UCLA School of Theater, Film and Television’s Professional Programs has revealed the winners of its 2021 Feature Screenplay, Television Pilot and Acting for the Camera Pitch competitions.
Alexandra Hope Mackey won the Screenwriting competition for her comedy-drama The Beheaded; Shannon Walsh took the Writing for Television Drama Pilot prize for her drama Sylvie’s Mount; Alexis Irvin was the Writing for Television Comedy Pilot winner for her dramedy The Broad in the Huddle, and Ritabhari Chakraborty won the Acting for the Camera Pitch Competition for her multicultural drama Colors of Silence.
Each received a prize of $1,000. They were chosen from among the yearlong Professional Program in Screenwriting, the yearlong Writing for Television Professional Program and the yearlong Acting for the Camera Professional Program.
Walsh was a runner-up in the 2019-20 screenwriting competition for her coming-of-age drama Death, Ghosts & Other Stuff.
The program also named honorable mention recipients for each of...
Alexandra Hope Mackey won the Screenwriting competition for her comedy-drama The Beheaded; Shannon Walsh took the Writing for Television Drama Pilot prize for her drama Sylvie’s Mount; Alexis Irvin was the Writing for Television Comedy Pilot winner for her dramedy The Broad in the Huddle, and Ritabhari Chakraborty won the Acting for the Camera Pitch Competition for her multicultural drama Colors of Silence.
Each received a prize of $1,000. They were chosen from among the yearlong Professional Program in Screenwriting, the yearlong Writing for Television Professional Program and the yearlong Acting for the Camera Professional Program.
Walsh was a runner-up in the 2019-20 screenwriting competition for her coming-of-age drama Death, Ghosts & Other Stuff.
The program also named honorable mention recipients for each of...
- 6/23/2021
- by Erik Pedersen
- Deadline Film + TV
Blossom Written and directed by Spencer Lott At Dixon Place, NYC September 9-September 24, 2016
No one wants to hear the phrase "end-of-life decisions." Moments after being introduced to us via a daring act of heroism, James Blossom (voiced by Rowan Magee), is being advised by a doctor to make his as soon as possible. James, the eponymous Blossom of puppet artist, director, and filmmaker Spencer Lott's new play, developed with support from the Jim Henson Foundation, has just been diagnosed with Alzheimer's, and we follow James and his daughter Kathryn, a.k.a. Katy, a.k.a. Katy Bee (Jamie Agnello), as they do their best to navigate the practical, psychological, and emotional fallout of James's disease.
The advance of his Alzheimer's precipitates James's move into assisted living facility, against his wishes, of course. There, he meets fellow residents Maisey and Ronald. The symbolism around loss of control generated by...
No one wants to hear the phrase "end-of-life decisions." Moments after being introduced to us via a daring act of heroism, James Blossom (voiced by Rowan Magee), is being advised by a doctor to make his as soon as possible. James, the eponymous Blossom of puppet artist, director, and filmmaker Spencer Lott's new play, developed with support from the Jim Henson Foundation, has just been diagnosed with Alzheimer's, and we follow James and his daughter Kathryn, a.k.a. Katy, a.k.a. Katy Bee (Jamie Agnello), as they do their best to navigate the practical, psychological, and emotional fallout of James's disease.
The advance of his Alzheimer's precipitates James's move into assisted living facility, against his wishes, of course. There, he meets fellow residents Maisey and Ronald. The symbolism around loss of control generated by...
- 9/20/2016
- by Leah Richards
- www.culturecatch.com
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