With her 2013 period drama “Belle,” director Amma Asante deftly handled the social uncertainties of a mixed-race aristocrat in 18th-century England, caught between worlds without firmly belonging to any of them. Asante offers a similar predicament in “Where Hands Touch,” a World War 2 drama about a secret affair between a black German teenager and a member of the Hitler Youth, but her themes of identity and racial persecution are muddled by a star-crossed love that drifts from unlikely to absurdly implausible. Playing the daughter of a Senegalese father and an Aryan mother, Amandla Stenberg carries the magnetism she brought to her breakthrough role in the Ya romance “Everything, Everything,” but she’s betrayed by a stilted rendering of a rarely illuminated piece of history.
Of the approximately 25,000 black people living in Germany at the time, several hundred were called “the Rhineland bastards,” the offspring of black colonial troops fighting for the...
Of the approximately 25,000 black people living in Germany at the time, several hundred were called “the Rhineland bastards,” the offspring of black colonial troops fighting for the...
- 9/10/2018
- by Scott Tobias
- Variety Film + TV
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