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“April Snow” is a Korean romantic drama which gained critical recognition worldwide, as it was nominated for the Gold Hugo at the Chicago International Film Festival, and for the Golden Seashell at the San Sebastián International Film Festival. The movie grossed approximately $2.5 million in South Korea, and was a box office success in China, Japan, and the Philippines.
on Amazon by clicking on the image below
The narrative revolves around the relationship between two characters. In-su (Bae Yong-jun) and Seo-young (Son Ye-jin) encounter each other in a hospital following a car accident involving their spouses, who were both in the same vehicle. Gradually, it becomes apparent that they were having an affair. The main characters reside in the same hotel close to the hospital to attend to their unconscious spouses. At first, they seem to avoid each other, but after a while they start to bond over their shared sorrow,...
on Amazon by clicking on the image below
The narrative revolves around the relationship between two characters. In-su (Bae Yong-jun) and Seo-young (Son Ye-jin) encounter each other in a hospital following a car accident involving their spouses, who were both in the same vehicle. Gradually, it becomes apparent that they were having an affair. The main characters reside in the same hotel close to the hospital to attend to their unconscious spouses. At first, they seem to avoid each other, but after a while they start to bond over their shared sorrow,...
- 2/16/2024
- by Tobiasz Dunin
- AsianMoviePulse
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After the release of his critically acclaimed gay romance “Badhaai Do” in 2022, Harshvardhan Kulkarni was asked whether or not he was inspired by Kim Jho Gwang-Soo's “Two Weddings and a Funeral,” which had come out in Korea ten years prior. Kulkarni denied having seen Kim Jho's film and noted that the concept of “Lavender Marriages,” in which a man and a woman marry in order to hide that they're gay, is not new. He went as far as to compare it to the “Elopement Marriage” trope found in so many romance stories throughout history, but the truth is that queer marriages of convenience have factored into far fewer popular films. It's difficult, then, not to compare the two films, but Kim Jho's exploration of the idea is breezier and sillier at its best. Unfortunately, overwrought melodrama in the third act takes away from what is otherwise a winning rom-com.
“Two...
“Two...
- 11/2/2023
- by Henry McKeand
- AsianMoviePulse
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