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Set in Canton, China in the 1940s, the story revolves in a town ruled by the Axe Gang, Sing who desperately wants to become a member. He stumbles into a slum ruled by eccentric landlords who turns out to be the greatest kung-fu masters in disguise. Sing's actions eventually cause the Axe Gang and the slumlords to engage in an explosive kung-fu battle. Only one side will win and only one hero will emerge as the greatest kung-fu master of all.Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Surpassed Shaolin Soccer (2001) in February 2005 to become the highest-grossing Hong Kong-made movie in Hong Kong. See more »
Goofs
When Sing is running away from Landlady, and about to hit a truck, he moves to the left and another truck is there. After he runs underneath the truck and Landlady jumps over it, the other truck disappears. See more »
Quotes
Landlady:
So you're on their side?
The Beast:
Don't get me wrong! I only want to kill you, or be killed by you.
See more »
Alternate Versions
The film was slightly cut/altered in mainland China to satisfy the local censors (these changes were carried over to the U.S. release):
After the scene where the landlady knocks the landlord out the window onto the ground, the original version shows a bit of blood flowing out from under the landlord's face after the plant smashes his head. The mainland version removes the blood.
Sing's failed attempt in intimidating a Pig Sty village farmer, who punches him square in the stomach. The original version shows Sing spitting out blood, which ends up appearing on the farmer's face after Sing asks her what she does. The mainland version digitally removes both the blood being spit out (but blood is still seen around his mouth, implying it was "coming up") as well as the blood splats on the farmer's face.
During the night scene right before the attack from the musicians there is a long take showing what most of the residents of Pig Sty are doing, including someone crouching on the ground having a "bowel movement". The original version shows a piece of paper with excrement on it implying what he was doing, while the mainland version removes the paper and its "contents", leaving the viewer confused as to why he's simply crouching down with his pants partially down.
When "The Beast" punches Sing in the chest in the casino, two extra shots appear in the original cut, with the first being a slow motion shot of blood spraying upward The Beast's face, and the second being another slow motion shot, this time of Sing's head flying back with blood spraying from his mouth.
Soon after this, Sing's face is punched into the ground by The Beast, and a slow motion shot of The Beast's bloody hand being raised from the ground is shown in the original cut. The mainland cut simply jumps from the shot of Sing's head being punched through the ground to the low angle shot of The Beast pulling his fist up.
Zhi Yao Wei Ni Huo Yi Tian
Composed by Liu Jie Chang
Lyrics by Lin Huang Kun
Performed by Huang Sheng Yi
Arranged by Ying-Wah Wong (as Raymond Wong) See more »
After nearly two decades of avoiding kung fu movies, a copy of this one was pressed into my hands by a very dear friend... who then extracted a promise from me that I'd take the time that night to sit and watch it. I was less than enthusiastic when I tossed it into the drive of my Athlon, but a promise is a promise, after all. Five minutes later, a nuclear strike warning in my town couldn't have torn me away from the screen, and it's been watched a dozen times since.
There's always been a certain cheesiness to Hong Kong cinema, but on rare occasions a writer or director will directly tap a nerve and somehow weave that directly into the story: 'Kung Fu Hustle' is one of those films. This piece isn't simply a 'standard' kung fu movie; it's a romance, a sweeping portrait of good-versus-evil, and a moral lesson on the use of power. The comedic bits are so well integrated into the story that it flows smoothly from one tone to another. The fight choreography is stellar, and special care was taken to make sure that every character in the piece is human. There're no 'perfect' people or places, and it somehow makes the wire fighting that appears in parts seem believable. The acting is excellent and the camera work is all rock steady.
Feeling jaded? Burdened? Wonder if it's possible for one person to make a difference? Settle in with a copy of this film, and believe...
24 of 26 people found this review helpful.
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After nearly two decades of avoiding kung fu movies, a copy of this one was pressed into my hands by a very dear friend... who then extracted a promise from me that I'd take the time that night to sit and watch it. I was less than enthusiastic when I tossed it into the drive of my Athlon, but a promise is a promise, after all. Five minutes later, a nuclear strike warning in my town couldn't have torn me away from the screen, and it's been watched a dozen times since.
There's always been a certain cheesiness to Hong Kong cinema, but on rare occasions a writer or director will directly tap a nerve and somehow weave that directly into the story: 'Kung Fu Hustle' is one of those films. This piece isn't simply a 'standard' kung fu movie; it's a romance, a sweeping portrait of good-versus-evil, and a moral lesson on the use of power. The comedic bits are so well integrated into the story that it flows smoothly from one tone to another. The fight choreography is stellar, and special care was taken to make sure that every character in the piece is human. There're no 'perfect' people or places, and it somehow makes the wire fighting that appears in parts seem believable. The acting is excellent and the camera work is all rock steady.
Feeling jaded? Burdened? Wonder if it's possible for one person to make a difference? Settle in with a copy of this film, and believe...