5 March 1971 (Italy)
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3:49 | Trailer

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While recovering in Venice, a sickly composer becomes dangerously fixated with a teenage boy.

Director:

Luchino Visconti

Writers:

Thomas Mann (novel), Luchino Visconti (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 18 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dirk Bogarde ... Gustav von Aschenbach
Romolo Valli ... Hotel Manager
Mark Burns Mark Burns ... Alfred
Nora Ricci ... Tadzio's Governess
Marisa Berenson ... Frau von Aschenbach
Carole André ... Esmeralda - Brothel Prostitute
Björn Andrésen Björn Andrésen ... Tadzio (as Björn Andresen)
Silvana Mangano ... Tadzio's Mother
Leslie French Leslie French ... Travel Agent
Franco Fabrizi ... Barber
Antonio Appicella Antonio Appicella ... Vagrant
Sergio Garfagnoli Sergio Garfagnoli ... Jaschu - Polish Youth
Ciro Cristofoletti Ciro Cristofoletti ... Hotel Clerk
Luigi Battaglia Luigi Battaglia ... Scapegrace
Dominique Darel ... English Tourist
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Storyline

In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals. Written by Eric Wees <eric_wees@ccmail.chin.doc.ca>

Plot Summary | Add Synopsis

Taglines:

The celebrated story of a man obsessed with ideal beauty.

Genres:

Drama

Certificate:

GP | See all certifications »
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Details

Country:

Italy | France | USA

Language:

English | Italian | Polish | French | Russian | German

Release Date:

5 March 1971 (Italy) See more »

Also Known As:

Death in Venice See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Although mainly filmed on location in Venice, part of the interior of St Marks in Venice had to be reconstructed at Cinecitta Studios. The exteriors were used during filming. See more »

Goofs

When Aschenbach first asks the hotel manager about the situation in Venice, the manager finishes by saying, "There's nothing to worry about." His glasses are on his face. The scene cuts to a different angle, and the manager repeats, "Nothing to worry about", but he's holding his glasses in his hands. See more »

Quotes

Alfred: Do you know what lies at the bottom of the mainstream? Mediocrity.
See more »

Connections

Referenced in Hustler White (1996) See more »

Soundtracks

Für Elise
(uncredited)
Written by Ludwig van Beethoven
Performed by Claudio Gizzi
See more »

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User Reviews

 
Unforgettable romantic drama
18 May 2004 | by raymond-15See all my reviews

Set in Venice mainly on the Lido, Visconti's "Death in Venice" is a triumph of filmmaking combining the excellence of Dirk Bogarde's characterisation and expert photography of the resort area in all its various daily moods. For those who love Venice, this is a film to cherish.

Mahler's music frequently heard throughout the film heightens the drama. The mood it creates is not always happy. But then what else would you expect with a title like that?

There is not a lot of dialogue in the film. Rather sparse in fact. It's mainly background noises and chatter and laughter among the hotel guests. The intriguing part is to interpret the exchange of glances between Gustav von Aschenbach a composer of some renown and a slim teenage youth Tadzio who see each other from time to time across the tables of the hotel dining room, on the beach and at odd unexpected places around Venice. They seem to acknowledge each other's presence shyly at first with little more than the suggestion of a smile but later with a strong and riveting and urgent gaze.

Each viewer will have his own interpretation. The composer has lost a child of his own. Is this behaviour an expression of yearning for the child he loved? Is it perhaps a sexual attraction towards this fragile young man with his dazed somewhat girlish stare? Could he be discovering some new inspiration for a yet unwritten musical masterpiece? Who knows?

From beginning to end this film captures the true spirit of 19th Century Venice. The elegance of the ladies, the deck chairs on the sand, the children frolicking in their neck-to-knee bathing costumes, the glow of sunsets and a general feeling of satisfaction with the world. While some may think the pace is rather slow at times, the film has an overall gentle quality, but with a simmering indecision between two repressed human beings. Be prepared for a sad and beautiful ending.


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