The 7th annual Sydney Underground Film Festival, which runs this year on September 5-8 at the Factory Theatre, opens with a real bang when they will screen cult filmmaker Alejandro Jodorowsky’s latest cinematic odyssey, The Dance of Reality. This is Jodorowsky’s first film in over twenty years and is an imaginative and playful quasi-autobiography.
The rest of the four-day celebration is packed with more film oddities and excursions into surreal and transgressive territory. One particular highlight that is not to be missed is Don Swaynos’ incredibly crowd-pleasing comedy Pictures of Superheroes, about a slacker cleaning woman’s descent into an absurd world she can’t escape. Read the Underground Film Journal’s review of Pictures of Superheroes here.
Other twisted fiction films screening include Drew Tobias’s sick and twisted See You Next Tuesday, Cody Calahan’s apocalyptic Antisocial and Lloyd Kaufman’s highly-anticipated sequel Return to Nuke ‘Em High: Vol.
The rest of the four-day celebration is packed with more film oddities and excursions into surreal and transgressive territory. One particular highlight that is not to be missed is Don Swaynos’ incredibly crowd-pleasing comedy Pictures of Superheroes, about a slacker cleaning woman’s descent into an absurd world she can’t escape. Read the Underground Film Journal’s review of Pictures of Superheroes here.
Other twisted fiction films screening include Drew Tobias’s sick and twisted See You Next Tuesday, Cody Calahan’s apocalyptic Antisocial and Lloyd Kaufman’s highly-anticipated sequel Return to Nuke ‘Em High: Vol.
- 8/15/2013
- by Mike Everleth
- Underground Film Journal
Waylon Bacon is going home again. Bacon, a graduate of Albany High School, will be showing his latest demented masterpiece, Help Wanted, and participating in a post-screening Q&A at the 2nd annual Albany Film Festival, which takes place on March 3.
Help Wanted is a horror comedy about the world’s worst job: Processing the dead victims of hit men and other hired killers. It’s a sick, twisted and absolutely hilarious epic short film. Bad Lit: The Journal of Underground Film reviewed it back in 2010, calling it “funny and frightening.”
Joining Bacon on-stage will be filmmaker Hoku Uchiyama, another Albany High grad, with his own short film, Rose, a rural American ghost story.
The Albany Film Festival is screening primarily short films from Noon to 8:00 p.m., kicking things off with the absolutely charming The Squash by Bobby Young.
However, there will be two special feature films on hand.
Help Wanted is a horror comedy about the world’s worst job: Processing the dead victims of hit men and other hired killers. It’s a sick, twisted and absolutely hilarious epic short film. Bad Lit: The Journal of Underground Film reviewed it back in 2010, calling it “funny and frightening.”
Joining Bacon on-stage will be filmmaker Hoku Uchiyama, another Albany High grad, with his own short film, Rose, a rural American ghost story.
The Albany Film Festival is screening primarily short films from Noon to 8:00 p.m., kicking things off with the absolutely charming The Squash by Bobby Young.
However, there will be two special feature films on hand.
- 3/1/2012
- by Mike Everleth
- Underground Film Journal
The Atlanta Underground Film Festival will roll out their 8th annual edition at the Goat Farm Arts Center on Sep. 22-25, taking over two screening rooms with a lineup of feature films, shorts and documentaries.
On the features front, Drew Bolduc and Dan Nelson’s hilariously offensive The Taint — about a world taken over by foaming-at-the-mouth misogynists — continues with its international underground takeover with a stop at Auff for an appropriately late-night screening on the 24th. Read the Bad Lit: The Journal of Underground Film’s review here.
In the short films lineups, be on the lookout for the annual Robot Hand infiltration with Brian Lonano‘s Martian Precursor and Kevin Lonano’s Carny lurking in the Horror Shorts collection on the 23rd. Plus, scattered throughout the fest are Greg Hanson and Casey Regan‘s immensely fun Thy Kill Be Done, Dean Packis‘ grotesque and funny animation Premie Petey in Extreme Makeovary,...
On the features front, Drew Bolduc and Dan Nelson’s hilariously offensive The Taint — about a world taken over by foaming-at-the-mouth misogynists — continues with its international underground takeover with a stop at Auff for an appropriately late-night screening on the 24th. Read the Bad Lit: The Journal of Underground Film’s review here.
In the short films lineups, be on the lookout for the annual Robot Hand infiltration with Brian Lonano‘s Martian Precursor and Kevin Lonano’s Carny lurking in the Horror Shorts collection on the 23rd. Plus, scattered throughout the fest are Greg Hanson and Casey Regan‘s immensely fun Thy Kill Be Done, Dean Packis‘ grotesque and funny animation Premie Petey in Extreme Makeovary,...
- 8/25/2011
- by Mike Everleth
- Underground Film Journal
For their 5th annual event, which is set to run Sept. 8-11, the Sydney Underground Film Festival is looking a little more demented than ever. And that’s saying a lot for this scrappy, still relatively young fest, which typically offers ample twisted cinematic offerings.
The fun kicks off with the Opening Night film, the demented superhero comedy Super, written and directed by former Troma go-to screenwriter James Gunn (Tromeo & Juliet); then ends with the Closing Night wallowing in Sydney’s seedy underbelly, X, by homegrown filmmaker Jon Hewitt.
Crammed between these two excursions into violence and depravity is a lineup filled with perverse visions, scandalous public figures, sickening horror, experimental pop culture remixes and more.
For Bad Lit: The Journal of Underground Film, the highlight of the fest is Usama Alshaibi‘s Profane, a complex psychological, psychosexual, spiritual morality play about a Muslim sex worker who endures a “reverse...
The fun kicks off with the Opening Night film, the demented superhero comedy Super, written and directed by former Troma go-to screenwriter James Gunn (Tromeo & Juliet); then ends with the Closing Night wallowing in Sydney’s seedy underbelly, X, by homegrown filmmaker Jon Hewitt.
Crammed between these two excursions into violence and depravity is a lineup filled with perverse visions, scandalous public figures, sickening horror, experimental pop culture remixes and more.
For Bad Lit: The Journal of Underground Film, the highlight of the fest is Usama Alshaibi‘s Profane, a complex psychological, psychosexual, spiritual morality play about a Muslim sex worker who endures a “reverse...
- 8/9/2011
- by Mike Everleth
- Underground Film Journal
It’s four days of experimental media madness in the Sunshine State when the 7th annual Florida Experimental Film/Video Festival — also known as Flex Fest — runs in Gainesville on Feb. 17-20. The majority of the festival will take place at the Top Secret Space, with the exception of a Saturday afternoon screening of all 35mm films at the Hippodrome State Theater.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
- 2/11/2011
- by Mike Everleth
- Underground Film Journal
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