The mixed-race daughter, Dido Elizabeth Belle (Gugu Mbatha-Raw), of Royal Navy Captain Sir John Lindsay (Matthew Goode) is raised by aristocratic Great-uncle Lord William Murray, 1st Earl of Mansfield (Tom Wilkinson) in eighteenth century England.
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
The pressures of fame have superstar singer Noni on the edge, until she meets Kaz, a young cop who works to help her find the courage to develop her own voice and break free to become the artist she was meant to be.
During the early years of Nazi occupation of France in World War II, romance blooms between Lucile Angellier (Michelle Williams), a French villager, and Lieutenant Bruno von Falk (Matthias Schoenaerts), a German soldier.
Kristin Scott Thomas,
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
This movie was inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of Royal Navy Captain Sir John Lindsay (Matthew Goode). Raised by her aristocratic great-uncle Lord William Murray, 1st Earl of Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle's lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar's son bent on change, who, with her help, shapes Lord Mansfield's role as Lord Chief Justice to end slavery in England.Written by
Fox Searchlight Pictures
When Elizabeth and Dido play the piano, it sounds like a large modern piano, not the small 18th-century piano onscreen. Its keys look very old, even though pianos had existed for a few decades, and had just become popular. Most pianos in use at the time would have been fairly new. See more »
Captain Sir John Lindsay:
How lovely she is. So much of her mother. Do not be afraid. I am here to take you to a good life. A life that you were born to. Here.
[offers a candy]
[tries it with curiosity]
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I was so excited when I found a little indie theater 40 minutes away was airing Belle. I already knew I wanted to see this film by virtue of it being a historical drama/romance that put a biracial woman front and center. I love period films, but as a genre they are sorely lacking representation of POC characters. I walked out of the theater stunned at this passionate story of love, justice, acceptance, and society. It's slow-burning, to be sure. I was getting worried the first half hour. It seemed like this would be a black and white (no pun intended) morality play of good, open-hearted people pitted against evil racists. It's true that some characters fall plainly on one side or another, but as the movie goes on, the roles start to become blurred. It becomes a story of people who are caught between the clear-cut lines society has placed. If you can find a theater playing Belle, go see it as soon as possible. Films like this deserve all the attention they can get.
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