Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room.Written by
David Fincher agreed that the film's production was an arduous one, remarking it as a "logistical nightmare." The lighting issue during the filming process was particularly difficult due to the complexity of the security cameras used in the mansion that send surveillance images to the television in the panic room. See more »
Junior says that Meg had closed escrow. New York does not have an escrow system. Closing on a house is done with attorneys, with a set closing date. See more »
Don't you look at me.
Hey, all I know about this is what I've seen on TV. You gotta talk me through this.
[fills syringe with insulin]
Nice house you guys got. Mom's rich?
Dad's rich. Mom's just mad.
I wish I could put my kid in a place like this. Not that I didn't try. Just sometimes things they don't work out the way you want them to. Wasn't supposed to be like this. You weren't supposed to be here.
[...] See more »
As long as you can read "An Indelible Picture" you can already see the credit "Jodie Foster" in the background. See more »
The film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there was more picture information visible in the top and bottom of the frame than on DVD. See more »
Good direction + good acting + poor writing = mediocre film
I had very high hopes for this movie, but in my opinion, it failed. I love David Fincher, and he does not disappoint in terms of direction. In general, it's full of great visuals. The opening sequence and a couple other scenes are an incredible testament to the realistic computer graphics available today. Color, focus, angle, and a myriad of other elements also make this film stimulating visually. All the actors do their parts justice; Jodie Foster is convincing, the daughter pulls off apathy and so forth, Whitaker comes across as a reluctant man forced by circumstance, and there's a great (albeit small) performance by Cop #1.
However, good acting and good direction do not make this film. The plot moves snappily for the first half of the film, but almost every twist is predictable, and the pace begins to drag, hiccuping along into the second half. On a positive note, there is a great deal of dead-on comedy woven into the lulls; but afterwards it almost feels forced. Also, gore was added to the film for no apparent reason. To make matters worse, I was very unsatisfied by the climax and resolution. To what degree Koepp deserves the blame for these mismatched, unpleasant elements I do not know, but in my opinion he hasn't written a great script since Jurassic Park, which had all the comedy of Panic Room, but must have stolen the suspense from the second half.
Overall, I'd give this movie 2 out of 5. The plot simply disappoints. Worth seeing if you're a fan of Fincher or any of the actors, but not worth buying.
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