1987 was an exceedingly awesome year for kid-centric horror movies. In the span of just a few months, we were treated to both Tibor Takács’ The Gate and Fred Dekker’s The Monster Squad, and honestly, there may have not been a better year to be a young genre fan during that decade than in good ol’ 1987. And while there were an incredible amount of quality horror movies for this writer to dig into from that 12-month span of releases, one movie that I always had a deep appreciation for was The Gate, a story that I related to on numerous levels, even if I never happened to summon a horde of demons from digging a hole in my backyard.
An ambitious and good-hearted modern fairy tale that bluntly examined the universal horrors of growing up—both literally and figuratively—The Gate is an admirable genre debut from Takács, who had previously worked in Canadian television,...
An ambitious and good-hearted modern fairy tale that bluntly examined the universal horrors of growing up—both literally and figuratively—The Gate is an admirable genre debut from Takács, who had previously worked in Canadian television,...
- 7/11/2017
- by Heather Wixson
- DailyDead
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