The 2024 Cannes Film Festival lineup is expanding thanks to the newly unveiled Immersive competition.
The inaugural offering includes location-based virtual reality and mixed reality experiences, projection mapping, and holographic works. Actors such as Colin Farrell (“Gloomy Eyes”), Olivia Cooke (“Emperor”), Jessica Chastain, Millie Bobby Brown, and Patti Smith (“Spheres”) lend their respective voices to the projects created with cutting-edge technology.
The festival will host eight projects as part of the Immersive Competition, ushering in a new era of storytelling while “challenging convention, embracing new technologies, and above all celebrating new artists as well as old,” per the official press statement.
Outside of the competition, six non-competitive works will be featured at the exhibition exploring the evolution of the medium and drawing parallels between virtual reality, virtual production, cinema, and collective storytelling.
The Best Immersive Work Award will be presented by the President of the Jury at the Closing Ceremony on...
The inaugural offering includes location-based virtual reality and mixed reality experiences, projection mapping, and holographic works. Actors such as Colin Farrell (“Gloomy Eyes”), Olivia Cooke (“Emperor”), Jessica Chastain, Millie Bobby Brown, and Patti Smith (“Spheres”) lend their respective voices to the projects created with cutting-edge technology.
The festival will host eight projects as part of the Immersive Competition, ushering in a new era of storytelling while “challenging convention, embracing new technologies, and above all celebrating new artists as well as old,” per the official press statement.
Outside of the competition, six non-competitive works will be featured at the exhibition exploring the evolution of the medium and drawing parallels between virtual reality, virtual production, cinema, and collective storytelling.
The Best Immersive Work Award will be presented by the President of the Jury at the Closing Ceremony on...
- 4/23/2024
- by Samantha Bergeson
- Indiewire
Cannes Film Festival (May 15-24) has unveiled the eight titles for its inaugural immersive competition, including projects featuring Cate Blanchett, Millie Bobby Brown, Patti Smith, Colin Farrell and Jessica Chastain.
The competition includes location-based virtual reality and mixed reality experiences, as well as projection mapping and holographic works.
Evolver is voiced by Blanchett, and has previously played at Tribeca and Geneva International Film Festiva. It is helmed by Barnaby Steel, Ersin Han Ersin and Robin McNicholas of London-based art collective Marshmallow Laser Feast. Dirty Films is also a production company, and Coco Francini, Blanchett, and Andrew Upton are executive producers on the virtual reality project,...
The competition includes location-based virtual reality and mixed reality experiences, as well as projection mapping and holographic works.
Evolver is voiced by Blanchett, and has previously played at Tribeca and Geneva International Film Festiva. It is helmed by Barnaby Steel, Ersin Han Ersin and Robin McNicholas of London-based art collective Marshmallow Laser Feast. Dirty Films is also a production company, and Coco Francini, Blanchett, and Andrew Upton are executive producers on the virtual reality project,...
- 4/23/2024
- ScreenDaily
The Cannes Film Festival has unveiled the inaugural lineup for its Immersive Competition section, the first-ever selection of augmented and virtual reality works to screen at the austere French film fest.
The 8 competition titles and 6 out-of-competition screenings include works featuring such talents as Jessica Chastain, Colin Farrell, Millie Bobby Brown, and Tahar Rahim. The lineup highlights cutting-edge VR and Ar techniques and includes location-based virtual reality, mixed reality experiences, projection mapping, and holographic works.
Introducing the new immersive section, Cannes said it hoped to “spotlight the next generation of international artists who are redefining storytelling and inventing new narrative-driven experiences that move beyond the traditional two-dimensional cinema screen.” The section is being organized with support from the French national film board, the Cnc. The immersive works will be presented at an exhibition space in the Cannes Cineum complex on the outskirts of the city and at the campus of Cannes’s Georges Méliès film school.
The 8 competition titles and 6 out-of-competition screenings include works featuring such talents as Jessica Chastain, Colin Farrell, Millie Bobby Brown, and Tahar Rahim. The lineup highlights cutting-edge VR and Ar techniques and includes location-based virtual reality, mixed reality experiences, projection mapping, and holographic works.
Introducing the new immersive section, Cannes said it hoped to “spotlight the next generation of international artists who are redefining storytelling and inventing new narrative-driven experiences that move beyond the traditional two-dimensional cinema screen.” The section is being organized with support from the French national film board, the Cnc. The immersive works will be presented at an exhibition space in the Cannes Cineum complex on the outskirts of the city and at the campus of Cannes’s Georges Méliès film school.
- 4/23/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Cannes Film Festival has announced the selections for its Immersive lineup, including projects voiced by stars like Cate Blanchett, Colin Farrell and Jessica Chastain.
According to a press release, the Immersive competition includes “collective location-based virtual reality and mixed reality experiences, and projection mapping and holographic works. These carefully selected immersive works showcase the cutting edge of this new era in storytelling, challenging convention, embracing new technologies, and above all celebrating new artists as well as old.”
The eight projects in competition include the French premiere of “Evolver,” voiced by Blanchett, and the European premiere of “Maya: The Birth of a Superhero,” which counts “Bridgerton” star Charithra Chandran among its voice cast.
The out-of-competition lineup comprises six projects, including “Emperor” with “House of the Dragon” star Olivia Cooke; “Gloomy Eyes,” the English version of which is voiced by Farrell; and Eliza McNitt’s “Spheres” with Chastain, Millie Bobby Brown and Patti Smith.
According to a press release, the Immersive competition includes “collective location-based virtual reality and mixed reality experiences, and projection mapping and holographic works. These carefully selected immersive works showcase the cutting edge of this new era in storytelling, challenging convention, embracing new technologies, and above all celebrating new artists as well as old.”
The eight projects in competition include the French premiere of “Evolver,” voiced by Blanchett, and the European premiere of “Maya: The Birth of a Superhero,” which counts “Bridgerton” star Charithra Chandran among its voice cast.
The out-of-competition lineup comprises six projects, including “Emperor” with “House of the Dragon” star Olivia Cooke; “Gloomy Eyes,” the English version of which is voiced by Farrell; and Eliza McNitt’s “Spheres” with Chastain, Millie Bobby Brown and Patti Smith.
- 4/23/2024
- by Ellise Shafer
- Variety Film + TV
Click here to read the full article.
For BAFTA-nominated costume designer Jennifer Johnson (I, Tonya), working on Blonde was all about authenticity. Armed with a directive from writer-director Andrew Dominik — who would not approve a creation unless it was a perfect match — everything from the shades of Marilyn Monroe’s pink opera gloves to the placement of a pocket needed to be exact. Archival photos and films proved invaluable for the design of 100-plus costumes for Monroe along with those for 1,800 extras and supporting characters (including Joe Dimaggio, John F. Kennedy and Arthur Miller), which were a mixture of vintage and made-from-scratch items.
For an offscreen Monroe look, Jennifer Johnson remade capri pants found at L.A.’s Palace Costume.
Taking her cues from Joyce Carol Oates’ novel of the same name and Dominik’s script, Johnson’s goal was to convey the inner workings of the iconic screen siren...
For BAFTA-nominated costume designer Jennifer Johnson (I, Tonya), working on Blonde was all about authenticity. Armed with a directive from writer-director Andrew Dominik — who would not approve a creation unless it was a perfect match — everything from the shades of Marilyn Monroe’s pink opera gloves to the placement of a pocket needed to be exact. Archival photos and films proved invaluable for the design of 100-plus costumes for Monroe along with those for 1,800 extras and supporting characters (including Joe Dimaggio, John F. Kennedy and Arthur Miller), which were a mixture of vintage and made-from-scratch items.
For an offscreen Monroe look, Jennifer Johnson remade capri pants found at L.A.’s Palace Costume.
Taking her cues from Joyce Carol Oates’ novel of the same name and Dominik’s script, Johnson’s goal was to convey the inner workings of the iconic screen siren...
- 10/1/2022
- by Cathy Whitlock
- The Hollywood Reporter - Movie News
The days of the debonair hunk are slowly drifting away — but even if that archetype disappears entirely, I've got a feeling that Cary Grant will remain a paragon of style. It was his classic, immaculately-tailored style that first coined the term "debonair" in the first place, and ever since, Grant has influenced swaths of fashion-forward film lovers. Grant knew what he liked, and he rarely strayed from his staples. Fittingly, a lot of that informed the style of the characters he played. Grant often supplied his own wardrobe for his films — but maybe not for the reason you'd think.
Whatever Suited Grant
Throughout his career, Grant was always forthcoming with style advice. He had an ongoing relationship with GQ, and apart from the comprehensive style guide he penned for the magazine in 1967, Grant later shared a few behind-the-scenes secrets about costuming in Hollywood — at least, when he was still holding...
Whatever Suited Grant
Throughout his career, Grant was always forthcoming with style advice. He had an ongoing relationship with GQ, and apart from the comprehensive style guide he penned for the magazine in 1967, Grant later shared a few behind-the-scenes secrets about costuming in Hollywood — at least, when he was still holding...
- 8/26/2022
- by Lyvie Scott
- Slash Film
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.