A Month of Sundays: Said Squeezes Magic Out of Melancholy
The tagline for Iair Said’s sophomore film More People Die on Sundays (Los domingos mueren más personas) could very well be “Death Be Not Loud,” as it examines a somewhat hapless thirtysomething, played by the director himself, who returns home for a funeral and experiences something resembling an epiphany regarding his own search for fulfillment. Like Said’s previous directorial effort, the 2019 documentary Flora’s Life is No Picnic, death is the transitional phase acting as dramatic catalyst, used as an impetus for the living to grasp for meaning in either an existential or economic sense.…...
The tagline for Iair Said’s sophomore film More People Die on Sundays (Los domingos mueren más personas) could very well be “Death Be Not Loud,” as it examines a somewhat hapless thirtysomething, played by the director himself, who returns home for a funeral and experiences something resembling an epiphany regarding his own search for fulfillment. Like Said’s previous directorial effort, the 2019 documentary Flora’s Life is No Picnic, death is the transitional phase acting as dramatic catalyst, used as an impetus for the living to grasp for meaning in either an existential or economic sense.…...
- 5/18/2024
- by Nicholas Bell
- IONCINEMA.com
Personal, vaguely auto-fictional stories are de rigueur for first-time filmmakers, especially actors turning directors.Iair Said, seen in last year’s The Delinquents, makes an undistinguished debut after trying his hand at a couple of shorts. Increasingly, subjects of coming-of-age tales are infantilized millennials, the point being they never came of age and have to do so in their 30s. Seeing teenagers grapple with adulthood can be stirring, but seeing 30-somethings do so can quickly get tiresome. Most People Die On Sundays, represents David’s (Iair Said) aimlessness almost too well as the film itself comes across as meandering, ill-formed and without a proper destination in mind. David is a mid-30s student in Italy and Said begins the film in unsparing and self-effacing fashion. We see...
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- 5/18/2024
- Screen Anarchy
Iair Said’s first fiction feature, “Most People Die on Sundays,” will world premiere in this year’s Acid section at Cannes, although until recently, the filmmaker knew little about the platform.
“It was something new to me,” he told Variety in a recent interview when asked about being picked for this year’s lineup. “I’m not very informed about these kinds of industry things; I just make films to express myself.”
Although the Acid sidebar is new to Said, this isn’t his first time at Cannes. The director’s second short film, “Presente imperfecto,” screened in the festival’s main short film competition in 2015.
Loosely based on Said’s real-life experiences when his own father died, “Most People Die on Sunday” is the story of David, a chubby, promiscuous, gay, middle-class Jewish man from Buenos Aires in his 30s who lives in a state of arrested development.
“It was something new to me,” he told Variety in a recent interview when asked about being picked for this year’s lineup. “I’m not very informed about these kinds of industry things; I just make films to express myself.”
Although the Acid sidebar is new to Said, this isn’t his first time at Cannes. The director’s second short film, “Presente imperfecto,” screened in the festival’s main short film competition in 2015.
Loosely based on Said’s real-life experiences when his own father died, “Most People Die on Sunday” is the story of David, a chubby, promiscuous, gay, middle-class Jewish man from Buenos Aires in his 30s who lives in a state of arrested development.
- 5/17/2024
- by Jamie Lang
- Variety Film + TV
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 5/9/2024
- ScreenDaily
Iair Said’s debut feature Most People Die On Sundays has been acquired for France by distributor Jhr Films ahead of its world premiere in Cannes’ Acid programme.
The Argentinian comedy drama is already set for release in Latin America via Star+ (Disney+) and in Spain with A Contracorriente Films.
Said’s short Present Imperfect previously competed for the short film Palme d’Or.
Most People Die On Sundays centres on an overweight 30-something who returns to his native Argentina to reconnect with his mother and his Jewish family. There he embarks on a quest across Buenos Aires to quench his anxiety via driving lessons,...
The Argentinian comedy drama is already set for release in Latin America via Star+ (Disney+) and in Spain with A Contracorriente Films.
Said’s short Present Imperfect previously competed for the short film Palme d’Or.
Most People Die On Sundays centres on an overweight 30-something who returns to his native Argentina to reconnect with his mother and his Jewish family. There he embarks on a quest across Buenos Aires to quench his anxiety via driving lessons,...
- 4/29/2024
- ScreenDaily
Christopher Abbott is returning to his indie roots and reuniting with his 2015 filmmaking collaborator Josh Mond for upcoming feature “It Doesn’t Matter.”
Abbott, who recently appeared in “Poor Things” and is set to lead Universal’s “Wolfman,” stars opposite Jay Will in the dramedy revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
“It Doesn’t Matter” premieres at the Acid programming section, run by France’s Association for the Diffusion of Independent Cinema (Acid) and takes place parallel to the Cannes Film Festival. “It Doesn’t Matter” is writer/director Mond’s first movie since his breakout Sundance 2015 directorial debut “James White,” which also starred Abbott.
In addition to directing, Mond previously produced Sean Durkin’s “Martha Marcy May Marlene” and Antonio Campos’ “Simon Killer.” “It Doesn’t Matter” is his sophomore film.
Mond teased “It Doesn’t Matter” to IndieWire in 2015, saying that while the...
Abbott, who recently appeared in “Poor Things” and is set to lead Universal’s “Wolfman,” stars opposite Jay Will in the dramedy revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
“It Doesn’t Matter” premieres at the Acid programming section, run by France’s Association for the Diffusion of Independent Cinema (Acid) and takes place parallel to the Cannes Film Festival. “It Doesn’t Matter” is writer/director Mond’s first movie since his breakout Sundance 2015 directorial debut “James White,” which also starred Abbott.
In addition to directing, Mond previously produced Sean Durkin’s “Martha Marcy May Marlene” and Antonio Campos’ “Simon Killer.” “It Doesn’t Matter” is his sophomore film.
Mond teased “It Doesn’t Matter” to IndieWire in 2015, saying that while the...
- 4/16/2024
- by Samantha Bergeson
- Indiewire
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
Cannes parallel section Acid, run by France’s Association for the Diffusion of Independent Cinema (Acid), has unveiled its 2024 line-up. (scroll down for full list)
This year’s selection world premieres nine features, three of which are documentaries.
They include It Doesn’t Matter, the second feature by U.S. producer and director Josh Mond, who made waves with his first movie James White at Sundance in 2015, and has since focused mainly on producing.
Christopher Abbott and Jay Will star in the drama revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
Launched in 1992, Acid previously showcased the early features of the likes of Oscar winner Justine Triet and Oscar-nominated director Kaouther Ben Hania as well as award winning filmmakers Radu Jude, Guy Maddin and Robert Guediguian.
Cannes 2023 Palme d’Or winner Triet’s first feature Age of Panic (La Bataille de Solférino...
This year’s selection world premieres nine features, three of which are documentaries.
They include It Doesn’t Matter, the second feature by U.S. producer and director Josh Mond, who made waves with his first movie James White at Sundance in 2015, and has since focused mainly on producing.
Christopher Abbott and Jay Will star in the drama revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
Launched in 1992, Acid previously showcased the early features of the likes of Oscar winner Justine Triet and Oscar-nominated director Kaouther Ben Hania as well as award winning filmmakers Radu Jude, Guy Maddin and Robert Guediguian.
Cannes 2023 Palme d’Or winner Triet’s first feature Age of Panic (La Bataille de Solférino...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
Athens-based boutique film outfit Heretic has two titles in the Cannes Acid (Association for the International Distribution of Independent Cinemas) sidebar.
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
- 4/16/2024
- by Naman Ramachandran
- Variety Film + TV
The San Sebastian Film Festival awarded O Corno (The Rye Horn) with the Golden Shell for Best Film. San Sebastián native Jaione Camborda took the top prize of the night for the feature she directed.
Additionally, the jury gave the Silver Shell for Best Director to Tzu-Hui Peng and Ping-Wen Wang for Chun xing / A Journey in Spring (Taiwan), while the Best Screenplay Award went to María Alché and Benjamín Naishtat for Puan (Argentina-Italy-Germany-France-Brazil).
The Silver Shell for Best Leading Performance fell ex aequo upon Marcelo Subiotto and Tatsuya Fuji for their respective roles in Puan, by Alché and Naishtat, and Great Absence (Japan), by Kei Chika-ura, while the Silver Shell for Best Supporting Performance went to Hovik Keuchkerian for his character in Un amor (Spain) by Isabel Coixet.
Check out the full list of winners below.
San Sebastian 2023 Award Winners List Golden Shell For Best Film
O Corno (The Rye Horn...
Additionally, the jury gave the Silver Shell for Best Director to Tzu-Hui Peng and Ping-Wen Wang for Chun xing / A Journey in Spring (Taiwan), while the Best Screenplay Award went to María Alché and Benjamín Naishtat for Puan (Argentina-Italy-Germany-France-Brazil).
The Silver Shell for Best Leading Performance fell ex aequo upon Marcelo Subiotto and Tatsuya Fuji for their respective roles in Puan, by Alché and Naishtat, and Great Absence (Japan), by Kei Chika-ura, while the Silver Shell for Best Supporting Performance went to Hovik Keuchkerian for his character in Un amor (Spain) by Isabel Coixet.
Check out the full list of winners below.
San Sebastian 2023 Award Winners List Golden Shell For Best Film
O Corno (The Rye Horn...
- 9/30/2023
- by Armando Tinoco
- Deadline Film + TV
Winners included ’Mannequins’, ’Most People Die On Sundays’ and ’These Were All Fields’.
The key industry awards at the San Sebastian International Film Festival (Ssiff) went to Michael Fetter Nathansky’s Mannequins, Iar Said’s Most People Die On Sundays and Daniela Abad Lombana’ These Were All Fields. The awards were announced at a ceremony on Wednesday 27.
Mannequins (working title) took both the Wip Europa Industry Award and the Wip Europa Award. Germany’s Contando Films and Studio Central/Network Movie are producing Nathansky’s second feature, which is a romantic social drama set in Europe’s largest coal mining area.
The key industry awards at the San Sebastian International Film Festival (Ssiff) went to Michael Fetter Nathansky’s Mannequins, Iar Said’s Most People Die On Sundays and Daniela Abad Lombana’ These Were All Fields. The awards were announced at a ceremony on Wednesday 27.
Mannequins (working title) took both the Wip Europa Industry Award and the Wip Europa Award. Germany’s Contando Films and Studio Central/Network Movie are producing Nathansky’s second feature, which is a romantic social drama set in Europe’s largest coal mining area.
- 9/28/2023
- by Emilio Mayorga
- ScreenDaily
San Sebastian’s pix-in-post showcases have often launched standout movies, such as Sebastian Lelio’s “Gloria,” winner of the Films in Progress Award at the 2012 edition, plus notable directors, such as Jayro Bustamante, whose praised debut “Ixcanul” played at the festival in rough cut in 2015 before winning the Alfred Bauer prize for innovation at 2016’s Berlinale, breaking out handsome sales.
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
- 9/23/2023
- by Emiliano De Pablos and John Hopewell
- Variety Film + TV
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a wealth of new projects.
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a selection of upcoming projects from Latin America to potential international partners at San Sebastian this month. Regional trends and financing models will also be in the spotlight.
Fifteen titles are in the Forum - from 222 submissions - and six films will showing a first cut in the Wip section. Both sections will take place from September 25-27.
There is a strong showing from Argentina in the Forum, despite the country’s long-running instability,...
The Europe-Latin American Co-Production Forum and Wip Latam industry events are showcasing a selection of upcoming projects from Latin America to potential international partners at San Sebastian this month. Regional trends and financing models will also be in the spotlight.
Fifteen titles are in the Forum - from 222 submissions - and six films will showing a first cut in the Wip section. Both sections will take place from September 25-27.
There is a strong showing from Argentina in the Forum, despite the country’s long-running instability,...
- 9/22/2023
- by Emilio Mayorga
- ScreenDaily
The six projects are all Latin American Films in post-production.
Argentinian directors Lola Arias and Maximiliano Schonfeld will present their films as part of San Sebastian’s Wip Latam which supports six Latin American films in their post-production stages.
Arias presents her second feature Reas about former women and transgender prisoners who reconstruct their reality in the shape of a musical. The director’s debut feature Prisoner Of War screened at Jerusalem, SXSW, London, San Sebastian and Berlin Forum – picking up the Ciace award at the latter.
Schonfeld also returns to the festival, after premiering Jesus Lopez in Horizontes in...
Argentinian directors Lola Arias and Maximiliano Schonfeld will present their films as part of San Sebastian’s Wip Latam which supports six Latin American films in their post-production stages.
Arias presents her second feature Reas about former women and transgender prisoners who reconstruct their reality in the shape of a musical. The director’s debut feature Prisoner Of War screened at Jerusalem, SXSW, London, San Sebastian and Berlin Forum – picking up the Ciace award at the latter.
Schonfeld also returns to the festival, after premiering Jesus Lopez in Horizontes in...
- 8/10/2023
- by Ellie Calnan
- ScreenDaily
12 features and 10 docs will be pitched Trieste co-pro forum next month.
New features from Ukraine’s Maryna Stepanska, Brazil’s Marcelo Gomes and Italy’s Letizia Lamartire are among the 22 projects selected for Trieste’s When East Meets West (Wemw) co-production forum which takes place January 22-25.
The Wemw line-up comprises 12 features and 10 documentaries from 19 countries, having received a record 410 submissions.
The titles, set to be pitched to attending producers, include Stepanska’s documentary It’s Not A Full Picture. Stepanska achieved international success with her 2017 love story Falling, about two young adults trying to find their path in the...
New features from Ukraine’s Maryna Stepanska, Brazil’s Marcelo Gomes and Italy’s Letizia Lamartire are among the 22 projects selected for Trieste’s When East Meets West (Wemw) co-production forum which takes place January 22-25.
The Wemw line-up comprises 12 features and 10 documentaries from 19 countries, having received a record 410 submissions.
The titles, set to be pitched to attending producers, include Stepanska’s documentary It’s Not A Full Picture. Stepanska achieved international success with her 2017 love story Falling, about two young adults trying to find their path in the...
- 12/16/2022
- by Alina Trabattoni
- ScreenDaily
Abderrahmane Sissako to head the Cinéfondation and Short Films jury.
With the Official Selection of features for the 68th Cannes Film Festival set to be revealed tomorrow (April 16), the line-up of Short Films has been unveiled in advance.
This year the Selection Committee received 4,550 short films – 1,000 more than in 2014 – from more than 100 countries.
Nine films (including one animation) will compete for the Short Film Palme d’or, to be awarded by Timbuktu director Abderrahmane Sissako, president of the Cinéfondation and Short Films jury, at the festival’s awards ceremony on May 24.
Short Films In Competition:
Waves ’98
dir: Ely Dagher (Lebanon, Qatar)
The Guests
dir: Shane Danielsen (Australia)
Sali (Tuesday)
dir: Ziya Demirel (Turkey, France)
Le Repas Dominical (Sunday Lunch)
dir: Céline Devaux (France)
Love Is Blind
dir: Dan Hodgson (UK)
Ave Maria
dir: Basil Khalil (Palestine, France, Germany)
Copain (Buddy)
dir: Jan Roosens, Raf Roosens (Belgium)
Patriot
dir: Eva Riley (UK)
Presente Imperfecto (Present Imperfect)
dir: Iair Said...
With the Official Selection of features for the 68th Cannes Film Festival set to be revealed tomorrow (April 16), the line-up of Short Films has been unveiled in advance.
This year the Selection Committee received 4,550 short films – 1,000 more than in 2014 – from more than 100 countries.
Nine films (including one animation) will compete for the Short Film Palme d’or, to be awarded by Timbuktu director Abderrahmane Sissako, president of the Cinéfondation and Short Films jury, at the festival’s awards ceremony on May 24.
Short Films In Competition:
Waves ’98
dir: Ely Dagher (Lebanon, Qatar)
The Guests
dir: Shane Danielsen (Australia)
Sali (Tuesday)
dir: Ziya Demirel (Turkey, France)
Le Repas Dominical (Sunday Lunch)
dir: Céline Devaux (France)
Love Is Blind
dir: Dan Hodgson (UK)
Ave Maria
dir: Basil Khalil (Palestine, France, Germany)
Copain (Buddy)
dir: Jan Roosens, Raf Roosens (Belgium)
Patriot
dir: Eva Riley (UK)
Presente Imperfecto (Present Imperfect)
dir: Iair Said...
- 4/15/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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