Submit your vote for Reviewer of the Year!
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
- 2/26/2013
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
Gotham City is a environment open to interpretation. One reader may view the urban conurbation as a land synonymous with fantastical tragedy with Gothic demonic structures rupturing from Hell, reaching to infect the Heavens with venomous smog and liquid night. An operatic land so immersed in darkness and corruption, that its evil dons the comforting smile of a jester – whilst its only hero basks in shadows; wearing the sinister, almost Satanic, image of a Bat.
Others may conjure the conception of hope from the Detective Comic pages – hope that heroism can prosper in the most dire of places – whilst some might synthesise The Dark Knight’s world of urban decadence with our own; thriving on the comic’s presentation of post-modern realism. This is precisely what makes Batman a tremendous character to watch on screen. With every new director; be it Burton, Schumacher or Nolan, we are presented with a...
Others may conjure the conception of hope from the Detective Comic pages – hope that heroism can prosper in the most dire of places – whilst some might synthesise The Dark Knight’s world of urban decadence with our own; thriving on the comic’s presentation of post-modern realism. This is precisely what makes Batman a tremendous character to watch on screen. With every new director; be it Burton, Schumacher or Nolan, we are presented with a...
- 3/11/2012
- by Tommy Marques
- Obsessed with Film
Cory Doctorow and the rest of the Boing Boing crew are wearing frock coats and derbies and all ran-tan in celebratory preparation for the upcoming premiere of Riese: Kingdom Falling. The retooled, steampunk original web series debuts on Syfy.com Tuesday, October 26. Riese's initial run wasn't long for the internet. The series was released in late 2009 by creators Ryan Copple and Kaleena Kiff as an alternate-reality-game-slash-web-series. The duo partnered with UK-based digital distributor, Fireworks four months later. Copple and Kiff then took down the series per a request from Fireworks in the hopes that some type of moneyed distribution or development deal would follow. Two months later, they signed a deal. A $200,000 production budget put to very good use, a compelling fantasy-infused storyline, and a host of Hollywood talent - including Amanda Tapping (Sanctuary), Christine Chatelain (The Bone Collector); Sharon Taylor (Stargate Universe), Ben Cotton (Harper's Island), Allison Mack...
- 10/14/2010
- by Joshua Cohen
- Tubefilter.com
Film schools have long served as launching pads for film and television careers, and now most major universities offer at least some sort of filmmaking courses, even for those not looking to jump into entertainment. A number of schools have begun looking academically at the impacts of new media on culture and the future of entertainment, but so far the more practical nuts and bolts of web series production and distribution have yet to make it onto into the university course lists. In Los Angeles, two new Web TV education programs have launched this month looking to fill that gap —and at a fraction of a film school tuition. NewMedialocity and Web TV Workshop both offer four-week intro courses for creative types looking to learn how to get an original web series project off the ground. Both take the approach of teaching through experienced guest teachers—those brave souls who...
- 4/28/2010
- by Marc Hustvedt
- Tubefilter.com
In honor of Felicia Day’s new comic prequel to The Guild coming out today, A Comicbook Orange interviewed the creator-star-and-now-comicbook-writer on today’s show. The series also hosted an (online) charity auction announced last week with Aco fan John Fillers bidding $101.99 for a signed copy of a Penny Arcade book with an original sketch. [A Comicbook Orange] Jaleel White decided he really likes this whole web series game, and decided to follow up last year’s Road to the Altar with a new series he created and produced called Fake It Till You Make It which just wrapped shooting this week. White dishes on the labor of love that went into his indie production in a first-person day-by-day diary over on The Huffington Post today. [HuffPo] IndieCon, a one-day conference focusing on new media production is going on tomorrow evening at the Universal Hilton. Speakers include Taryn Southern, Liz Miller, Illeana Douglas, Marti Resteghini...
- 3/25/2010
- by Marc Hustvedt
- Tubefilter.com
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