For 24 years, The New Yorker has leaned on the talents of actors, writers, and others from the world of Hollywood to be a part of its annual New Yorker Festival, which will be held this year Oct. 6-8.
The ongoing Writers Guild of America and SAG-AFTRA strikes have thrown a wrench in many plans that have traditionally relied on Hollywood talent, but the festival will go on, New Yorker editor David Remnick tells The Hollywood Reporter. And there will still be plenty of star power.
The New Yorker, of course, is not owned by a struck company, but SAG has advised its members not to promote projects from studios that have not signed interim agreements, and the Condé Nast-owned publication has had to adapt accordingly: “We faced a challenge or two,” Remnick says.
“I think a lot of the navigation is on the side of the talent, and what they...
The ongoing Writers Guild of America and SAG-AFTRA strikes have thrown a wrench in many plans that have traditionally relied on Hollywood talent, but the festival will go on, New Yorker editor David Remnick tells The Hollywood Reporter. And there will still be plenty of star power.
The New Yorker, of course, is not owned by a struck company, but SAG has advised its members not to promote projects from studios that have not signed interim agreements, and the Condé Nast-owned publication has had to adapt accordingly: “We faced a challenge or two,” Remnick says.
“I think a lot of the navigation is on the side of the talent, and what they...
- 9/6/2023
- by Alex Weprin
- The Hollywood Reporter - Movie News
The opening of “West Side Story,” both the 1961 and 2021 films, is not a song or a dialogue scene or even a traditional overture; it’s a dance. And it’s not just a dance — it’s a plunge into a world in which street gangs in 1950s New York launch into the air in bursts of aggressive leaps and exhilarating turns. In Steven Spielberg’s reimagining, the Jets rove through their neighborhood as it is being demolished, their tours and pirouettes not only expressing their rage but also a sense of helplessness against larger forces at hand.
The dance in Spielberg’s “West Side Story” is different from what we’ve seen in movie musicals in the last half century. The film marks a stunning retrieval of a relationship between Hollywood, Broadway, and the ballet world not really seen since, well, the original Jerome Robbins-Robert Wise “West Side Story.
The dance in Spielberg’s “West Side Story” is different from what we’ve seen in movie musicals in the last half century. The film marks a stunning retrieval of a relationship between Hollywood, Broadway, and the ballet world not really seen since, well, the original Jerome Robbins-Robert Wise “West Side Story.
- 3/2/2022
- by Luci Marzola
- Indiewire
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