A divorced woman and her diabetic daughter take refuge in their newly-purchased house's safe room, when three men break-in, searching for a missing fortune.
After a wealthy banker is given an opportunity to participate in a mysterious game, his life is turned upside down when he becomes unable to distinguish between the game and reality.
Director:
David Fincher
Stars:
Michael Douglas,
Deborah Kara Unger,
Sean Penn
A bereaved woman and her daughter are flying home from Berlin to America. At 30,000 feet, the child vanishes, and nobody will admit she was ever on the plane.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
Director:
Joel Schumacher
Stars:
Colin Farrell,
Kiefer Sutherland,
Forest Whitaker
As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
Director:
David Fincher
Stars:
Jesse Eisenberg,
Andrew Garfield,
Justin Timberlake
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Director:
David Fincher
Stars:
Jake Gyllenhaal,
Robert Downey Jr.,
Mark Ruffalo
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
Director:
David Fincher
Stars:
Ben Affleck,
Rosamund Pike,
Neil Patrick Harris
Stranded at a desolate Nevada motel during a nasty rain-storm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room.Written by
Film_Fan
Mel Gibson was originally considered for the part of the ex-husband. See more »
Goofs
The amount of coke in Sarah's glass changes between shots. See more »
Quotes
Burnham:
He's telling the truth.
Raoul:
Yeah, he's telling the truth... you know how I know? Cause when I do this...
[Raoul points the gun at Burnham]
Raoul:
...people don't lie.
See more »
Crazy Credits
Opening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings. See more »
Alternate Versions
The film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there was more picture information visible in the top and bottom of the frame than on DVD. See more »
Although "Panic Room" is probably meant to be a thriller or suspense film or something like that, I couldn't help but think it was a comedy. The zany robbers, the lonely house, and the little "girl", who really really really really looks like a boy. From this description, "Panic Room" has all the right ingredients for a "Home Alone" style laugh-fest. The little girl even looks remarkably like Macualy Culkin. However, after only a short way into the film, my hopes and dreams were shattered mercifully by the director. On viewing "Panic Room", no humorous brick-throwing-at-robbers-heads did I witness; no side-splitting falling-down-stair action; no comical electrocutions; and no grievous-bodily-harm inflicted on the devious home-invaders from the spirited young under-dog. Instead, the film subjects the viewer to one of the most painful experiences of their lifetime.
The movie drags and drags, never actually achieving anything of great importance. Every supposed "twist" and "turn" can be easily predicted with the tiniest amount of foresight, and you couldn't give a crap as to whether any of the characters live or die. However, the most irritating problem with the movie is probably the ludicrous plot, which makes you scream and yell at the TV(or movie) screen at the incredibly dumb characters. It seems that when criminals invade your house and you are locked in the very room they are trying to get into, your brain only works at half-capacity. This can also be said about the people who made this film. The dim-witted characters are annoying-as-hell, but what can be expected from a movie that centers around just one room in a house. "Phone Booth" had the right idea with the "one-scene-only" style story, but "Panic Room" doesn't.
After viewing it, you wish that Macualy Culkin was around, and he was setting your scalp on fire, knocking you down stairs with paint cans, or hurling bricks at your head from the top of a 3-storey building. Any or all of these would cause less pain than sitting through the krud-tastic lame-fest that is "Panic Room". In the end, why couldn't have Jodie Foster and Boy-girl just have gotten a house with a 'Panic Gun'. It would have made a lot more sense, and made the movie a lot shorter- which would have been a good thing.
Damn you "Panic Room". Damn you for wasting my time; and damn you for getting me so fired up that I'm wasting my time writing this review.
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Although "Panic Room" is probably meant to be a thriller or suspense film or something like that, I couldn't help but think it was a comedy. The zany robbers, the lonely house, and the little "girl", who really really really really looks like a boy. From this description, "Panic Room" has all the right ingredients for a "Home Alone" style laugh-fest. The little girl even looks remarkably like Macualy Culkin. However, after only a short way into the film, my hopes and dreams were shattered mercifully by the director. On viewing "Panic Room", no humorous brick-throwing-at-robbers-heads did I witness; no side-splitting falling-down-stair action; no comical electrocutions; and no grievous-bodily-harm inflicted on the devious home-invaders from the spirited young under-dog. Instead, the film subjects the viewer to one of the most painful experiences of their lifetime.
The movie drags and drags, never actually achieving anything of great importance. Every supposed "twist" and "turn" can be easily predicted with the tiniest amount of foresight, and you couldn't give a crap as to whether any of the characters live or die. However, the most irritating problem with the movie is probably the ludicrous plot, which makes you scream and yell at the TV(or movie) screen at the incredibly dumb characters. It seems that when criminals invade your house and you are locked in the very room they are trying to get into, your brain only works at half-capacity. This can also be said about the people who made this film. The dim-witted characters are annoying-as-hell, but what can be expected from a movie that centers around just one room in a house. "Phone Booth" had the right idea with the "one-scene-only" style story, but "Panic Room" doesn't.
After viewing it, you wish that Macualy Culkin was around, and he was setting your scalp on fire, knocking you down stairs with paint cans, or hurling bricks at your head from the top of a 3-storey building. Any or all of these would cause less pain than sitting through the krud-tastic lame-fest that is "Panic Room". In the end, why couldn't have Jodie Foster and Boy-girl just have gotten a house with a 'Panic Gun'. It would have made a lot more sense, and made the movie a lot shorter- which would have been a good thing.
Damn you "Panic Room". Damn you for wasting my time; and damn you for getting me so fired up that I'm wasting my time writing this review.