In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
Based on the historical events the movie tells the story of a riot at the battleship Potemkin. What started as a protest strike when the crew was given rotten meat for dinner ended in a riot. The sailors raised the red flag and tried to ignite the revolution in their home port Odessa. Written by
Konstantin Dlutskii <firstname.lastname@example.org>
The flag seen flying on the ship after the crew had mutinied was white, which is the color of the tsars, but this was done so that it could be hand painted red on the celluloid, which is the color of communism. Since this is a black and white film, if the flag had been red, it would have shown up black in the film. See more »
Vakulinchuk is breathing slightly as his body lies in state. See more »
Quite a lot has been said about this film and its landmark importance in forming the language of film. If you are interested in film history, to truly understand the innovations Eisenstein brings to the medium you might try viewing Potemkin along side most any film made before it (those of D.W. Griffith offer a good contrast). It should be allowed that Eisenstein was not the only montage theorist and the principles of montage editing would likely have been discovered by another given time. However, even today, few directors have approached the skill with which Eisenstein created meaning through the combination of images at such an early point in the evolution of the medium.
If you are not interested in that sort of thing, Potemkin is still one of the most beautiful and moving films ever made. You should see it, buy it, and tatoo it to your chest.
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