Death in Venice (1971)

While recovering in Venice, sickly Composer Gustav von Aschenbach becomes dangerously fixated with teenager Tadzio.

Director:

Luchino Visconti

Writers:

Thomas Mann (novel), Luchino Visconti (screenplay)

Stars:

Dirk Bogarde, Romolo Valli, Mark Burns

Nominated for 1 Oscar. Another 18 wins & 6 nominations.

Cast

Cast overview, first billed only:
Dirk Bogarde	...	Gustav von Aschenbach
Romolo Valli	...	Hotel Manager
Mark Burns	...	Alfred
Nora Ricci	...	Tadzio's Governess
Marisa Berenson	...	Frau von Aschenbach
Carole André	...	Esmeralda - Brothel Prostitute
Björn Andrésen	...	Tadzio (as Björn Andresen)
Silvana Mangano	...	Tadzio's Mother
Leslie French	...	Travel Agent
Franco Fabrizi	...	Barber
Antonio Appicella	...	Vagrant
Sergio Garfagnoli	...	Jaschu - Polish Youth
Ciro Cristofoletti	...	Hotel Clerk
Luigi Battaglia	...	Scapegrace
Dominique Darel	...	English Tourist

Storyline

In this adaptation of the Thomas Mann novel, avant-garde Composer Gustav von Aschenbach (Sir Dirk Bogarde) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio (Björn Andrésen), on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.

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Plot Keywords:

voyeur | teenage boy | city in title | adolescent | composer | 

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Taglines:

The celebrated story of a man obsessed with ideal beauty.

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Genres:

Drama

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Certificate:

GP

Details

Country:

Italy France

Language:

English Italian Polish French Russian German

Release Date:

5 March 1971 (Italy)

Also Known As:

Death in Venice

Filming Locations:

Cinecitta Studios, Cinecitta, Rome, Lazio, Italy

Box Office

Cumulative Worldwide Gross:

$5,558

Company Credits

Production Co:

Alfa Cinematografica, Warner Bros., PECF

Technical Specs

Runtime:

130 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Mark Burns (Alfred) later admitted he never understood the meaning of his dialogue.

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Goofs

Just before leaving his hotel room for the first time, Aschenbach puts a handkerchief ("pochet") in the pocket of his costume. Arriving downstairs, the handkerchief is gone.

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Quotes

Alfred: You have achieved perfect balance: the man and the artist are one. They have touched bottom together.

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Connections

Featured in The Hotel (2016)

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Soundtracks

Lippen schweigen 'Merry Widow Waltz'
(uncredited)
Written by Franz Lehár
Scene before dinner; von Aschenbach sees Tadzio for the first time

User Reviews

Unforgettable romantic drama

Set in Venice mainly on the Lido, Visconti's "Death in Venice" is a triumph of filmmaking combining the excellence of Dirk Bogarde's characterisation and expert photography of the resort area in all its various daily moods. For those who love Venice, this is a film to cherish.

Mahler's music frequently heard throughout the film heightens the drama. The mood it creates is not always happy. But then what else would you expect with a title like that?

There is not a lot of dialogue in the film. Rather sparse in fact. It's mainly background noises and chatter and laughter among the hotel guests. The intriguing part is to interpret the exchange of glances between Gustav von Aschenbach a composer of some renown and a slim teenage youth Tadzio who see each other from time to time across the tables of the hotel dining room, on the beach and at odd unexpected places around Venice. They seem to acknowledge each other's presence shyly at first with little more than the suggestion of a smile but later with a strong and riveting and urgent gaze.

Each viewer will have his own interpretation. The composer has lost a child of his own. Is this behaviour an expression of yearning for the child he loved? Is it perhaps a sexual attraction towards this fragile young man with his dazed somewhat girlish stare? Could he be discovering some new inspiration for a yet unwritten musical masterpiece? Who knows?

From beginning to end this film captures the true spirit of 19th Century Venice. The elegance of the ladies, the deck chairs on the sand, the children frolicking in their neck-to-knee bathing costumes, the glow of sunsets and a general feeling of satisfaction with the world. While some may think the pace is rather slow at times, the film has an overall gentle quality, but with a simmering indecision between two repressed human beings. Be prepared for a sad and beautiful ending.