Release plans for the survival thriller No Way Up have not yet been announced, but Altitude has gone ahead and shared a trailer for the film, and you can check it out in the embed above.
Directed by Claudio Fäh (Northmen: A Viking Saga) from a screenplay by Andy Mayson, No Way Up is a high concept combination of disaster movie and survival thriller, as characters from very different backgrounds are thrown together when the plane they’re travelling on crashes into the Pacific Ocean. The stricken airliner comes to rest perilously close to the edge of a bottomless ravine with the surviving passengers and crew trapped in an air pocket. With their air supply rapidly running out, a nightmare fight for survival ensues as dangers from all sides hone-in on them.
Mayson also produced the film with Annalise Davis, Will Clarke, and Mike Runagall. Peter Touche and Christelle Conan...
Directed by Claudio Fäh (Northmen: A Viking Saga) from a screenplay by Andy Mayson, No Way Up is a high concept combination of disaster movie and survival thriller, as characters from very different backgrounds are thrown together when the plane they’re travelling on crashes into the Pacific Ocean. The stricken airliner comes to rest perilously close to the edge of a bottomless ravine with the surviving passengers and crew trapped in an air pocket. With their air supply rapidly running out, a nightmare fight for survival ensues as dangers from all sides hone-in on them.
Mayson also produced the film with Annalise Davis, Will Clarke, and Mike Runagall. Peter Touche and Christelle Conan...
- 12/1/2023
- by Cody Hamman
- JoBlo.com
Exclusive: Principal photography has wrapped on the female-driven survival thriller No Way Up, with Colm Meaney (Gangs of London) taking over the role originally to have been played by Kelsey Grammer, who departed the production due to scheduling conflicts. The Irish actor stars alongside BAFTA Award winner Phyllis Logan (Downton Abbey), James Carroll Jordan (Kingsman: The Golden Circle), Sophie McIntosh (Brave New World), Will Attenborough (Dunkirk), Jeremias Amoore (Zero Chill), Manuel Pacific (Terminator: Dark Fate) and Grace Nettle (War of the Worlds).
In the film from director Claudio Fäh (Northmen – A Viking Saga), an airliner crashes into the Pacific Ocean and comes to rest perilously close to the edge of a deep ravine, leaving the surviving passengers and crew trapped in an air pocket. With their air supply rapidly running out, a nightmare fight for survival ensues as dangers from all sides hone-in on them. (Check out the first two...
In the film from director Claudio Fäh (Northmen – A Viking Saga), an airliner crashes into the Pacific Ocean and comes to rest perilously close to the edge of a deep ravine, leaving the surviving passengers and crew trapped in an air pocket. With their air supply rapidly running out, a nightmare fight for survival ensues as dangers from all sides hone-in on them. (Check out the first two...
- 5/5/2022
- by Matt Grobar
- Deadline Film + TV
It was always going to be a big ask for Stage 23.
Antaine Furlong’s sci-fi thriller Ascendant (formerly Rising Wolf) required the visual effects company to provide more than 400 VFX shots, including 2D composites, photoreal 3D environments, and complex supernatural effects sequences, all while navigating a global pandemic.
However, through the use of cloud rendering, an expansion of their team from four to 15, and a transition to a largely remote workflow, Stage 23 managed to overcome the odds to bring Furlong’s vision of a dark, near-future Shanghai to life.
The independently-funded feature, which is about a young environmentalist who awakes in the elevator of a super high-rise building at the mercy of her tormentors, is scheduled for release at the beginning of April, having been filmed at Fox Studios last year.
Written by Furlong and Kieron Holland, the film stars Charlotte Best (Home and Away), Susan Prior (The Rover), and...
Antaine Furlong’s sci-fi thriller Ascendant (formerly Rising Wolf) required the visual effects company to provide more than 400 VFX shots, including 2D composites, photoreal 3D environments, and complex supernatural effects sequences, all while navigating a global pandemic.
However, through the use of cloud rendering, an expansion of their team from four to 15, and a transition to a largely remote workflow, Stage 23 managed to overcome the odds to bring Furlong’s vision of a dark, near-future Shanghai to life.
The independently-funded feature, which is about a young environmentalist who awakes in the elevator of a super high-rise building at the mercy of her tormentors, is scheduled for release at the beginning of April, having been filmed at Fox Studios last year.
Written by Furlong and Kieron Holland, the film stars Charlotte Best (Home and Away), Susan Prior (The Rover), and...
- 2/24/2021
- by Sean Slatter
- IF.com.au
Fuel VFX has announced the front line of producers who will lead the combined Fuel and Animal Logic advertising post-production team: Samantha Daley, Sarah Hiddlestone and Alastair Stephen.
It follows Animal Logic's acquisition of Fuel VFX in early-October, which saved the VFX house after it hit cash flow troubles. Animal Logic then combined its short-form and advertising operations with Fuel VFX, which are now being run from Fuel's Newtown offices.
Animal Logic said Daley and Hiddlestone will provide continuity of service for the clients of Fuel and Animal Logic, while new team member Stephen joins the team with more than 20 years of industry experience. He began his career working with Sydney agencies Gp Bates, Ddb and Attik, transitioning to the VFX industry to lead facilities Engine, Digital Pictures and Iloura as executive producer. He most recently worked on ABC1 and ABC2 rebrands.
Animal Logic also said VFX supervisor Simon Maddison...
It follows Animal Logic's acquisition of Fuel VFX in early-October, which saved the VFX house after it hit cash flow troubles. Animal Logic then combined its short-form and advertising operations with Fuel VFX, which are now being run from Fuel's Newtown offices.
Animal Logic said Daley and Hiddlestone will provide continuity of service for the clients of Fuel and Animal Logic, while new team member Stephen joins the team with more than 20 years of industry experience. He began his career working with Sydney agencies Gp Bates, Ddb and Attik, transitioning to the VFX industry to lead facilities Engine, Digital Pictures and Iloura as executive producer. He most recently worked on ABC1 and ABC2 rebrands.
Animal Logic also said VFX supervisor Simon Maddison...
- 11/7/2012
- by Staff Reporter
- IF.com.au
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