“There is a lot of individuality to all of the episodes,” says “The Mandalorian” editor Andrew S. Eisen. Emmy voters took note of that individuality and rewarded the Disney+ series with three nominations for Single Camera Picture Editing for a Drama Series. Eisen cut “Chapter 2: The Child,” Dana E. Glauberman and additional editor Dylan Firshein are nominated for “Chapter 4: Sanctuary,” and Jeff Seibenick is nominated for “Chapter 8: Redemption.” All four nominated editors join for a rare interview together discussing the varied approaches they brought to the hit “Star Wars” series. Watch the exclusive video interview above.
See Ludwig Goransson interview: ‘The Mandalorian’
The group noted that it was easy to bring their own skills and style to the project, especially considering that there were multiple directors lending their vision to the piece as well. “It started with the script,” explains Seibenick, who adds that the overall story...
See Ludwig Goransson interview: ‘The Mandalorian’
The group noted that it was easy to bring their own skills and style to the project, especially considering that there were multiple directors lending their vision to the piece as well. “It started with the script,” explains Seibenick, who adds that the overall story...
- 8/22/2020
- by Sam Eckmann
- Gold Derby
What if Superman started out evil? And what if that was the only idea you had for your movie? Hence “Brightburn,” a wafer-thin exercise in a supposedly new genre called “superhero horror,” but what is really just a body-count flick haphazardly grafted onto a tweaked version of Superman’s origin story — except this version’s isolated farm boy with indestructible (and destructive) alien powers would rather lift a car not to rescue someone but to kill a grown-up who wasn’t nice to him.
The movie is directed by David Yarovesky, but the hyped name is producer James Gunn, the acclaimed if controversial commander of the snarky-sincere “Guardians of the Galaxy” Marvel franchise, but also the mind behind nasty exploitation fare like his black-humored 2010 indie “Super.” That acquired-taste riff on hero notions featured a power-free vigilante, ultraviolence and not much pleasure, but it’s a satiric gem compared to “Brightburn,...
The movie is directed by David Yarovesky, but the hyped name is producer James Gunn, the acclaimed if controversial commander of the snarky-sincere “Guardians of the Galaxy” Marvel franchise, but also the mind behind nasty exploitation fare like his black-humored 2010 indie “Super.” That acquired-taste riff on hero notions featured a power-free vigilante, ultraviolence and not much pleasure, but it’s a satiric gem compared to “Brightburn,...
- 5/22/2019
- by Robert Abele
- The Wrap
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