Sales outfit to also handle international sales for the Israeli director’s back catalogue.
HanWay Films has acquired international sales rights to Amos Gitai’s Laila In Haifa, ahead of its world premiere in competition at the Venice Film Festival (Sept 2-12).
The UK sales outfit will also now handle international sales for the Israeli director’s back catalogue of work.
Laila In Haifa is set over one fateful night in a club in the port town of Haifa and explores the interweaving stories of five women. The film aims to present a snapshot of contemporary life in one of...
HanWay Films has acquired international sales rights to Amos Gitai’s Laila In Haifa, ahead of its world premiere in competition at the Venice Film Festival (Sept 2-12).
The UK sales outfit will also now handle international sales for the Israeli director’s back catalogue of work.
Laila In Haifa is set over one fateful night in a club in the port town of Haifa and explores the interweaving stories of five women. The film aims to present a snapshot of contemporary life in one of...
- 7/28/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Sales outfit to also handle international sales for the Israeli director’s back catalogue.
HanWay Films has acquired international sales rights to Amos Gitai’s Laila In Haifa, ahead of its world premiere in competition at the Venice Film Festival (Sept 2-12).
The UK sales outfit will also now handle international sales for the Israeli director’s back catalogue of work.
Laila In Haifa is set over one fateful night in a club in the port town of Haifa and explores the interweaving stories of five women. The film aims to present a snapshot of contemporary life in one of...
HanWay Films has acquired international sales rights to Amos Gitai’s Laila In Haifa, ahead of its world premiere in competition at the Venice Film Festival (Sept 2-12).
The UK sales outfit will also now handle international sales for the Israeli director’s back catalogue of work.
Laila In Haifa is set over one fateful night in a club in the port town of Haifa and explores the interweaving stories of five women. The film aims to present a snapshot of contemporary life in one of...
- 7/28/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
HanWay Films will handle international sales on Amos Gitai’s Laila In Haifa, which was announced today in the Venice Film Festival’s Competition line-up.
With an ensemble cast of both Israeli and Palestinian actors, the pic interweaves the stories of five women. It is set over a night in a club in the Israeli port town of Haifa and is a candid snapshot of one of the last remaining spaces where Israelis and Palestinians come together to engage in face-to-face relationships.
Project is an Israel-France co-production between Agav Films, Cdp and United King Film in association with Patrick Jeanneret, Andrea Di Nardo and Ruth and Stephen Hendel.
Alongside the deal, HanWay will also take on rights to the majority of Gitai’s back catalogue. Including: Esther (1986), Berlin Jerusalem (1989), Golem: Spirit Of Exile (1992), The Petrified Garden (1993), Devarim (1995), The Arena Of Murder (1996), Yom Yom (1998), Kadosh (1999), Kippur (2000), Kedma (2002), Alila (2003), Promised Land (2003), One...
With an ensemble cast of both Israeli and Palestinian actors, the pic interweaves the stories of five women. It is set over a night in a club in the Israeli port town of Haifa and is a candid snapshot of one of the last remaining spaces where Israelis and Palestinians come together to engage in face-to-face relationships.
Project is an Israel-France co-production between Agav Films, Cdp and United King Film in association with Patrick Jeanneret, Andrea Di Nardo and Ruth and Stephen Hendel.
Alongside the deal, HanWay will also take on rights to the majority of Gitai’s back catalogue. Including: Esther (1986), Berlin Jerusalem (1989), Golem: Spirit Of Exile (1992), The Petrified Garden (1993), Devarim (1995), The Arena Of Murder (1996), Yom Yom (1998), Kadosh (1999), Kippur (2000), Kedma (2002), Alila (2003), Promised Land (2003), One...
- 7/28/2020
- by Tom Grater
- Deadline Film + TV
U.K. based HanWay Films will handle international sales on Israeli auteur Amos Gitai’s new film “Laila In Haifa,” set to bow in competition at the Venice Film Festival in September. HanWay will also represent 25 films from Gitai’s extensive body of award-winning work.
With an ensemble cast of both Israeli and Palestinian actors, “Laila in Haifa” (A Night in Haifa) follows the interweaving stories of five women over one night in a club in the port town of Haifa.
The film is a co-production between France’s Agav Films and Cdp and Israel’s United King Film in association with Patrick Jeanneret, Andrea Di Nardo and Ruth and Stephen Hendel.
Gitai said, “We are delighted at the announcement that Laila in Haifa is selected this year as part of the Venice Film Festival. This is a special moment after the anxieties, economic worries, viruses, political viruses of the...
With an ensemble cast of both Israeli and Palestinian actors, “Laila in Haifa” (A Night in Haifa) follows the interweaving stories of five women over one night in a club in the port town of Haifa.
The film is a co-production between France’s Agav Films and Cdp and Israel’s United King Film in association with Patrick Jeanneret, Andrea Di Nardo and Ruth and Stephen Hendel.
Gitai said, “We are delighted at the announcement that Laila in Haifa is selected this year as part of the Venice Film Festival. This is a special moment after the anxieties, economic worries, viruses, political viruses of the...
- 7/28/2020
- by Naman Ramachandran
- Variety Film + TV
A musical about the great Temptations is headed to Broadway. Ain’t Too Proud – The Life and Times of the Temptations, directed by Des McAnuff and produced by Ira Pittelman and Tom Hulce, will begin performances at the Imperial Theatre in spring 2019.
The musical, which follows the classic Motown vocalists – and their signature dance moves – from “the streets of Detroit to the Rock & Roll Hall of Fame,” had its world premiere at Berkeley Repertory Theatre, where it became the highest grossing production in that theater’s nearly 50-year history. The musical later broke the single-week box office record at Washington D.C.’s Eisenhower Theater in the John F. Kennedy Center for the Performing Arts, according to producers.
Producers describe the show as the “story of brotherhood, family, loyalty, and betrayal,” all playing out against a backdrop of civil unrest and set to Temptations classics like “My Girl,” “Just My Imagination,...
The musical, which follows the classic Motown vocalists – and their signature dance moves – from “the streets of Detroit to the Rock & Roll Hall of Fame,” had its world premiere at Berkeley Repertory Theatre, where it became the highest grossing production in that theater’s nearly 50-year history. The musical later broke the single-week box office record at Washington D.C.’s Eisenhower Theater in the John F. Kennedy Center for the Performing Arts, according to producers.
Producers describe the show as the “story of brotherhood, family, loyalty, and betrayal,” all playing out against a backdrop of civil unrest and set to Temptations classics like “My Girl,” “Just My Imagination,...
- 8/24/2018
- by Greg Evans
- Deadline Film + TV
Musicians are natural-born documentary subjects: They say outrageous things, they look fabulous doing it, and they might just let you license their music for free (if they like you). Anyone who rises to rock star level fame is either a tortured soul or a creative genius — or, sometimes, both. The challenge in making a music documentary is to rise above mere hagiography and tell a story most fans have never heard before, which can be tricky when you’re dealing with people as obsessively beloved as Kurt Cobain or Amy Winehouse.
In some cases, the best stories are discovered behind the scenes: the forgotten backup singers, the recluse who discovers his fame decades later, the brother living in the shadows of the rock star. Whether famous or unknown, there is nothing quite as daring as getting on a stage and singing your guts out — and no creative skill as revered...
In some cases, the best stories are discovered behind the scenes: the forgotten backup singers, the recluse who discovers his fame decades later, the brother living in the shadows of the rock star. Whether famous or unknown, there is nothing quite as daring as getting on a stage and singing your guts out — and no creative skill as revered...
- 3/5/2018
- by Jude Dry, Chris O'Falt, Kate Erbland, Steve Greene, Jenna Marotta, Eric Kohn, William Earl, Anne Thompson and Michael Nordine
- Indiewire
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