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A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.

Director:

Clive Barker

Writers:

Clive Barker (novel), Clive Barker (screenplay)
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4,810 ( 228)
7 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Craig Sheffer ... Aaron Boone / Cabal
Anne Bobby ... Lori Winston
David Cronenberg ... Dr. Philip K. Decker
Charles Haid ... Captain Eigerman
Hugh Quarshie ... Detective Joyce
Hugh Ross ... Narcisse
Doug Bradley ... Dirk Lylesberg
Catherine Chevalier ... Rachel
Malcolm Smith Malcolm Smith ... Ashberry
Bob Sessions Bob Sessions ... Pettine
Oliver Parker ... Peloquin
Debora Weston Debora Weston ... Sheryl Ann
Nicholas Vince ... Kinski
Simon Bamford ... Ohnaka
Kim Robertson Kim Robertson ... Babette
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Storyline

A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

At last, the night has a hero. See more »

Genres:

Action | Fantasy | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

16 February 1990 (USA) See more »

Also Known As:

Clive Barker's Nightbreed See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$3,708,918, 19 February 1990, Wide Release

Gross USA:

$8,862,354
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (The Cabal Cut) | (The Director's Cut)

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The role of Ohnaka was first intended for singer Marc Almond, and he was contracted to play the part, but his management strongly advised against the role given the nature of the film, as he was seeking to redefine his previously dark image as a more mainstream crooner at the time. The part subsequently went to Simon Bamford, who was already a friend of Clive Barker. See more »

Goofs

When the camera slowly pulls away, over Boone's dead body in the field in front of Midian, you can see him blink after several seconds. See more »

Quotes

Dr. Philip K. Decker: [to Boone] I believe you.
Dr. Philip K. Decker: [to Law Enforcement]
[shouts]
Dr. Philip K. Decker: He's got a gun!
Detective Joyce: [shouts] Fire!
Detective Joyce: Where's the gun?
Dr. Philip K. Decker: [Shakes head] ... He reached into his jacket.
See more »

Connections

References A Lizard in a Woman's Skin (1971) See more »

Soundtracks

Johnny Get Angry
(uncredited)
Music by Sherman Edwards and Donald Meyer
Lyrics by Hal David
Performed by Anne Bobby
(Director's Cut only)
See more »

Frequently Asked Questions

See more »

User Reviews

 
Intrigue, mystery and monstrosity.
13 July 2002 | by AhnionSee all my reviews

It is interesting to see what people think of this movie, since it is, in fact, quite unique (though it bears some of the trademarks of Clive Barker's writing). Even though it might seem a bit cynical to say so, the movie is just intricate enough to deflect those that need standard Hollywood plot hooks, and layered, so that if you expect to be fed, you will see a normal monster flick with lots of monsters and a disjointed plot.

Those who need a linear, specific and untangled plot line will hate this movie, because the story lies, like in the novella, partially between the lines, or in this case, partially off screen, in comments and the imagination.

Another possible hang-up is the ending, of which I can say, without spoiling it, that it is not entirely good and not entirely bad. It is, in fact, not very defined at all, which I know sends some people into raging tantrums about that they didn't get to know what happened, but to me, and to many others, I'm sure, just adds another dimension to the story - the dimension of speculation, and, in addition, the point that great disruption has a tendency to cause ripples that extend quite far.

There is definitely moral here, but of a rather different kind than the standard Hollywood in-your-face-at-the-end-of-the-movie sort of display. Summing that moral up is simple, even though it is not quite that simply displayed; prejudice and the human tendency to hate the different.

I love this movie, even though, as many of the reviewers have noted, the expressions of the actors (with the exception of David Cronenberg, who does a wonderful appearance) are rather tacky. I'm not sure they are entirely to blame for their rickety appearance and lack of depth, though, seeing that these are common problems in converting literature to screenplay.

All in all, this is a great movie, provided that you do not expect it to be a standard horror movie.


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