Ryu Murakami’s books are strange. They are violent, sensual, absurdly humorous, surrealistic, and hide their comments in an atmosphere of confusion and disorientation. The same actually applies to the movies based on his books, either those he directed himself (“Tokyo Decadence“) or those directed by others (“Audition“). “Karaoke Terror” despite being quite approachable, also includes the same elements, starting with the story.
Five young men spend their time together for no apparent reason, since they seem to have no common interests apart from doing karaoke in bondage outfits twice a week, and enjoying peeking on the neighbor that lives across the apartment of one of them, which functions as their headquarters. On the opposite axis lie five middle-aged women, either single or divorced, who are all named Midori and also enjoy their karaoke. The boys frequently talk about how this kind of women are the easiest to have sex with,...
Five young men spend their time together for no apparent reason, since they seem to have no common interests apart from doing karaoke in bondage outfits twice a week, and enjoying peeking on the neighbor that lives across the apartment of one of them, which functions as their headquarters. On the opposite axis lie five middle-aged women, either single or divorced, who are all named Midori and also enjoy their karaoke. The boys frequently talk about how this kind of women are the easiest to have sex with,...
- 4/20/2020
- by Panos Kotzathanasis
- AsianMoviePulse
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