In an article titled “Inside the Tech Creating the Las Vegas Sphere’s Groundbreaking Visuals” by the WSJ, Sphere Entertainment states about its plans to utilize its Big Sky camera for scientific applications, inducing space. That’s an intriguing approach – using super-large sensors for scientific research. It will be exciting to watch a real spacewalk inside the Sphere:-)
Big Sky camera and its lens. Source: WSJ Big Sky sensor to shoot for IMAX X20 screen
We wrote a bunch of articles about the giant 18K (1:1 aspect ratio) sensor of the Big Sky camera. This camera was developed to shoot dedicated content for the mega-giant screen of Sphere, which is the largest high-definition screen on the planet (X20 the size of the largest IMAX). The sensor has a solid Dr capabilities of 14.5 stops. Make sure to read the article about this unique sensor. Below you can find more articles about...
Big Sky camera and its lens. Source: WSJ Big Sky sensor to shoot for IMAX X20 screen
We wrote a bunch of articles about the giant 18K (1:1 aspect ratio) sensor of the Big Sky camera. This camera was developed to shoot dedicated content for the mega-giant screen of Sphere, which is the largest high-definition screen on the planet (X20 the size of the largest IMAX). The sensor has a solid Dr capabilities of 14.5 stops. Make sure to read the article about this unique sensor. Below you can find more articles about...
- 12/5/2023
- by Yossy Mendelovich
- YMCinema
Following the exhilarating Sept. 29 launch of Sphere with U2’s residency, on Friday, filmmaker Darren Aronofsky’s transportive Postcard from Earth became the first movie to premiere at the new Las Vegas entertainment venue. A sort of narrative and doc, it immerses viewers in a range of experiences, for instance allowing them to feel as though they are walking alongside elephants on a safari, swimming with sharks beneath the ocean’s surface, or viewing Earth from a distant planet.
This movie also demonstrates the potential of this new canvas for filmmakers. “I’m still processing it all,” the Oscar-nominated director of Black Swan tells The Hollywood Reporter of Sphere, whose interior is coated with a 160,000 square-foot 16K LED display that extends beyond audience members’ peripheral vision and high above and behind their heads. The visuals – shown at a high resolution that creates a sense of depth and of being there...
This movie also demonstrates the potential of this new canvas for filmmakers. “I’m still processing it all,” the Oscar-nominated director of Black Swan tells The Hollywood Reporter of Sphere, whose interior is coated with a 160,000 square-foot 16K LED display that extends beyond audience members’ peripheral vision and high above and behind their heads. The visuals – shown at a high resolution that creates a sense of depth and of being there...
- 10/7/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Director Darren Aronofsky — whose credits include Black Swan, The Wrestler and The Whale — will next premiere the first immersive production made for the Msg Sphere, the uniquely constructed, sphere-shaped venue that opens this fall in Las Vegas. In his first interview about the inventive project, Aronofsky confirmed that he created, directed and produced Postcard From Earth and shared new details about the production and his view on the potential of the Sphere with The Hollywood Reporter.
“At its best, cinema is an immersive medium that transports the audience out of their regular life, whether that’s into fantasy and escapism, another place and time, or another person’s subjective experience. The Sphere is an attempt to dial up that immersion,” Aronofsky says.
The anticipated Las Vegas Sphere — whose construction is expected to cost $2.175 billion when completed — features a 160,000-square-foot, 16K-by-16K wraparound LED display, custom spatial audio system and 4D...
“At its best, cinema is an immersive medium that transports the audience out of their regular life, whether that’s into fantasy and escapism, another place and time, or another person’s subjective experience. The Sphere is an attempt to dial up that immersion,” Aronofsky says.
The anticipated Las Vegas Sphere — whose construction is expected to cost $2.175 billion when completed — features a 160,000-square-foot, 16K-by-16K wraparound LED display, custom spatial audio system and 4D...
- 6/26/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Andrew Shulkind is the Director of Photography for The Vault, a new horror film which was released in September, 2017. He is an award winning cinematographer who has worked on films like Panic Room (2002), Southbound (2015), and the upcoming The Ritual (2017). He has also created eye-catching visuals for several Vr projects. I recently …
The post Interview: Andrew Shulkind (The Vault) first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
The post Interview: Andrew Shulkind (The Vault) first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
- 9/24/2017
- by Janel Spiegel
- Horror News
We’re firm believers that people behind the scenes need to be appreciated for their work in the film and TV industry. So much attention is given to the cast of a film as well as producers, directors, and writers. So… Continue Reading →
The post Interview: Cinematographer Andrew Shulkind on Shooting The Vault and The Ritual appeared first on Dread Central.
The post Interview: Cinematographer Andrew Shulkind on Shooting The Vault and The Ritual appeared first on Dread Central.
- 9/21/2017
- by Jonathan Barkan
- DreadCentral.com
James Franco and Scott Haze are back together again for The Vault! The pair first made waves with the Franco directed thriller Child Of God in 2013. Directed by Dan Bush, written by Conal Byrne and Dan Bush, The Vault features cinematography by Andrew Shulkind (Southbound, Panic Room) and visual effects by May Satsuki Asai (It […]...
- 8/11/2017
- by April Bedan
- Fangoria
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