Six weeks ago, Evan Glodell was in a funk. He’d made his filmmaking debut six years ago with micro-budget breakout “Bellflower,” in which he’d starred, written, directed, and produced through Coatwolf, his filmmaking collective. That film exploded at Sundance 2011, but now it seemed like all of his projects were stalled, again.
He wondered if he should have turned down an offer to wrangle VFX for Benh Zeitlin’s “Wendy,” another follow-up to a Sundance hit (“Beasts of the Southern Wild”) made by a filmmaking collective; unlike his Coatwolf projects, that one was successfully winding its way to completion.
Then suddenly, everything turned around. Coatwolf’s second film, “Chuck Hank and the San Diego Twins” produced, co-written, and starring Glodell, is close to locked and is ready for CAA to screen for buyers.
Their third, “Canary,” written, directed, produced, and starring Glodell, will hit the Cannes market to seek...
He wondered if he should have turned down an offer to wrangle VFX for Benh Zeitlin’s “Wendy,” another follow-up to a Sundance hit (“Beasts of the Southern Wild”) made by a filmmaking collective; unlike his Coatwolf projects, that one was successfully winding its way to completion.
Then suddenly, everything turned around. Coatwolf’s second film, “Chuck Hank and the San Diego Twins” produced, co-written, and starring Glodell, is close to locked and is ready for CAA to screen for buyers.
Their third, “Canary,” written, directed, produced, and starring Glodell, will hit the Cannes market to seek...
- 5/17/2017
- by Anne Thompson
- Indiewire
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