Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer.Written by
Jeff Cross <email@example.com>
John Benjamin Hickey (Dr. Barry Lehman) and Luis Guzmán (Eddie Ortiz) also appeared with Denzel Washington in The Taking of Pelham 123 (2009). See more »
When Rhyme and the other police are examining the evidence on the track, Rhyme refers to the bolt as "iron" but doesn't find out until later that the bolt is iron, not steel. See more »
I can't do this.
You can do it. Yes, you can. Yesterday you stopped a train. You can do anything you want when you put your mind to it.
Don't work me, Rhyme... Just tell me what to do next.
Very slowly... walk the grid... one foot in front of the other. I want you to look around you now. Remember... crime scenes are three-dimensional... floors, walls and ceilings.
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An alternative ending was shot where Thelma survives and can be seen at the Christmas party. This was not used because it was deemed too unbelievable. See more »
When NYPD cop Amelia Donaghy uncovers a mutilated corpse she shows a natural eye for detail and preserving crime scenes. When the killer turns out to be a serial killer leaving clues to his next crime, NYPD turn to the paralysed ex-forensics cop, Rhyme to help them piece together the clues. With Rhymes bedridden, Donaghy becomes his eyes, ears and legs as she walks the scenes under his guidance to uncover the trail.
This is a star vehicle - two Oscar winners and some good supporting actors (Luis Guzman, Michael Rooker to name two). However the plot is below the Washington and Jolie. It is the old "killer taunting cops to catch him" chestnut. It is slightly spiced up by the use of forensics etc and watching Washington putting together the logical clues is quite fun - mainly because you get the feeling that you're right there with him and that it all makes sense. However most of it doesn't makes sense, a lot of the forensics is bull and relies of coincidence or Washington dragging facts from the back of his head. This is a shame because it feels like the film is just being lazy at times and is cheating us out of logic. This laziness feeds right through to the ending - if you thought that the Scream films were lazy and stupid wait till you see the stupid ending to this! Up till this the film does have plenty of horrible scenes and lots of tense bits with Jolie walking round in the dark with the killer potentially just round the corner.
Jolie is good and deals with her character well - despite the fact that a beat cop would never just be able to become a crime scene officer on the whim of an ex-cop. Washington deals well with his character being paralysed for the whole film but does get a bit silly at the end where he fights the killer with just his head! Support is fine - but Guzman is not as good as he usually is.
Overall this is a B movie that got an A movie budget. The film is dark and tense but ultimately a bit lazy and blows it totally with a stupid lazy conclusion.
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