Break out the candles! The venerable Melbourne Underground Film Festival becomes a full-fledged teenager when it celebrates its 16th annual edition on September 11-20 this year.
Last year saw a stripped down Muff, focusing on local outre filmmakers and a fine selection of international weirdness — and they want more this year. The fest will also be returning to its new home, the Backlot Studios.
Sixteen years and counting, the Melbourne Underground Film Festival has shown a fierce commitment to under appreciated cinema and it’s awesome to see them still kicking it. If your film is kick ass, a little bit or a lot out there and faintly uncategorizable and possibly unloved wherever “decent” people like to congregate, then Muff might be a good home for it.
See below for submission deadlines, entry fee information, submission links and guidelines.
Deadline & Entry Fees
Deadline via Festhome:
June 30
Entry Fees:
Feature Film:...
Last year saw a stripped down Muff, focusing on local outre filmmakers and a fine selection of international weirdness — and they want more this year. The fest will also be returning to its new home, the Backlot Studios.
Sixteen years and counting, the Melbourne Underground Film Festival has shown a fierce commitment to under appreciated cinema and it’s awesome to see them still kicking it. If your film is kick ass, a little bit or a lot out there and faintly uncategorizable and possibly unloved wherever “decent” people like to congregate, then Muff might be a good home for it.
See below for submission deadlines, entry fee information, submission links and guidelines.
Deadline & Entry Fees
Deadline via Festhome:
June 30
Entry Fees:
Feature Film:...
- 1/23/2015
- by Mike Everleth
- Underground Film Journal
Karl Siemon is a Dp you've almost heard of thanks to a "little" movie called Saw, but if you're a serious cult film fan, you should know him well thanks to an Aussie horror film entitled Razor Eaters (2003).
Now Siemon is handling the cinematography for actor/director Leslie Simpson's first-time outing, Grandpa, and the results are chilling. Dread Central recently had the opportunity to do an email interview with the in-demand Dp while he was shooting a film in Sydney, Australia, and the results are both fascinating and funny.
Dread Central: Hello, Karl. and thank you for taking time to chat with us about Leslie Simpson's short film Grandpa. First off, would you mind telling us a bit about yourself? Your background, where you received your film training, etc.?
Karl Siemon: Cinematography is everything I love about the arts put together: writing, painting, light, color, drama, music.
Now Siemon is handling the cinematography for actor/director Leslie Simpson's first-time outing, Grandpa, and the results are chilling. Dread Central recently had the opportunity to do an email interview with the in-demand Dp while he was shooting a film in Sydney, Australia, and the results are both fascinating and funny.
Dread Central: Hello, Karl. and thank you for taking time to chat with us about Leslie Simpson's short film Grandpa. First off, would you mind telling us a bit about yourself? Your background, where you received your film training, etc.?
Karl Siemon: Cinematography is everything I love about the arts put together: writing, painting, light, color, drama, music.
- 10/8/2013
- by thebellefromhell
- DreadCentral.com
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