Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
Director:
Gregory Hoblit
Stars:
Denzel Washington,
John Goodman,
Donald Sutherland
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Director:
Tony Scott
Stars:
Denzel Washington,
Paula Patton,
Jim Caviezel
With an unmanned, half-mile-long freight train barreling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe.
Director:
Tony Scott
Stars:
Denzel Washington,
Chris Pine,
Rosario Dawson
On a U.S. nuclear missile sub, a young First Officer stages a mutiny, to prevent his trigger happy Captain from launching his missiles, before confirming his orders to do so.
Director:
Tony Scott
Stars:
Gene Hackman,
Denzel Washington,
Matt Craven
A post-apocalyptic tale, in which a lone man fights his way across America in order to protect a sacred book that holds the secrets to saving humankind.
Directors:
Albert Hughes,
Allen Hughes
Stars:
Denzel Washington,
Mila Kunis,
Ray Stevenson
The secret U.S. abduction of a suspected terrorist leads to a wave of terrorist attacks in New York City, which leads to the declaration of martial-law.
Director:
Edward Zwick
Stars:
Denzel Washington,
Bruce Willis,
Annette Bening
Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer.Written by
Jeff Cross <blackjac_1998@yahoo.com>
John Benjamin Hickey (Dr. Barry Lehman) and Luis Guzmán (Eddie Ortiz) also appeared with Denzel Washington in The Taking of Pelham 123 (2009). See more »
Goofs
When Dective Kenny Solomon checks on Ameila at her apartment, he enters through her kitchen window. After he enters the window is shut. Then they go into the next room and you see the window open in the background. See more »
Quotes
Lincoln Rhyme:
Two things. First, you did a hell of a job locating the evidence. There's no question the perp knows forensics.
[pause]
Lincoln Rhyme:
Now, as for the other thing... the... you know, the victim's hands, well, maybe, uh... maybe it was too much to handle, so we'll just forget it.
Amelia:
Is that your version of an apology?
Lincoln Rhyme:
An apology? Is that why you came over here?
Amelia:
You really are a piece of work.
Lincoln Rhyme:
Well, aren't we a pair?... I think you're terrific.
See more »
Alternate Versions
An alternative ending was shot where Thelma survives and can be seen at the Christmas party. This was not used because it was deemed too unbelievable. See more »
I can envision the writers of this story thinking up this script:
1.Let's make a serial killer movie like Se7en, Knight Moves, Copycat, and Silence of the Lambs. People like serial killer stuff. It'll sell... 2.The killer needs to adopt some sort of pattern. I know; he'll copy it out of a serial killer mystery novel. That hasn't been done yet, at least not exactly like that. 3.Now, we need some kind of way to make this movie unique; of course, the good guy can be bedridden like in Rear Window. 4.Lastly, we need a twist ending that will give this movie the success of The Sixth Sense and The Usual Suspects.
Okay, now that you know these things, you know the whole movie, so don't waste your money. One thing I really hate about moviemakers is that they take a perfectly good concept for movies and completely run them into the ground. I wrote better stories than this when I was in Junior High. I just kept checking my watch every five minutes. When the twist ending finally came, I wasn't shocked, I just said, "Oh. Who cares?!" The characters are two-dimensional. They have your typical movie personalities. This movie is just proof that stealing the elements of other successful movies is no excuse for a bad script. I give this movie 1 out of 10. Normally, it would earn at least 2 or 3, but I'm so sick of the unoriginality. When will they learn? 1/10
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I can envision the writers of this story thinking up this script:
1.Let's make a serial killer movie like Se7en, Knight Moves, Copycat, and Silence of the Lambs. People like serial killer stuff. It'll sell... 2.The killer needs to adopt some sort of pattern. I know; he'll copy it out of a serial killer mystery novel. That hasn't been done yet, at least not exactly like that. 3.Now, we need some kind of way to make this movie unique; of course, the good guy can be bedridden like in Rear Window. 4.Lastly, we need a twist ending that will give this movie the success of The Sixth Sense and The Usual Suspects.
Okay, now that you know these things, you know the whole movie, so don't waste your money. One thing I really hate about moviemakers is that they take a perfectly good concept for movies and completely run them into the ground. I wrote better stories than this when I was in Junior High. I just kept checking my watch every five minutes. When the twist ending finally came, I wasn't shocked, I just said, "Oh. Who cares?!" The characters are two-dimensional. They have your typical movie personalities. This movie is just proof that stealing the elements of other successful movies is no excuse for a bad script. I give this movie 1 out of 10. Normally, it would earn at least 2 or 3, but I'm so sick of the unoriginality. When will they learn? 1/10