One of the great eccentrics of contemporary film, Eugène Green only began making movies in his mid-50s, after a career as an educator and specialist in baroque theater. Since releasing his debut, Toutes Les Nuits (2001), the writer-director has gone on to create a distinct and unusual body of work, influenced by baroque and medieval forms, fascinated by the power of language, and marked by a droll formalist sensibility and humor that brings to mind Robert Bresson. Green’s latest, The Son Of Joseph, is arguably his most accessible film to date, an offbeat modern-day fable that riffs on Christian imagery and modern life through the story of a sullen French teenager (Victor Ezenfis) who goes in search of his supposed biological father, an insensitive and philandering book publisher (Mathieu Amalric).
An American expat who has been a naturalized French citizen since the 1970s, Green now speaks English with a...
An American expat who has been a naturalized French citizen since the 1970s, Green now speaks English with a...
- 1/12/2017
- by Ignatiy Vishnevetsky
- avclub.com
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