Wassim Beji, the French producer of “Boite noire,” and Snd have acquired the adaptation rights to iconic French detective novels “Fantomas” and are planning a film and a series based on the franchise.
A ruthless and multi-faceted thief and assassin, Fantomas “was the first occidental super-villain featured in a serialized format, first through comic strips and later in a radio series,” said Beji, adding that “Fantomas” has also been a source of inspiration for some of the greatest artists of the 20th century, including the surrealist poet Guillaume Apollinaire.
Created in 1911 by Marcel Allain and Pierre Souvestre, Fantomas is one of France’s most popular fictional characters, along with Arsene Lupin. Fantomas was first adapted for the big screen by into a silent crime film serial directed by Louis Feuillade for Gaumont in 1913. The property was later adapted into a crime comedy trilogy starring Jean Marais and Louis de Fines...
A ruthless and multi-faceted thief and assassin, Fantomas “was the first occidental super-villain featured in a serialized format, first through comic strips and later in a radio series,” said Beji, adding that “Fantomas” has also been a source of inspiration for some of the greatest artists of the 20th century, including the surrealist poet Guillaume Apollinaire.
Created in 1911 by Marcel Allain and Pierre Souvestre, Fantomas is one of France’s most popular fictional characters, along with Arsene Lupin. Fantomas was first adapted for the big screen by into a silent crime film serial directed by Louis Feuillade for Gaumont in 1913. The property was later adapted into a crime comedy trilogy starring Jean Marais and Louis de Fines...
- 8/10/2022
- by Elsa Keslassy
- Variety Film + TV
Bertrand Bonello's Sarah Winchester, Phantom Opera (2016) is showing on Mubi from April 7 - May 7 and Antoine Barraud's Rouge (2015) is showing on Mubi from April 21 - May - 21, 2017 as part of our Special Discovery series. Self-portrait in front of a mirror (1908), Léon Spilliaert. MuZee, Ostend. Photo: © Sabam Belgium 2016I would not paint — a picture —I'd rather be the OneIt's bright impossibility—Emily DickinsonWhen asked about his first short film, a beautiful portrait of the amazing Portuguese poet Sophia de Mello Breyner Andresen, filmmaker João César Monteiro declared, rather dissatisfied, "Well, this film is proof to all those who say that you can not film a poem." The same statement has often been made about any other art that dared be approached by cinema. A strange suspicion arises once a film tackles art. It seems to be deeply grounded in an idea of cinema as the art of the little man,...
- 4/18/2017
- MUBI
Dermot Mulroney's wife desperately wants to go French -- even though her husband is Irish-American -- and she's filing legal papers to do it. The "My Best Friend's Wedding" star has been married to Tharita Cutulle since 2008, but she's never changed her name. According to docs, she's finally ready to drop her unique name and switch -- not to Mulroney ... but to Prima Apollinaare. As for why she's going from sounding like the scientific...
- 1/26/2015
- by TMZ Staff
- TMZ
Drafthouse Films, the distributor of Quentin Dupieux's bizarre new film, "Wrong," describes the French director and electronic musician (stage name: Mr. Oizo) as "one of the world's most fearless cinematic surrealists." The surreal does indeed seem to be Dupieux's preferred register, but this leads me to a trickier question. Should we care? Surrealism isn't exactly fashionable anymore. Whether you consider it a movement, an aesthetic, or a politics -- and wherever you place the dividing lines between these three -- art critics agree that Surrealism grew out of Dadaist anti-rationalism in the terrible years of World War I and petered out somewhere between the end of World War II and the Sixties, replaced by other, fresher radicalisms. The poet Guillaume Apollinaire coined the term, but it was Andre Breton, writing "The Surrealist Manifesto" in 1924, who brought it to prominence (and proceeded to be its domineering life force until his...
- 3/26/2013
- by Matt Brennan
- Thompson on Hollywood
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