Weird is a very comfortable word in Jeff Lieberman’s lexicon. From the night crawler nastiness of Squirm (1976) to his mountaintop massacre Just Before Dawn (1981), his films are always a little left of the norm and all the better for it. And in between those two, he decided to take a run at a paranoia thriller nursing a major ‘60s hangover, pulsating with psychotic, Kojakian ex hippies. Welcome to Blue Sunshine (1978), a film more potent than the brown acid your great uncle said he took at Woodstock. (Although he probably wasn’t even there.)
Released Stateside in May (after a stop across the pond at the BFI the previous November) by Cinema Shares International (the fine folks behind Soul Brothers of Kung Fu), Blue Sunshine’s limited run and puzzled looks from critics saw it quickly fade away into cultdom, where it resided for decades with Lieberman’s other films...
Released Stateside in May (after a stop across the pond at the BFI the previous November) by Cinema Shares International (the fine folks behind Soul Brothers of Kung Fu), Blue Sunshine’s limited run and puzzled looks from critics saw it quickly fade away into cultdom, where it resided for decades with Lieberman’s other films...
- 7/15/2017
- by Scott Drebit
- DailyDead
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