On Wednesday 19 June 2024, 5* broadcasts Skin A&e!
Season 6 Episode 6 Episode Summary
In this episode of “Skin A&e” airing on 5*, viewers are taken inside the high-stakes world of dermatological emergencies. Dr. Dev faces a challenging procedure requiring precision to avoid a critical nerve on a patient’s forehead. The episode showcases the delicate nature of dermatological surgery and the expertise required to navigate such intricate procedures successfully.
Meanwhile, Dr. Emma tackles a messy neck cyst, demonstrating her skills in handling dermatological conditions that range from routine to complex. The episode offers an up-close look at the procedures involved in treating cysts and the impact they have on patients’ lives.
In another case, Teanna seeks Dr. Natalia’s expertise to examine a lump caused by a pony bite. Viewers witness the diagnostic process and treatment options available for unusual skin conditions resulting from unexpected incidents.
Don’t miss this insightful episode...
Season 6 Episode 6 Episode Summary
In this episode of “Skin A&e” airing on 5*, viewers are taken inside the high-stakes world of dermatological emergencies. Dr. Dev faces a challenging procedure requiring precision to avoid a critical nerve on a patient’s forehead. The episode showcases the delicate nature of dermatological surgery and the expertise required to navigate such intricate procedures successfully.
Meanwhile, Dr. Emma tackles a messy neck cyst, demonstrating her skills in handling dermatological conditions that range from routine to complex. The episode offers an up-close look at the procedures involved in treating cysts and the impact they have on patients’ lives.
In another case, Teanna seeks Dr. Natalia’s expertise to examine a lump caused by a pony bite. Viewers witness the diagnostic process and treatment options available for unusual skin conditions resulting from unexpected incidents.
Don’t miss this insightful episode...
- 6/19/2024
- by Olly Green
- TV Regular
On Wednesday 5 June 2024, 5* broadcasts an episode of the series Skin A&e!
Season 6 Episode 4 Episode Summary
In this episode of “Skin A&e,” airing on 5*, viewers are in for a captivating look into the world of dermatology as Dr. Adil Sheraz works his magic to tackle a giant ear keloid, earning him the title of “magic man” among his colleagues and patients alike. Meanwhile, breakdancer seeks the expertise of Dr. Natalia Spierings to remove head cysts that hinder his head spins, showcasing the diverse range of cases encountered in the dermatology field.
Join the skilled dermatologists as they navigate the challenges and triumphs of treating various skin conditions. With their expertise and dedication, Dr. Sheraz and Dr. Spierings provide personalized care and innovative solutions to help their patients overcome their skin concerns and regain confidence in their appearance.
From keloids to cysts, “Skin A&e” offers an insightful and informative...
Season 6 Episode 4 Episode Summary
In this episode of “Skin A&e,” airing on 5*, viewers are in for a captivating look into the world of dermatology as Dr. Adil Sheraz works his magic to tackle a giant ear keloid, earning him the title of “magic man” among his colleagues and patients alike. Meanwhile, breakdancer seeks the expertise of Dr. Natalia Spierings to remove head cysts that hinder his head spins, showcasing the diverse range of cases encountered in the dermatology field.
Join the skilled dermatologists as they navigate the challenges and triumphs of treating various skin conditions. With their expertise and dedication, Dr. Sheraz and Dr. Spierings provide personalized care and innovative solutions to help their patients overcome their skin concerns and regain confidence in their appearance.
From keloids to cysts, “Skin A&e” offers an insightful and informative...
- 6/5/2024
- by Olly Green
- TV Regular
Uncanny star Lucy Griffiths was kind enough to answer some questions for us, and the Q&A we conducted with her kicks off the round-up. Also: domestic acquisition news for Emelie, details for One Eyed Girl on Blu-ray / DVD, and Vault of the Macabre II video.
Uncanny: "Rlj Entertainment will be releasing Uncanny on November 3rd, 2015.
Mark Webber (Scott Pilgrim vs. the World), David Clayton Rogers (Bloody Sunday), Lucy Griffiths (TV’s “True Blood”) and director Matthew Leutwyler are available for interviews on behalf of the film’s release.
For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits an emergent behavior of anger and jealousy towards her, she finds...
Uncanny: "Rlj Entertainment will be releasing Uncanny on November 3rd, 2015.
Mark Webber (Scott Pilgrim vs. the World), David Clayton Rogers (Bloody Sunday), Lucy Griffiths (TV’s “True Blood”) and director Matthew Leutwyler are available for interviews on behalf of the film’s release.
For ten years, inventor David Kressen has lived in seclusion with his inventions, including Adam, a robot with incredible lifelike human qualities. When reporter Joy Andrews is given access to their unconventional facility, she is alternately repelled and attracted to the scientist and his creation. But as Adam exhibits an emergent behavior of anger and jealousy towards her, she finds...
- 11/3/2015
- by Tamika Jones
- DailyDead
Halloween may be over, but watching horror films and shorts never goes out of season. If you’re looking to add a dash of vintage-style creepiness to your weekend, then you might be interested in checking out Vault of the Macabre, a collection of four horror shorts featuring poems narrated by Clive Barker and Elvira.
The official Vault of the Macabre synopsis, from writer/director Darren Field:
“An anthology of 4 short horror/macabre poems, narrated by Elvira (Mistress of the dark), Clive Barker (creator of Hellraiser, Nightbreed, candyman) Adam Baldwin (Firefly, serenity, chuck, angel) Samantha Newark (Voice of Jem – Jem & The Holograms) Larry Kenney ( Voice of Lion’o – Thundercats). An original Score from composer Russell Bell and featuring James Unsworth and Jane Elsmore.
“The cautionary tale of Maudlin Monroe”
“The macabre madness of Mortulia Morose”
“Maurice the morose clown”
“Dave the demented hermit”
Following on from my “Shoot a...
The official Vault of the Macabre synopsis, from writer/director Darren Field:
“An anthology of 4 short horror/macabre poems, narrated by Elvira (Mistress of the dark), Clive Barker (creator of Hellraiser, Nightbreed, candyman) Adam Baldwin (Firefly, serenity, chuck, angel) Samantha Newark (Voice of Jem – Jem & The Holograms) Larry Kenney ( Voice of Lion’o – Thundercats). An original Score from composer Russell Bell and featuring James Unsworth and Jane Elsmore.
“The cautionary tale of Maudlin Monroe”
“The macabre madness of Mortulia Morose”
“Maurice the morose clown”
“Dave the demented hermit”
Following on from my “Shoot a...
- 11/8/2014
- by Derek Anderson
- DailyDead
Music Libraries : What’s the Deal? The Pros
Music libraries are a superb entry point and training ground for things to come. Writing for catalogues and agency-based stock means you get to hone in on the styles and genres their clients are requesting. It also means fine-tuning the trends, those sounds and building a working template for these identifiable sounds. When you amass some placement credits from a number of TV-show placements, it allows you to branch out a lot deeper into more commissioned, bespoke projects.
Furthermore, returns can be good. If you hit those markers and get the right music up there, it can mean the potential for a Lot of placements, i.e. credits. As cliché as it sounds, placements mean rewards. You will get experience, the ‘chops’, the contacts and some quite respectable cash returns.
…and the Cons
Writing for music libraries is quite time-consuming. It...
Music libraries are a superb entry point and training ground for things to come. Writing for catalogues and agency-based stock means you get to hone in on the styles and genres their clients are requesting. It also means fine-tuning the trends, those sounds and building a working template for these identifiable sounds. When you amass some placement credits from a number of TV-show placements, it allows you to branch out a lot deeper into more commissioned, bespoke projects.
Furthermore, returns can be good. If you hit those markers and get the right music up there, it can mean the potential for a Lot of placements, i.e. credits. As cliché as it sounds, placements mean rewards. You will get experience, the ‘chops’, the contacts and some quite respectable cash returns.
…and the Cons
Writing for music libraries is quite time-consuming. It...
- 9/6/2012
- by Russell Bell
- SCOREcastOnline.com
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