Beatrix Potter’s beloved literary character Peter Rabbit suffered from a bit of an identity crisis in his contemporized big-screen debut. In 2018’s “Peter Rabbit,” his headstrong, mischievous spirit didn’t bear more than a passing resemblance to the fundamental virtues the author had fused into her expansive children’s book series. He was reckless, arrogant and downright wicked, barely learning much from the ramifications of his dastardly, chaotic shenanigans. The release itself even caused a kerfuffle over allergy bullying, with some parents and one major organization objecting to a scene where the CG hare terrorizes his harried human adversary with an allergen, which led to the studio having to issue an apology.
But in returning director Will Gluck’s “Peter Rabbit 2: The Runaway,” we reunite with a far more remorseful, practically rehabilitated rabble-rouser, who’s struggling to rectify how the world sees him versus how he sees himself.
But in returning director Will Gluck’s “Peter Rabbit 2: The Runaway,” we reunite with a far more remorseful, practically rehabilitated rabble-rouser, who’s struggling to rectify how the world sees him versus how he sees himself.
- 3/23/2021
- by Courtney Howard
- Variety Film + TV
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