Anybody who discusses satire in audio-visual media at some point must mention the work of Armando Iannucci. Creator of TV’s The Thick Of It and Veep, with credits that include The Day Today and Alan Partridge, his work is some of the finest in Comedy. And in 2009, Iannucci made his big screen full feature directorial debut with The Thick Of It spin-off In The Loop (one of the best comedies of our times) and now, Iannucci casts his eye to even darker – and even more volatile – political territory with The Death of Stalin.
As concepts go, this film has a pitch black core, as it not only delves into a figure whose actions have reverberated throughout socio-political history but in looking at the events surrounding his death in 1953 and the power struggles within the Soviet Union, it is a brazen era, to say the least, in which to set a Comedy.
As concepts go, this film has a pitch black core, as it not only delves into a figure whose actions have reverberated throughout socio-political history but in looking at the events surrounding his death in 1953 and the power struggles within the Soviet Union, it is a brazen era, to say the least, in which to set a Comedy.
- 11/4/2017
- by Jack Bottomley
- The Cultural Post
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