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(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
Until "The Little Mermaid" arrived in 1989 and ushered in another golden age for Disney animation, the '80s were not an otherwise great period for the storied studio. That opened the door for other studios and creators to swoop in and steal some of Disney's glory. Enter Don Bluth, one of animation's most heralded creators, who cut his teeth at Disney before going out on his own. Bluth, with the backing of Universal Pictures, Steven Spielberg, and George Lucas, directed "The Land Before Time," one of the most beloved '80s animated films around.
Bluth helped fill the void after Walt Disney passed away, directing movies like "The Rescuers" and "Pete's Dragon.
(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
Until "The Little Mermaid" arrived in 1989 and ushered in another golden age for Disney animation, the '80s were not an otherwise great period for the storied studio. That opened the door for other studios and creators to swoop in and steal some of Disney's glory. Enter Don Bluth, one of animation's most heralded creators, who cut his teeth at Disney before going out on his own. Bluth, with the backing of Universal Pictures, Steven Spielberg, and George Lucas, directed "The Land Before Time," one of the most beloved '80s animated films around.
Bluth helped fill the void after Walt Disney passed away, directing movies like "The Rescuers" and "Pete's Dragon.
- 12/2/2023
- by Ryan Scott
- Slash Film
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If you weren't aware going in that "65" hailed from the co-writers of "A Quiet Place," you'd pick up on the parallels quickly enough. There are grieving parents; an emotional story about family; a father figure and a surrogate daughter who often communicate non-verbally; and a whole lot of scary creatures itching to hunt down and kill the heroes. The big difference? This time, the creatures aren't blind aliens with super-sensitive hearing. They're a bunch of dinosaurs who all look and act like the Sharptooth from "The Land Before Time," be they tall as a house or tiny as a (still rather large) mouse.
"Forget anything you know about trophic dynamics and population control — this forest is all-murder, all the time," to quote Sarah Bea Milner's "65" review for /Film.
As the only survivors of a space expedition with the misfortune of crash-landing in this deadly prehistoric setting, it falls...
"Forget anything you know about trophic dynamics and population control — this forest is all-murder, all the time," to quote Sarah Bea Milner's "65" review for /Film.
As the only survivors of a space expedition with the misfortune of crash-landing in this deadly prehistoric setting, it falls...
- 3/13/2023
- by Sandy Schaefer
- Slash Film
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