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The Death of Stalin (2017)

R | | Comedy | 9 March 2018 (USA)
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In 5 theaters near Ashburn VA US [change]

Follows the Soviet dictator's last days and depicts the chaos of the regime after his death.

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78 ( 18)
Nominated for 2 BAFTA Film Awards. Another 9 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
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NKVD Officer Delov
Yulya Muhrygina ...
Woman in Layers of Clothes
Andrey Korzhenevskiy ...
Man in Layers of Clothes
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Musician 1 (as Roger Ashton Griffiths)
Jeremy Limb ...
Musician 2
...
Citizen Bundled into Car
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Storyline

In early-1953 Moscow, under the Great Terror's heavy cloak of state paranoia, the ever-watchful Soviet leader, Joseph Stalin, collapses unexpectedly of a brain haemorrhage. Inevitably, when his body is discovered in the following morning, a frenetic surge of raw panic spreads like a virus in the senior members of the Council of Ministers, as they scramble to maintain order, weed out the competition, and, ultimately, take power. But in the middle of a gut-wrenching roller-coaster of incessant plotting, tireless machinations, and frail allegiances, absolutely no one is safe; not even the feared chief of the secret police, Lavrenti Beria. In the end, who will prevail after the death of Stalin? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

The fight for leadership begins. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

rated R for language throughout, violence and some sexual references | See all certifications »

Parents Guide:

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Details

Country:

| | | |

Language:

Release Date:

9 March 2018 (USA)  »

Also Known As:

La mort de Staline  »

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Box Office

Opening Weekend USA:

$184,805, 11 March 2018, Limited Release

Gross USA:

$6,468,870, 18 April 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the scene where Stalin collapses from a stroke, one guard, having heard his collapse from outside, asks if they should investigate, with the other guard bluntly refusing by shooting back that he should shut up before they are both killed by Stalin for entering without permission. This was a reference to the fact that Stalin left explicit orders to not disturb him while he was sleeping under any circumstances, with the penalty of disobeying being the death penalty, which was one of the reasons why no one attempted to investigate when he did not wake up at his usual time. See more »

Goofs

Several inscriptions in English when actually should be in Russian ("Exit" sign over a door, execution list, flower arrangements during public display of Stalin's body). Potentially done on purpose. See more »

Quotes

Kaganovich: [seeing the priests] I thought we'd banned those freaks.
See more »

Crazy Credits

Black-and-white photographs of the main characters appear over the end credits, but various figures are airbrushed out, have their faces defaced, or have other people superimposed over them, as per Soviet photos of Trotsky and purge victims. See more »

Connections

Referenced in Filmbarátok Podcast: Episode #1.141 (2018) See more »

Soundtracks

Symphony No. 6, Op. 74 in B Minor
Written by Pyotr Ilyich Tchaikovsky
Performed by Galaxy Symphonic Orchestra
See more »

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User Reviews

 
Death…. Torture…. Child Abuse….  LOL??
13 October 2017 | by See all my reviews

Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of "Veep" and "The Thick of It", with his only previous foray into directing movies being "In the Loop":  a spin-off of the latter series.  Lovers of his work will know that he sails very close to the wind on many occasions, such that  watching can be more of a squirm-fest than enjoyment.

It should come as no surprise then that his new film – "The Death of Stalin" – follows that same pattern, but transposed into the anarchic and violent world of 1950's Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his "lists" of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.

The constitution dictates that Georgy Malenkov (an excellently vain and vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy- chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position.  (No spoilers, but you'll never guess who wins!).  Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin's funeral become more and more desperate.

The film starts extremely strongly with the ever-excellent Paddy Considine ("Pride") playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, "Quantum of Solace"). A definition of paranoia in action! We then descend into the chaos of Stalin's Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal- black in turns.

There is definitely comedy gold in there:  Khrushchev's translation of his drunken scribblings from the night before (of things that Stalin found funny and - more importantly - things he didn't) being a high point for me. Stalin's children Svetlana (Andrea Riseborough, "Nocturnal Animals") and Vasily (Rupert Friend, "Homeland") add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, "Harry Potter") is a riot with a no-nonsense North-of-England accent. 

The film held my interest throughout, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.

It's not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.

(For the graphical review of the movie, please visit bob-the-movie- man.com or One Mann's Movies on Facebook. Thanks).


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