Seventy short films about cinema and its future.
Directors:
Writers:
Reviews:
Photos and Videos
Cast
| Rest of cast listed alphabetically: | |||
| Jessica Alexander | ... |
Girl with Hanky
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| Bernardo Bertolucci | ... |
Self (segment "Scarpette rosse")
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| Lola Créton |
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| Haile Gerima | ... |
Self (segment: Haile Gerima)
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Bernardo Greco | ... |
(segment: "L'ultimo leone")
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Jessica Hoare | ... |
(segment "Necktie")
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| Mia Jenkins | ... |
(segment "Necktie")
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Davide La Vecchia | ... |
(segment: "L'ultimo leone")
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Emanuele La Vecchia | ... |
(segment: "L'ultimo leone")
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Mihir Lath | ... |
(segment "Shekhar Kapur")
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| Franco Maresco | ... |
Narrator (segment: Pietro Marcello) (voice)
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Callum May | ... |
Self (segment "Necktie")
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Michelangelo Placido | ... |
Self (segment: "Yorick's Speech")
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| Michele Placido | ... |
Self (segment: "Yorick's Speech")
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| Tygh Runyan | ... |
Man (segment: "Vive L'Amour")
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Mani Sherafat | ... |
Kid filmmaker
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Shahed Sherafat | ... |
Gardener
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| Shôta Sometani | ... |
(segment: "My Future is Cinema's Future")
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| Sion Sono | ... |
Self (segment: "My Future is Cinema's Future")
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| Shannyn Sossamon | ... |
Woman (segment "Vive L'Amour")
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| Spike White | ... |
(segment "Necktie")
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Macy Young | ... |
(segment "Necktie")
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Directed by
Written by
| Gabriela Amaral | ... | |
| Guy Debord | ... | (segment "Pietro Marcello") (text) |
| Haile Gerima | ... | (segment "Haile Gerima") |
| Nathalia Guinet | ... | (collaborating writer) |
| Monte Hellman | ... | (segment ": "Vive L'Amour") |
| Shekhar Kapur | ... | (segment "Shekhar Kapur") |
| Milcho Manchevski | ... | (segment ": "Thursday") |
| Hong Sang-soo | ... | (segment "50") (written by) |
Produced by
| Michael Cody | ... | producer |
| Cecilia Garizoain | ... | assistant producer |
| Haile Gerima | ... | (segment "Haile Gerima") producer |
| Nariman Hamed | ... | producer |
| Melissa Hellman | ... | (segment ": "Vive L'Amour") producer |
| Semih Kaplanoglu | ... | (segment "Devran") producer |
| Shekhar Kapur | ... | (segment "Shekhar Kapur") producer |
| Mihir Lath | ... | (segment "Shekhar Kapur") executive producer |
| Leandro Marini | ... | (segment "Vive L'Amour") producer |
| Nikos Smpiliris | ... | assistant producer |
| Laura Terruso | ... | (segment ": "3013") producer |
| Christopher Zitterbart | ... | producer |
Music by
| Valerio Camporini Faggioni | ... | (segment "Untitled") (as Valerio C. Faggioni) |
Cinematography by
| Kristoffer Carrillo | ... | (segment ": "Vive L'Amour") |
| Jure Cernec | ... | (segment ": "I Was a Child") |
| Federico Cesca | ... | (segment "3013") |
| Vincenzo Condorelli | ... | (segment "L'ultimo leone") |
| Ali Olcay Gözkaya | ... | (cinematography by) (as Ali Olay Gözkaya) |
| Tobias Hochstein | ... | segment cinematographer |
| Eunah Lee | ... | (segment "Thursday") (as Eun-ah Lee) |
| Pietro Marcello | ... | (segment "Pietro Marcello") |
| M. Abdülgafur Sahin | ... | (segment "Devran") |
| Bakul Sharma | ... | (segment "Shekhar Kapur") |
| Monica Stambrini | ... | (segment "Scarpette rosse") |
| Bradford Young | ... | (segment "Haile Gerima") |
Editing by
| Paolo Cottignola | ... | (segment "la moviola") |
| Santiago Esteves | ||
| Sara Fgaier | ... | (segments "L'ultimo leone", "Pietro Marcello") |
| Nariman Hamed | ||
| Jon Kadocsa | ||
| Jacopo Quadri | ... | (segment "Scarpette rosse") |
| Krystian Ramlogan | ... | (segment "Haile Gerima") |
| Federica Ravera | ... | (segment "la moviola") |
| Graham Taylor | ||
Editorial Department
| Marco Amaral | ... | colorist |
| Fabrizio Federico | ... | (segment "L'ultimo leone" and Pietro Marcello") post-production |
| Elia Fofi | ... | (segment "Pietro Marcello") assistant editor |
| Nicolò Tettamanti | ... | (segment "Scarpette rosse") assistant editor |
Casting By
| Dixie Chassay | ||
Production Design by
| Cesare Inzerillo | ... | (segment "L'ultimo leone") |
| Arad Sawat | ... | (segment "The End") |
Costume Design by
| Cesare Inzerillo | ... | (segment "L'ultimo leone") |
| Vassilia Rozana | ... | (segment "''24 Frames per Century") (as Vasileia Rozana) |
Makeup Department
| Daniel Babek | ... | (segment "''24 Frames per Century") hair stylist |
| Alenka Nahtigal | ... | (segment ": : "I Was a Child") makeup artist |
Production Management
| Martín Emanuel Kleiman | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Fabrizio Cattani | ... | (segment "La moviola") assistant director |
| Francesco Guttuso | ... | (segment "L'ultimo leone") first assistant director |
| Giuliano La Franca | ... | (segment "L'ultimo leone") second assistant director |
| Tommaso Maresco | ... | (segment "L'ultimo leone") second assistant director |
| Florencia Scarano | ... | assistant director |
Sound Department
| François Abdelnour | ... | (segment ": "Catherine Breillat") boom operator |
| Daniela Bassani | ... | (segment "Scarpette rosse") sound editor |
| Ambessa Jir Berhe | ... | (segment "Haile Gerima") sound recordist |
| Luca Bertolin | ... | (segment "L'ultimo leone") sound |
| Alex Claude | ... | (segment "The End") sound designer |
| Piergiuseppe Fancellu | ... | sound mixer |
| Stefano Grosso | ... | (segment "Scarpette rosse") foley artist |
| Jon Kadocsa | ... | sound |
| Francesco Liotard | ... | (segment "La moviola") sound |
| Federico Maresco | ... | (segment "L'ultimo leone") boom operator |
| Leandros Ntounis | ... | (segments "24 Frames per Century", "Necktie") sound designer (as Leandros Dounis) |
| Giancarlo Rutigliano | ... | (segment "Scarpette rosse") sound mixer |
| Marco Saitta | ... | (segment ": "Transumanza") re-recording mixer / (segment ": "Transumanza") sound editor |
| Edson Secco | ... | re-recording mixer / (segment "Vaticano") sound designer |
| Riccardo Spagnol | ... | (segment "Pietro Marcello") sound editor |
| María Fernanda Sáenz | ... | (segment "Celina Murga") sound editor |
Visual Effects by
| Antonis Kotzias | ... | visual effects supervisor |
Camera and Electrical Department
| Bernardo Giannone | ... | (segment "L'ultimo leone") electrician |
| T.L. Lankford | ... | (segment "Vive L'Amour") second assistant camera |
| Andrew Marsden | ... | camera trainee: Necktie |
Music Department
| Edson Secco | ... | (segment "Vaticano") composer: theme music |
Script and Continuity Department
| Ioanna Tsoucala | ... | (segment "24 Frames per Century") script supervisor |
Additional Crew
| Ashitey Akomfrah | ... | (segment ": "Three Degrees of Proximity to the Diaster") production coordinator |
| Eddie Chebbi | ... | production coordinator |
| Sara Fgaier | ... | (segment "Pietro Marcello") archival research |
Production Companies
- Avventurosa (segments: "L'ultimo leone" and Pietro Marcello)
- Dream Film (segment: "L'ultimo leone")
- IbiscusMedia
- Ila Palma (segment: "L'ultimo leone")
- Ipotesi Cinema (segment: "La moviola")
- Mypheduh Films (segment: Haile Gerima)
- Nice Dissolve (segment: Haile Gerima)
- Watchmen Productions
Distributors
Special Effects
Other Companies
- Fotocinema (post-production facilities) (segment: Pietro Marcello)
- Home Movies - Archivio Nazionale del Film di Famiglia (archival footage provided by) (segment: Pietro Marcello)
- I Hear Voices (sound post-production) (segments "24 Frames per Century", "Necktie")
Storyline
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| Parents Guide | Add content advisory for parents » |
Additional Details
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Box Office
| Budget | $500 (estimated) |
Did You Know?
| Trivia | Final film of Bernardo Bertolucci as a director. See more » |
| Movie Connections | Edited from Battleship Potemkin (1925). See more » |
| Soundtracks | Je Chante See more » |