Exclusive: The shape of Blue Ant Media’s combined studios and rights business is coming together.
Following the Canada’s Drag Race producer’s acquisition of Canadian compatriot MarbleMedia in August, the as-yet-unnamed production and distribution business has set out its leadership teams under Co-Presidents Mark Bishop and Matthew Hornburg, we can reveal.
Bishop and Hornburg previously led MarbleMedia, which has production and sales operations in Canada and the UK. Merging their business with Michael MacMillan’s Blue Ant has created Canada’s latest major content business, the name of which will soon be unveiled.
Here’s a rundown of the new structure: Hornburg’s unscripted development will see Jennifer Harkness taking the factual entertainment development reins from Blue Ant’s LA office. Over in Toronto, Kelsey Espensen (Best in Miniature) will lead unscripted entertainment and Steve Gamester (Inside the Statue Wars) heads specialist factual development.
Following the Canada’s Drag Race producer’s acquisition of Canadian compatriot MarbleMedia in August, the as-yet-unnamed production and distribution business has set out its leadership teams under Co-Presidents Mark Bishop and Matthew Hornburg, we can reveal.
Bishop and Hornburg previously led MarbleMedia, which has production and sales operations in Canada and the UK. Merging their business with Michael MacMillan’s Blue Ant has created Canada’s latest major content business, the name of which will soon be unveiled.
Here’s a rundown of the new structure: Hornburg’s unscripted development will see Jennifer Harkness taking the factual entertainment development reins from Blue Ant’s LA office. Over in Toronto, Kelsey Espensen (Best in Miniature) will lead unscripted entertainment and Steve Gamester (Inside the Statue Wars) heads specialist factual development.
- 11/22/2023
- by Jesse Whittock
- Deadline Film + TV
Diane Haithman contributes to Deadline’s TCA coverage. The star of BBC America’s new wildlife adventure docu-series Wild Things With Dominic Monaghan said today at TCA that he was inspired to pursue his longtime dream of doing the show by the death of “Crocodile Hunter” Steve Irwin. “I was devastated by his death,” said Monaghan, who appeared on the panel with series producer Paul Kilback. “After I got over the initial shock of him dying [I decided] if this is not a reason for me to finally pick up the pieces and make the show, I don’t know what is.” The show “is a love letter to Steve Irwin, to what he achieved and the television shows he left behind.”...
- 1/6/2013
- by THE DEADLINE TEAM
- Deadline TV
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