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5.9/10
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A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of app... Read allA submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
- Awards
- 1 win total
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This review is for the 1:49 (109 minute) version of the film in Japanese with English subtitles. I believe this is the 'uncut' version. I was quite worried before watching this film about what I was letting myself in for after having read some of the reviews. I feared it might be something like some of Pasolini's films. I needn't have worried. Admittedly you might not want to show it to your maiden aunt.
It's a sort of art house version of Showgirls (1995). The hallucination scenes reminds me a bit of the Mandrax infused scenes in Celine and Julie go boating (1974). So as a bit of trivia I'm guessing that is the drug Ai takes.
It's supposedly a warts and all look at the life of a Tokyo prostitute, Ai, who specialises in S & M set at the time of the economic bubble. Obviously this could just be a flimsy excuse for a lot of gratuitous footage under the guise of Art. I'm inclined to give it the benefit of the doubt. It's never going to be a great film, but at least it does pass the Bechdel test.
Films with a similar idea that spring to mind are Klute (1971) and Strella (2009). Both of which seemed like a more realistic portrayal, particularly Strella.I may be being a little unfair since some of it could have got lost in translation.
It's a sort of art house version of Showgirls (1995). The hallucination scenes reminds me a bit of the Mandrax infused scenes in Celine and Julie go boating (1974). So as a bit of trivia I'm guessing that is the drug Ai takes.
It's supposedly a warts and all look at the life of a Tokyo prostitute, Ai, who specialises in S & M set at the time of the economic bubble. Obviously this could just be a flimsy excuse for a lot of gratuitous footage under the guise of Art. I'm inclined to give it the benefit of the doubt. It's never going to be a great film, but at least it does pass the Bechdel test.
Films with a similar idea that spring to mind are Klute (1971) and Strella (2009). Both of which seemed like a more realistic portrayal, particularly Strella.I may be being a little unfair since some of it could have got lost in translation.
Tokyo Decadence follows a prostitute on her way through the six gates of perversion forced upon her as her work demands. One of the imperatives of the trade is to never leave the client, something which makes her stay put in some pretty strange situations.
Miho Nikaido does a good job in her role and shows a great range from subservient prostitute to desperate woman in search for love.
The funniest part is when excellent whiskey-folk-punk musician Kan Mikami plays the bourgeois necrophiliac in search for a classic rape case where a girl got murdered.
This is most likely Murakami Ryu's best work and is a excellent commentary to Japanese bubble-economy moral decay.
Miho Nikaido does a good job in her role and shows a great range from subservient prostitute to desperate woman in search for love.
The funniest part is when excellent whiskey-folk-punk musician Kan Mikami plays the bourgeois necrophiliac in search for a classic rape case where a girl got murdered.
This is most likely Murakami Ryu's best work and is a excellent commentary to Japanese bubble-economy moral decay.
A call girl who works for the S&M service went through 6 sessions of bizarre sexual adventure. She was abused physically and mentally by the clients. I think this movie is great because it gives you a view of Japanese sexual culture in the 90's. Overworked men seek excitment in perverted sexual endeavors. Women's status in a society can be seen through the degrading sexual practice. A great film for adults. However, if you are looking for sex go watch "In the realm of senses".
Murakakmi's Tokyo Decadence starts out powerfully with an unflinching look at the shifts put in as a 'Delivery Health' (as these women get called in 21s century Japan) by hooker-with-a-heart-of-gold, Miho Nikaido. The crisp colours, seductive light and slowly dollying camera give a high productive sheen to the mesmerising scenes of Nikaido being humiliated by a Yakuza couple, then assisting a dominatrix in the wished-for degradation of one of her regular johns.
Murakami seems to be highlighting the amorality of Bubble-rich Japan, his characters speechifying against the 'real' whores in the corporate and government fields. The sexual and comedy elements are well-balanced, the highlight being the lost dildo in the toilet scene. Nikaido shows an impressive range, both vulnerable in and enraptured by her line of work. She also enlivens a long walk with a wild-eyed look she achieves in the film's final third.
However, her performance cannot rescue the meandering, insipid final episode when Nikaido goes in search of her true love. The introduction of a 'courage' pill is a clumsy plot device. The final section lacks clarity, and even continuity seems to be a minor concern. It is as if Murakami, having established his world so finely in the first half, is now at a loss regarding what he wants to say about it. A series of episodic and uninspiring tableaux plays out, the slightly surreal elements being the only thing that stops it from descending into an old-fashioned morality tale.
Tokyo Decadence is a film of two halves, with the director only trying in the first.
Murakami seems to be highlighting the amorality of Bubble-rich Japan, his characters speechifying against the 'real' whores in the corporate and government fields. The sexual and comedy elements are well-balanced, the highlight being the lost dildo in the toilet scene. Nikaido shows an impressive range, both vulnerable in and enraptured by her line of work. She also enlivens a long walk with a wild-eyed look she achieves in the film's final third.
However, her performance cannot rescue the meandering, insipid final episode when Nikaido goes in search of her true love. The introduction of a 'courage' pill is a clumsy plot device. The final section lacks clarity, and even continuity seems to be a minor concern. It is as if Murakami, having established his world so finely in the first half, is now at a loss regarding what he wants to say about it. A series of episodic and uninspiring tableaux plays out, the slightly surreal elements being the only thing that stops it from descending into an old-fashioned morality tale.
Tokyo Decadence is a film of two halves, with the director only trying in the first.
In Tokyo, the hooker Ai (Miho Nikaido) works in an escort agency specialized in perversions and kinky sex. Ai is submissive to her clients and accepts to be humiliated, to perform sadomasochism and bondage and threesome. However she is unhappy with her life for some reason.
The Brazilian VHS of "Topâzu", a.k.a. "Tokyo Decadence" is a soft-porn labeled Erotic-Thriller. There are many scenes of Miho Nikaido performing kinky sex with her clients and basically that is all. Her unrequited love was edited from this 92 minutes version where the fortuneteller instructions are senseless. It is hard to understand why the producers allow this procedure. My vote is three.
Title (Brazil): "Tokio em Decadência" ("Tokyo in Decadence")
The Brazilian VHS of "Topâzu", a.k.a. "Tokyo Decadence" is a soft-porn labeled Erotic-Thriller. There are many scenes of Miho Nikaido performing kinky sex with her clients and basically that is all. Her unrequited love was edited from this 92 minutes version where the fortuneteller instructions are senseless. It is hard to understand why the producers allow this procedure. My vote is three.
Title (Brazil): "Tokio em Decadência" ("Tokyo in Decadence")
Storyline
Did you know
- TriviaThe film was originally banned in the Canadian province of Ontario when released there in 1994. Numerous protests from people caused the censor board to pass the film uncut with a 'Restricted' rating.
- Alternate versions23 minutes, which included more nudity and explicit sex, were cut from the US version to prevent an X rating. Some of the scenes cut were:
- The scene at the beginning is longer.
- The scene with Mr. Satoh before he talks to his girlfriend is longer, including the scene showing him actually inserting the vibrator into Ai after she came out of the shower.
- Ai licking both Mr. Satoh and his girlfriend as they are having sex.
- Before Ai arrives to Mr. Satoh's room, they are slow-motion scenes showing Yakuza storming into Mr. Satoh's room, yelling at him for being a failure and restrains him. Despite his pleas, the Yakuza tie his girlfriend up and hooks her up with drugs, with him watching and being helpless to help her. The Yakuza then take turns sadistically raping and beating her.
- Shortly after the guy says 'Let her go' referring to Ai, the scene returns to Satoh's bedroom where the Yakuza slashes the right side of her face with a tanto knife to show who's the boss, explaining why later her face is bandaged when she returns the ring to Ai. The scene then goes back to the lobby showing Ai running into the elevator scared. Miyuki, who was waiting for her, meets up with her after she gets out of the elevator. Seeing her terrified, Miyuki asks her what was wrong. Ai shakes her head saying everything was all right, it's just he wasn't home that's all. They then go to the young client's room.
- The scene where the young client asks to be strangled is longer, showing Ai and Miyuki walking into his room being addressed as Mistress and Mistress Ai.
- The masochism scene with Saki is longer.
- ConnectionsFeatured in Interview with Ryu Murakami (2008)
- SoundtracksLlegué Llegué / Guararey de Pastorita
Performed by Los Van Van
- How long is Tokyo Decadence?Powered by Alexa
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Box office
- Gross US & Canada
- $277,845
- Gross worldwide
- $277,845
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