Federated Indians of Graton Rancheria will enable Institute to expand support to federally and non-federally recognised California-based tribes.
Sundance Institute has received the largest endowment gift in its history in the form of a $4m gift to its Indigenous Program from the Federated Indians of Graton Rancheria (Figr).
The Federated Indians of Graton Rancheria | Sundance Institute Endowment will provide support for Indigenous artists from California-based tribes who are both federally and non-federally recognised, enabling the Institute to expand what it already offers to artists through the Indigenous Program.
The endowment will create a new fellowship for emerging and mid-career Indigenous...
Sundance Institute has received the largest endowment gift in its history in the form of a $4m gift to its Indigenous Program from the Federated Indians of Graton Rancheria (Figr).
The Federated Indians of Graton Rancheria | Sundance Institute Endowment will provide support for Indigenous artists from California-based tribes who are both federally and non-federally recognised, enabling the Institute to expand what it already offers to artists through the Indigenous Program.
The endowment will create a new fellowship for emerging and mid-career Indigenous...
- 6/14/2023
- by Jeremy Kay
- ScreenDaily
The Sundance Institute revealed on Wednesday that it has received the largest endowment gift in its history, a $4M endowment in support of the the Institute’s Indigenous Program from the Federated Indians of Graton Rancheria, which will provide new support for artists from California-based tribes, both federally and non-federally recognized.
Facilitated by Figr Tribal Chairman Greg Sarris, who participated in Sundance Institute’s Screenwriters Lab in 1992, the gift will allow the Sundance Institute to expand the offerings already available to artists through the Indigenous Program, an integral component of the Institute’s work that officially began in 1994 and has been woven into the organization’s values since its inception in 1981, when Native American filmmakers were invited by founder Robert Redford to participate in the originating meetings of the Sundance Institute and its first filmmaking lab.
The Federated Indians of Graton Rancheria | Sundance Institute Endowment will, in the immediate future,...
Facilitated by Figr Tribal Chairman Greg Sarris, who participated in Sundance Institute’s Screenwriters Lab in 1992, the gift will allow the Sundance Institute to expand the offerings already available to artists through the Indigenous Program, an integral component of the Institute’s work that officially began in 1994 and has been woven into the organization’s values since its inception in 1981, when Native American filmmakers were invited by founder Robert Redford to participate in the originating meetings of the Sundance Institute and its first filmmaking lab.
The Federated Indians of Graton Rancheria | Sundance Institute Endowment will, in the immediate future,...
- 6/14/2023
- by Matt Grobar
- Deadline Film + TV
The Sundance Institute has announced the fellows for the 2023 Directors, Screenwriters, and Native labs. For the past 40 years, Sundance Institute labs have hosted global independent filmmakers for in-depth tutorship on the creative process. Afterward, they’re honored at the annual Sundance Producers Celebration keynote at the festival in January itself. The festival itself returned this year in rousing in-person fashion, but the individual creative labors occur throughout the rest of the year.
This year’s Directors and Screenwriters Labs will support 12 fellows, with five fellows selected for the Native Lab. Artists will develop original works under the guidance of accomplished creative advisors.
The Native Lab has been a significant part of supporting Indigenous filmmakers for nearly two decades. The 2023 Native Lab will be held online May 1 through 5 and continues from May 8 through 13 in person in Santa Fe, New Mexico. Three hail from the U.S.A., one from Canada selected with the Indigenous Screen Office,...
This year’s Directors and Screenwriters Labs will support 12 fellows, with five fellows selected for the Native Lab. Artists will develop original works under the guidance of accomplished creative advisors.
The Native Lab has been a significant part of supporting Indigenous filmmakers for nearly two decades. The 2023 Native Lab will be held online May 1 through 5 and continues from May 8 through 13 in person in Santa Fe, New Mexico. Three hail from the U.S.A., one from Canada selected with the Indigenous Screen Office,...
- 4/27/2023
- by Ryan Lattanzio
- Indiewire
Click here to read the full article.
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
Fire of Love and The Territory landed a field-leading seven mentions, including best feature, in the Cinema Eye Honors nominations, which were announced Thursday.
The Ceh organization, which celebrates nonfiction work on screens big and small, also nominated All That Breathes (six noms), All the Beauty and the Bloodshed (four noms), Navalny (three noms) and A Night of Knowing Nothing (four noms) for its top honor.
Meanwhile, in the directing category, an unprecedented five of the six nominees are women: Laura Poitras (All the Beauty and the Bloodshed), Rebecca Huntt (Beba), Margaret Brown (Descendant), Sara Dosa (Fire of Love) and Payal Kapadia (A Night of Knowing Nothing). The sixth nominee is Shaunak Sen (All That Breathes).
Poitras, with her noms for feature and direction, ties Steve James for the most Ceh noms of all time, with 13.
Alex Pritz has the most individual noms this year,...
- 11/10/2022
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Exclusive: The award-winning documentary Long Line of Ladies, about a 13-year-old Native American girl’s coming of age ceremony in the Karuk tradition, will premiere on the New York Times Op-Docs channels Tuesday, the first day of Indigenous Peoples Month.
The film directed by Shaandiin Tome and Oscar winner Rayka Zehtabchi offers an intimate look at the experience of Ahtyirahm “Ahty” Allen, a member of the Karuk Tribe of Northern California, as she prepares for her “Ihuk” or Flower Dance – a once-dormant ceremony that “takes place after young women in her community have their first period.”
As part of the ceremony, Ahty will fast for three and a half days and wear a taáv, a kind of feathered veil obscuring her sight, for four days. The 22-minute long film doesn’t show the actual ceremony itself – “the filmmakers refrained from filming the event out of respect for the traditions...
The film directed by Shaandiin Tome and Oscar winner Rayka Zehtabchi offers an intimate look at the experience of Ahtyirahm “Ahty” Allen, a member of the Karuk Tribe of Northern California, as she prepares for her “Ihuk” or Flower Dance – a once-dormant ceremony that “takes place after young women in her community have their first period.”
As part of the ceremony, Ahty will fast for three and a half days and wear a taáv, a kind of feathered veil obscuring her sight, for four days. The 22-minute long film doesn’t show the actual ceremony itself – “the filmmakers refrained from filming the event out of respect for the traditions...
- 11/1/2022
- by Matthew Carey
- Deadline Film + TV
In preparation for a summer return to in-person artist development labs, the Sundance Institute today named those selected as fellows for its 2022 Directors, Screenwriters and Native Labs.
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
- 5/9/2022
- by Matt Grobar
- Deadline Film + TV
The Seattle International Film Festival returned to its in-person format for the first time since 2019 this year, with many of the indie film world’s finest making their way to the Emerald City. The 11-day festival, which concluded this weekend, screened 263 films, including 28 world premieres, and ultimately honored a combination of domestic and foreign films with its awards.
The timely Ukrainian war drama “Klondike” from Maryna Er Gorbach won the Grand Jury Prize, with Zia Mohajerjasbi’s Seattle-set drama “Know Your Place” earning rave reviews from audiences and winning the festival’s New American Cinema Competition.
“As we celebrated our first in-person festival in three years, we were so thrilled to bring great films and new voices from across the globe,” said Beth Barrett, Siff Artistic Director. “Creating those experiences that bring audiences around film, both in cinema and hybrid, allowed us all to connect, to learn, and to make...
The timely Ukrainian war drama “Klondike” from Maryna Er Gorbach won the Grand Jury Prize, with Zia Mohajerjasbi’s Seattle-set drama “Know Your Place” earning rave reviews from audiences and winning the festival’s New American Cinema Competition.
“As we celebrated our first in-person festival in three years, we were so thrilled to bring great films and new voices from across the globe,” said Beth Barrett, Siff Artistic Director. “Creating those experiences that bring audiences around film, both in cinema and hybrid, allowed us all to connect, to learn, and to make...
- 4/24/2022
- by Christian Zilko
- Indiewire
The Seattle International Film Festival closed its 48th edition on Sunday by announcing its top honors, presenting awards at a ceremony at the Hyatt Regency Hotel in downtown Seattle.
“Klondike,” a film following a family that lives on the tumultuous border of Russia and Ukraine in 2014, was awarded the grand jury prize within the festival’s official competition.
“For a work both tragically prophetic and universal in its impact, a ferocious and formalist vision of war that fuses humanism, black comedy and horror into a searing and original vision, we award the Grand Jury Prize to Maryna Er Gorbach’s ‘Klondike,'” said the jury, composed of Angel An, senior director of acquisitions at Roadside Attraction; David Ansen, lead programmer at the Palm Spring International Film Festival; and Matthew Campbell, artistic director of the Denver Film Society and the Denver Film Festival.
“Know Your Place,” a drama following two teenage...
“Klondike,” a film following a family that lives on the tumultuous border of Russia and Ukraine in 2014, was awarded the grand jury prize within the festival’s official competition.
“For a work both tragically prophetic and universal in its impact, a ferocious and formalist vision of war that fuses humanism, black comedy and horror into a searing and original vision, we award the Grand Jury Prize to Maryna Er Gorbach’s ‘Klondike,'” said the jury, composed of Angel An, senior director of acquisitions at Roadside Attraction; David Ansen, lead programmer at the Palm Spring International Film Festival; and Matthew Campbell, artistic director of the Denver Film Society and the Denver Film Festival.
“Know Your Place,” a drama following two teenage...
- 4/24/2022
- by J. Kim Murphy
- Variety Film + TV
Historically, there has been a lack of women behind the camera. In fact, a 2021 study conducted by San Diego State University’s Dr. Martha M. Lauzen reported that overall, women made up just 25% of those working in behind-the-scenes roles, such as directors, editors, writers, and producers, on the top grossing 250 films of the year. However, at this year’s Sundance Film Festival, 52% of the films were directed by women.
In “The Future of Filmmaking Is Female” panel presented by Adobe and WrapWomen, the discussion centered on the importance of having more women storytellers. The panelists included Sundance filmmakers Isabel Castro, Maliyamungu Muhande, Shaandiin Tome and Robbie Brenner, who is also executive vice president and executive producer of Mattel Films. Ann Lewnes, chief marketing officer and executive vice president of corporate strategy and development at Adobe, moderated the discussion.
The panel started with introductions of the filmmakers and their respective films,...
In “The Future of Filmmaking Is Female” panel presented by Adobe and WrapWomen, the discussion centered on the importance of having more women storytellers. The panelists included Sundance filmmakers Isabel Castro, Maliyamungu Muhande, Shaandiin Tome and Robbie Brenner, who is also executive vice president and executive producer of Mattel Films. Ann Lewnes, chief marketing officer and executive vice president of corporate strategy and development at Adobe, moderated the discussion.
The panel started with introductions of the filmmakers and their respective films,...
- 3/24/2022
- by Aarohi Sheth
- The Wrap
Chicago – Groundbreaking filmmakers often start at the South by Southwest Festival. Influencers like the Duplass brothers, Chicago’s Joe Swanberg and Lena Dunham got their first prominent notices at the fest. In that spirit, the 2022 SXSW Grand Jury Awards were announced on March 15th.
The top film in Narrative Features was “I Love My Dad” by writer/director James Morosini, featuring Patton Oswalt and Morosini himself as father and son reconnecting under odd circumstances. The Documentary Feature awardee was “Master of Light” by Rosa Ruth Boesten, an unusual profile of painter George Anthony Morton, as he struggles to render his mother. And the Narrative Short deemed best is by writer/director Tang Yi, entitled “All the Crows in the World,” with its “inventive story and critiques of patriarchal culture.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
I Love My Dad
Photo credit: SXSW.
The top film in Narrative Features was “I Love My Dad” by writer/director James Morosini, featuring Patton Oswalt and Morosini himself as father and son reconnecting under odd circumstances. The Documentary Feature awardee was “Master of Light” by Rosa Ruth Boesten, an unusual profile of painter George Anthony Morton, as he struggles to render his mother. And the Narrative Short deemed best is by writer/director Tang Yi, entitled “All the Crows in the World,” with its “inventive story and critiques of patriarchal culture.”
The following is the list of top honorees …
Grand Jury Prize - Narrative Feature
I Love My Dad
Photo credit: SXSW.
- 3/17/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Films will continue to be available on festival platform until March 21.
James Morosini’s I Love My Dad starring Patton Oswalt and Morosini has won SXSW 2022’s Narrative Feature Competition and Rosa Ruth Boesten’s Master Of Light the documentary feature competition.
In other juried and special awards announced on Tuesday night (15) Antonia Campbell-Hughes’s It is In Us All earned special jury recognition for extraordinary cinematic vision. All 2022 film categories will be eligible for category-specific audience awards which will be announced next week.
“It was extraordinary to gather together in person again after so long and we are so...
James Morosini’s I Love My Dad starring Patton Oswalt and Morosini has won SXSW 2022’s Narrative Feature Competition and Rosa Ruth Boesten’s Master Of Light the documentary feature competition.
In other juried and special awards announced on Tuesday night (15) Antonia Campbell-Hughes’s It is In Us All earned special jury recognition for extraordinary cinematic vision. All 2022 film categories will be eligible for category-specific audience awards which will be announced next week.
“It was extraordinary to gather together in person again after so long and we are so...
- 3/16/2022
- by Jeremy Kay
- ScreenDaily
The South by Southwest 2022 Film Festival grand jury awarded James Morosini’s “I Love My Dad,” a comedy starring Patton Oswalt, its top jury prize in the festival’s Narrative Feature Competition.
Among some of the other top film prizes, “Master of Light” about painter George Anthony Morton and directed by Rosa Ruth Boesten won the Documentary Feature Competition jury prize, Tang Yi’s “All the Crows in the World” won the Narrative Short Competition, and “Long Line of Ladies” from directors Rayka Zehtabchi and Shaandiin Tome won the Documentary Short Competition.
“I Love My Dad” is the feature debut by writer, director and star Morosini (also an actor known for “The Sex Lives of College Girls”), and the film stars Oswalt as an estranged father who, desperate to reconnect with his depressive son, inadvertently catfishes him online, pretending to be a waitress that his son inevitably falls for. The...
Among some of the other top film prizes, “Master of Light” about painter George Anthony Morton and directed by Rosa Ruth Boesten won the Documentary Feature Competition jury prize, Tang Yi’s “All the Crows in the World” won the Narrative Short Competition, and “Long Line of Ladies” from directors Rayka Zehtabchi and Shaandiin Tome won the Documentary Short Competition.
“I Love My Dad” is the feature debut by writer, director and star Morosini (also an actor known for “The Sex Lives of College Girls”), and the film stars Oswalt as an estranged father who, desperate to reconnect with his depressive son, inadvertently catfishes him online, pretending to be a waitress that his son inevitably falls for. The...
- 3/16/2022
- by Brian Welk
- The Wrap
Back together in person after two years of going virtual during the pandemic, the Austin-based SXSW Film Festival has announced its juried prizes. As in previous editions, the awards show happened at the midpoint of the nine-day event, before SXSW’s music events suck much of the attention away from film screenings.
The top prize in narrative feature competition went to “I Love My Dad,” written and directed by James Morosini, who also stars as a younger version of himself in this uncomfortable retelling of how he was catfished by his father (played by Patton Oswalt).
“Morosini displays massive empathy as a filmmaker to get into the mind of the father he feels betrayed by, and also as an actor portraying the impact of that betrayal,” said the jury, who also gave special jury prizes to the cast and crew of “It Is in Us All” and Elizaveta Yankovskaya, star of the Russian film “Nika.
The top prize in narrative feature competition went to “I Love My Dad,” written and directed by James Morosini, who also stars as a younger version of himself in this uncomfortable retelling of how he was catfished by his father (played by Patton Oswalt).
“Morosini displays massive empathy as a filmmaker to get into the mind of the father he feels betrayed by, and also as an actor portraying the impact of that betrayal,” said the jury, who also gave special jury prizes to the cast and crew of “It Is in Us All” and Elizaveta Yankovskaya, star of the Russian film “Nika.
- 3/16/2022
- by Peter Debruge
- Variety Film + TV
The 2022 jury and special award winners of the 29th SXSW Film Festival were unveiled on Tuesday night out of Austin, Texas. Feature films receiving jury awards were selected from the narrative and documentary competitions. Juried awards for shorts, design, and Xr experience were also announced.
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
Special awards announced included: Louis Black “Lone Star” Award, Adobe Editing Award, Adam Yauch Hörnblowér Award, Zeiss Cinematography Award, the Mailchimp Support the Shorts Award, and the Fandor New Voices Award.
All 2022 film categories will be eligible for category-specific audience awards, which will be certified by the accounting firm of Maxwell Locke & Ritter. Online screenings and audience award voting will conclude 9 a.m. Ct on Monday, March 21. Winners will be announced via sxsw.com that week.
“It was extraordinary to gather together in person again after so long and we are so grateful to the filmmakers and audience who joined us at SXSW 2022 in...
- 3/16/2022
- by Ryan Lattanzio
- Indiewire
Long Line of Ladies – Teaser from Rayka Zehtabchi on Vimeo. Valuing time-honored traditions and values while also adapting to contemporary customs and ideas is one of the most important ways societies can evolve and support gender equality amongst all of its citizens. The new documentary short, ‘Long Line of Ladies,’ is doing just that […]
The post 2022 Sundance Film Festival Interview: Rayka Zehtabchi and Shaandiin Tome Talk Long Line of Ladies (Exclusive) appeared first on Shockya.com.
The post 2022 Sundance Film Festival Interview: Rayka Zehtabchi and Shaandiin Tome Talk Long Line of Ladies (Exclusive) appeared first on Shockya.com.
- 1/25/2022
- by Karen Benardello
- ShockYa
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.