Love Machina, the latest film by documentarian Peter Sillen (Benjamin Smoke) follows the couple Martine and Bina Rothblatt, who attempt to transfer Bina’s consciousness to a commissioned humanoid artificial intelligence to preserve their love for one another. The film is also the first feature film editor credit for Conor McBride who discusses the timeliness of the film and its subject matter, as well as how he balanced the need for the film to be simultaneously entertaining and touching. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your […]
The post “When You’re Telling a Story About the Future, the Conclusion is Itself Inconclusive”: Editor Conor McBride on Love Machina first appeared on Filmmaker Magazine.
The post “When You’re Telling a Story About the Future, the Conclusion is Itself Inconclusive”: Editor Conor McBride on Love Machina first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Love Machina, the latest film by documentarian Peter Sillen (Benjamin Smoke) follows the couple Martine and Bina Rothblatt, who attempt to transfer Bina’s consciousness to a commissioned humanoid artificial intelligence to preserve their love for one another. The film is also the first feature film editor credit for Conor McBride who discusses the timeliness of the film and its subject matter, as well as how he balanced the need for the film to be simultaneously entertaining and touching. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your […]
The post “When You’re Telling a Story About the Future, the Conclusion is Itself Inconclusive”: Editor Conor McBride on Love Machina first appeared on Filmmaker Magazine.
The post “When You’re Telling a Story About the Future, the Conclusion is Itself Inconclusive”: Editor Conor McBride on Love Machina first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
By Michael Atkinson
The DVD era has been very generous to low-grade biodocs focused on culty, semi-obscure pop wonders -- everyone from the Holy Moly Rounders to Roky Erickson, Benjamin Smoke, Townes Van Zandt, Gary Wilson, Joy Division, They Might Be Giants, Scott Walker, et cetera, have received their official, devotional, feature-length eulogy. Graveside homilies they are, too, there's little point in denying it -- for the aging musicians of the '60s, '70s and '80s as well as for our long-lost younger selves, now only faint traces of remembered élan, hope and indestructibility. Of course, Patti Smith, like Leonard Cohen and the Ramones (so nicely requiem-ed in 2003's "End of the Century"), is far from little known, but she still occupies that musty corner of pop legend-dom: more admired than listened to, known for her history more than her songs, aging into a kind of marginal retro-hipness...
The DVD era has been very generous to low-grade biodocs focused on culty, semi-obscure pop wonders -- everyone from the Holy Moly Rounders to Roky Erickson, Benjamin Smoke, Townes Van Zandt, Gary Wilson, Joy Division, They Might Be Giants, Scott Walker, et cetera, have received their official, devotional, feature-length eulogy. Graveside homilies they are, too, there's little point in denying it -- for the aging musicians of the '60s, '70s and '80s as well as for our long-lost younger selves, now only faint traces of remembered élan, hope and indestructibility. Of course, Patti Smith, like Leonard Cohen and the Ramones (so nicely requiem-ed in 2003's "End of the Century"), is far from little known, but she still occupies that musty corner of pop legend-dom: more admired than listened to, known for her history more than her songs, aging into a kind of marginal retro-hipness...
- 1/27/2009
- by Michael Atkinson
- ifc.com
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