It is curious how life and death interweave and collide in the final feature from French director Sophie Fillières who passed away aged only 58 last year, leaving notes written from her hospital bed on how the film should be completed.
A heightened poignancy, therefore, surrounds this autobiographical study of a mid-life crisis for its main protagonist Barberie Bichette (a bravura performance from Agnès Jaoui) who is separated from her husband and thoroughly bored with her job as an advertising copywriter. It emerges she is also a published novelist and poet.
Her mental state is revealed in a series of encounters with her circle of support, family and acquaintances including her grown-up son and daughter (Edouard Sulpice and Angelina Woreth) and sister (Valérie Donzeli) who regard her behaviour with a mix of disinterested intrigue and mounting concern. Meanwhile her therapist listens indulgently but fails to provide any real assistance while colleagues and.
A heightened poignancy, therefore, surrounds this autobiographical study of a mid-life crisis for its main protagonist Barberie Bichette (a bravura performance from Agnès Jaoui) who is separated from her husband and thoroughly bored with her job as an advertising copywriter. It emerges she is also a published novelist and poet.
Her mental state is revealed in a series of encounters with her circle of support, family and acquaintances including her grown-up son and daughter (Edouard Sulpice and Angelina Woreth) and sister (Valérie Donzeli) who regard her behaviour with a mix of disinterested intrigue and mounting concern. Meanwhile her therapist listens indulgently but fails to provide any real assistance while colleagues and.
- 5/26/2024
- by Richard Mowe
- eyeforfilm.co.uk
What is poignant about “This Life of Mine” — the final film by French writer-director Sophie Fillières — is all but impossible to extract from the beleaguered circumstances of its creation. Aged just 58, Fillières died last summer, shortly after completing the shoot of this wistful, somewhat autofictional study of midlife feminine crisis. Postproduction was supervised by her children, the actors Agathe and Adam Bonitzer, with the guidance of notes Fillières made in hospital, when it became clear to her that she’d never complete the project herself. What emerges from this process is a suitably elegiac testament to Fillières’ curious comic voice, centered on a fragile alter ego — played with a game lack of vanity by Agnès Jaoui — fearful that her life is passing her by. As filmmaking, however, it wants for shape and drive, and the intuitive editorial decision-making that only an author can bring to her work.
Heavy on wordplay and loose conversational drift,...
Heavy on wordplay and loose conversational drift,...
- 5/16/2024
- by Guy Lodge
- Variety Film + TV
French writer-director Sophie Fillières, who tragically died last year from cancer at the age of 58, was no stranger to depicting manic situations on screen.
Her genre of choice was comedy, and in films like Gentille (2005), Pardon My French (2009) and When Margaux Meets Margaux (2018), she used the prism of humor to portray women going through major personal crises, whether involving their turbulent love lives or the excorcism of their own inner demons. Fillières’ chatty, messy, offbeat movies played like darker Parisian takes on the films of Woody Allen, and they would inspire a generation of younger female auteurs like Justine Triet, whose Oscar-winning Anatomy of a Fall Fillières played a small role in.
A major personal crisis is what guides the director’s final feature, This Life of Mine (Ma Vie Ma Gueule), which stars Agnès Jaoui as a writer combatting her mental illness with plenty of wit and a fair amount of gravitas.
Her genre of choice was comedy, and in films like Gentille (2005), Pardon My French (2009) and When Margaux Meets Margaux (2018), she used the prism of humor to portray women going through major personal crises, whether involving their turbulent love lives or the excorcism of their own inner demons. Fillières’ chatty, messy, offbeat movies played like darker Parisian takes on the films of Woody Allen, and they would inspire a generation of younger female auteurs like Justine Triet, whose Oscar-winning Anatomy of a Fall Fillières played a small role in.
A major personal crisis is what guides the director’s final feature, This Life of Mine (Ma Vie Ma Gueule), which stars Agnès Jaoui as a writer combatting her mental illness with plenty of wit and a fair amount of gravitas.
- 5/15/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Agnès Jaoui in This Life Of Mine to be screened as the opening film in the Cannes Directors’ Fortnight Photo: The Party Film Sales Sophie Fillières who died last year at the age of 58, left behind a 'very intimate self-portrait, to which Agnès Jaoui lends body and soul' Photo: Photo Unifrance A respected French female filmmaker who died last year, will have her final film This Life of Mine screened in the opening slot on May 15 of the 77th edition of the Cannes Directors’ Fortnight.
Sophie Fillières managed to shoot the film last summer before her untimely death at the age of 58. The film titled in French Ma Vie, Ma Gueule, was finished by members of her family who include her partner, the filmmaker Pascal Bonitzer.
The film follows a middle-aged woman who travels to the Scottish Highlands to escape the harsh realities of her life and stars Agnès Jaoui,...
Sophie Fillières managed to shoot the film last summer before her untimely death at the age of 58. The film titled in French Ma Vie, Ma Gueule, was finished by members of her family who include her partner, the filmmaker Pascal Bonitzer.
The film follows a middle-aged woman who travels to the Scottish Highlands to escape the harsh realities of her life and stars Agnès Jaoui,...
- 4/16/2024
- by Richard Mowe
- eyeforfilm.co.uk
Directors’ Fortnight has unveiled the selection for its 56th edition heavy on films from first-time US filmmakers, South American titles, and talent including Isabelle Huppert, Michael Cera and Agnès Jaoui.
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
Artistic director Julien Rejl revealed the line-up at a press conference in Paris on Tuesday (April 16) for the Cannes parallel section run by French directors guild the Srf.
Scroll down for the full selection
After undergoing a complete rebranding for last year’s edition complete with new artistic director Rejl and a new more inclusive female-forward name in French to La Quinzaine des Cinéastes, this year’s selection includes eight...
- 4/16/2024
- ScreenDaily
Paris-based sales company is kicking off sales for the projects at Unifrance’s Rendez-Vous in Paris this week
Paris-based sales company The Party has added an eclectic blend of new titles to its 2024 line-up including Sophie Fillières’ posthumous This Life of Mine, Oscar nominated Four Daughters director Kaouther Ben Hania’s next film and a Franco-Vietnamese musical comedy.
The Party is kicking off sales at Unifrance’s Rendez-Vous in Paris this week for Fillières’ seventh feature, the comedy drama This Life Of Mine.
Fillières died in July 2023, at age 58, shortly after completing filming - sending shockwaves through the French film industry.
Paris-based sales company The Party has added an eclectic blend of new titles to its 2024 line-up including Sophie Fillières’ posthumous This Life of Mine, Oscar nominated Four Daughters director Kaouther Ben Hania’s next film and a Franco-Vietnamese musical comedy.
The Party is kicking off sales at Unifrance’s Rendez-Vous in Paris this week for Fillières’ seventh feature, the comedy drama This Life Of Mine.
Fillières died in July 2023, at age 58, shortly after completing filming - sending shockwaves through the French film industry.
- 1/16/2024
- by Rebecca Leffler
- ScreenDaily
Paris-base sales house boards literary adaptation ’And Their Children After Them’ and dark comedy ’Lucky Winners’
Paris-based sales house Charades will represent international sales rights to French star-powered adaptation And Their Children After Them and dark comedy Lucky Winners. Both titles will be released by Warner Bros. Pictures in France and Benelux.
And Their Children After Them (Leurs Enfants Après Eux) is directed by French twin brother writing-directing duo Ludovic and Zoran Boukherma and adapted from Nicolas Mathieu’s Prix Goncourt-winning book of the same name. The Boukhermas made their debut in Cannes’ Acid with Willy the 1st then followed with 2020 Official Selection Teddy.
Paris-based sales house Charades will represent international sales rights to French star-powered adaptation And Their Children After Them and dark comedy Lucky Winners. Both titles will be released by Warner Bros. Pictures in France and Benelux.
And Their Children After Them (Leurs Enfants Après Eux) is directed by French twin brother writing-directing duo Ludovic and Zoran Boukherma and adapted from Nicolas Mathieu’s Prix Goncourt-winning book of the same name. The Boukhermas made their debut in Cannes’ Acid with Willy the 1st then followed with 2020 Official Selection Teddy.
- 1/8/2024
- by Rebecca Leffler
- ScreenDaily
Paris-base sales house boards literary adaptation ’And Their Children After Them’ and dark comedy ’Lucky Winners’
Paris-based sales house Charades will represent international sales rights to French star-powered adaptation And Their Children After Them and dark comedy Lucky Winners. Both titles will be released by Warner Bros. Pictures in France and Benelux.
And Their Children After Them (Leurs Enfants Après Eux) is directed by French twin brother writing-directing duo Ludovic and Zoran Boukherma and adapted from Nicolas Mathieu’s Prix Goncourt-winning book of the same name. The Boukhermas made their debut in Cannes’ Acid with Willy the 1st then followed with 2020 Official Selection Teddy.
Paris-based sales house Charades will represent international sales rights to French star-powered adaptation And Their Children After Them and dark comedy Lucky Winners. Both titles will be released by Warner Bros. Pictures in France and Benelux.
And Their Children After Them (Leurs Enfants Après Eux) is directed by French twin brother writing-directing duo Ludovic and Zoran Boukherma and adapted from Nicolas Mathieu’s Prix Goncourt-winning book of the same name. The Boukhermas made their debut in Cannes’ Acid with Willy the 1st then followed with 2020 Official Selection Teddy.
- 1/8/2024
- by Rebecca Leffler
- ScreenDaily
The Cineuropa folks confirm that production on Sophie Fillières‘ seventh feature film is now complete (production took place in Scotland) – which means we’ll be aiming for a 2024 major film festival release. Fillières has been to Berlinale, Locarno and TIFF with her previous features. Among the cast in Ma vie ma gueule we find Agnès Jaoui, Philippe Katerine, Édouard Sulpice, Angelina Woreth, Emmanuel Salinger and filmmaker-actress Valérie Donzelli. Mother to actress Agathe Bonitzer, Fillières’ last film was La belle et la belle which starred Bonitzer, Sandrine Kiberlain and Melvil Poupaud.
Here is the synopsis from the Cineuropa folks:
This revolves around Barberie Bichette who’s also known as Barbie, and much to her dismay, she might have been beautiful, loved, a good mother to her children, a trustworthy colleague and a great lover, but now her life can be sombre, brutal, and often absurd, and it feels very strange for...
Here is the synopsis from the Cineuropa folks:
This revolves around Barberie Bichette who’s also known as Barbie, and much to her dismay, she might have been beautiful, loved, a good mother to her children, a trustworthy colleague and a great lover, but now her life can be sombre, brutal, and often absurd, and it feels very strange for...
- 7/18/2023
- by Eric Lavallée
- IONCINEMA.com
Alain Attal and Hugo Selignac have formed a producing duo known for delivering original, starry French films that probe uneasy subjects that earn B.O. gold and critical laurels. Attal is in Cannes with Un Certain Regard title “Rosalie,” while Selignac has “Omar à la Fraise” in Critics’ Week.
The pair is now about to hit a new milestone in 2024, starting with Gilles Lellouche’s epic romance drama “L’Amour Ouf,” which boasts a budget of €32 million ($34 million) and marks Studiocanal’s biggest investment in a French-language film to date. They also have “And Their Children After Them,” an adaptation of Nicolas Mathieu’s Goncourt Prize-winning novel to be directed by Ludovic and Zoran Boukherma (“Teddy”), which has been boarded by Warner Bros. France and HBO Max and France Televisions, the first French movie to bring together these three partners.
“L’Amour Ouf” also marks the first film co-acquired by Canal Plus,...
The pair is now about to hit a new milestone in 2024, starting with Gilles Lellouche’s epic romance drama “L’Amour Ouf,” which boasts a budget of €32 million ($34 million) and marks Studiocanal’s biggest investment in a French-language film to date. They also have “And Their Children After Them,” an adaptation of Nicolas Mathieu’s Goncourt Prize-winning novel to be directed by Ludovic and Zoran Boukherma (“Teddy”), which has been boarded by Warner Bros. France and HBO Max and France Televisions, the first French movie to bring together these three partners.
“L’Amour Ouf” also marks the first film co-acquired by Canal Plus,...
- 5/18/2023
- by Elsa Keslassy
- Variety Film + TV
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