After the Kingsman's headquarters are destroyed and the world is held hostage, an allied spy organisation in the United States is discovered. These two elite secret organisations must band together to defeat a common enemy.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams (Julianne Moore), the surviving agents find their way to an allied secret organization based in Kentucky, named "Statesman". The two agencies must now work together in order to save the world and take down the so called "Golden Circle".Written by
The stadium seen as a holding area for infected people was modelled on the Millennium Stadium in Cardiff, Wales. Some of the colors on the outside of the stadium were changed. See more »
When the two Galahads confront Poppy in the diner, there is movement of crew and camera in the chrome window surrounds in the background, even when the characters aren't moving themselves. See more »
[Eggsy destroys the thugs chasing him at Hyde Park]
No time to relax. Police are right behind you. You have 30 seconds before they reach your position. Go directly to Rendezvous Swan.
[Eggsy stops the cab by the lake]
Merlin, you do realize I haven't even got a windscreen right now?
I seem to remember in your training you were rather good at holding your breath.
[...] See more »
There is a statement in the closing credits: "A dope thanks to Samuel L. Jackson." Jackson had played Richmond Valentine in the previous Kingsman film. See more »
In Singapore, before the film could receive an NC16 classification the film was edited in order to remove two utterances of religious profanity which was deemed to exceeded the BFC's set Classification Guidelines. Under these Classification Guidelines, "language that denigrates religion or is religiously profane" is not allowed for all ratings. See more »
This Circle is not quite golden, but it doesn't collapse
Having really liked/love Matthew Vaughn's previous work, 'Kingsman: The Secret Service' was one of my favourites from him and was surprisingly brilliant, with only the somewhat tasteless ending disappointing. The follow-up and Vaughn's first sequel has enough of what 'Kingsman: The Secret Service' so good and is an entertaining film on its own but at the end of the day it feels like something is missing.
Like some have said already, 'Kingsman: The Golden Circle's' biggest flaw is the length, at nearly two and a half hours (much longer than the first film, which was just over two hours) it does feel too long by about 20-25 minutes or so and it does affect the pacing, which drags in place.
Especially when it tries to cram in a lot, not everything feels necessary and some of the narrative is on the flimsy and not quite as eventful side. For example Eggsy's excursion to Glastonbury did feel dragged out and didn't serve as much point to the story as it could have done. The first film had more content but wasn't bloated and everything served a point.
As enjoyable as the climax was, Poppy's defeat did feel anti-climactic, and Halle Berry is fairly wasted, as is Channing Tatum in what is essentially a pointless plot device role.
However, like 'Kingsman: The Secret Service', 'Kingsman: The Golden Circle' has a huge amount to enjoy. It is stylishly and audaciously made, with slick visual effects, very imaginative camera work and editing in the action scenes and audacious production design, if just lacking the operatic grandeur of the first film in the action. Once again, the soundtrack is very groovy and catchy, but is careful not to be overbearing, it is far from one-note too and fits with everything going on very well.
Vaughn does well on the whole directing, particularly on the stylistic elements and making the action as fun as possible. He does struggle maintaining narrative momentum at times however. Very like the first film, he not just achieves the right balance of humour and violence (injecting much needed fun into a genre that has become increasingly serious over the years) and keeping the story absorbing, but but standing out in particular were how he properly allows the audience to properly take in what is happening in the action, without jumping around incoherently or being static, and the huge amount of work that he even puts into the little things.
Action-wise, 'Kingsman: The Golden Circle' is fun, especially a nod to the original's bar brawl, the snow gun fight, the opening and the deliciously bonkers climax. At the same, nothing is in the same league as the unforgettable church scene and they lack the unflinching grimness. Here, when it comes to the script, nothing leaves a bad taste in the mouth, it is deliciously irreverent, sometimes raunchy, unrelentingly vulgar, at times, and very witty (like the culture-clash elements), with a plethora of laugh-out-loud funny moments. One does wish that the pacing was tighter and the story more consistently gripping.
Regarding the cast, they are top notch. Colin Firth returns and does a phenomenal job playing against type, Taron Egerton isn't quite as likable as in the original but one is engrossed enough in his journey (the Glastonbury excursion could easily have been trimmed) and Mark Strong has the ability to turn beneath-him material into gold and he is as charismatic as ever. Pedro Pascal has a Burt Reynolds vibe to him and it comes over affectionately and amusingly.
One has to credit Julianne Moore as an understated but played with relish villain and Jeff Bridges once again showing how fine an actor he is. Was pleasantly surprised by Elton John, appreciate him as a singer and his importance in rock 'n' roll but was admittedly expecting him to be a mugging disaster but he sends himself up to scene-stealing entertaining effect.
In conclusion, a fun if inferior sequel where one can see why it has garnered fairly mixed reviews but still better than given credit for. 7/10 Bethany Cox
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