| Photos (See all 38 | slideshow) | Videos (see all 4) |
| Matt Damon | ... | Steve Butler | |
| Benjamin Sheeler | ... | Attendant | |
| Terry Kinney | ... | David Churchill | |
| Carla Bianco | ... | Waitress | |
| Joe Coyle | ... | Michael Downey | |
| Hal Holbrook | ... | Frank Yates | |
| Dorothy Silver | ... | Arlene | |
| Frances McDormand | ... | Sue Thomason | |
| Titus Welliver | ... | Rob | |
| Lexi Cowan | ... | Drew's Girl | |
| Tim Guinee | ... | Drew Scott | |
| Sara Lindsey | ... | Claire Allen | |
| Frank Conforti | ... | Coach | |
| Garrett Ashbaugh | ... | Basketball Player | |
| Jericho Morgan | ... | Jericho | |
| Max Schuler | ... | Carson Allen | |
| August G. Siciliano | ... | 5th Grader | |
| Ken Strunk | ... | Gerry Richards | |
| Karen Baum | ... | Lynn | |
| Gerri Bumbaugh | ... | Jesse the Bartender | |
| Rosemarie DeWitt | ... | Alice | |
| Johnny Cicco | ... | Donny | |
| Erin Baldwin | ... | Buddy's Waitress | |
| Kristin Slaysman | ... | Gwen | |
| John Krasinski | ... | Dustin Noble | |
| Andrew Kuebel | ... | 6-Year-Old Boy | |
| Matthew Ferrante | ... | Drummer | |
| Justin Cook | ... | Guitar #1 | |
| Steven Craven | ... | Bass | |
| Bruce Craven | ... | Guitar #2 | |
| Gene Williams | ... | Keyboard | |
| Dan Anders | ... | Large Man | |
| Lucas Black | ... | Paul Geary | |
| Sandy Medred | ... | Paul's Girlfriend | |
| Scoot McNairy | ... | Jeff Dennon | |
| Carrington E. Vaughn | ... | Colin | |
| Cain Alexander | ... | Danny Thomason | |
| Joy de la Paz | ... | Motel Receptionist | |
| Lennon Wynn | ... | Lemonade Girl at Gym | |
| Payton Godfrey | ... | Lemonade Girl at Fair | |
| rest of cast listed alphabetically: | |||
| Nicole Beattie | ... | Upscale Restaurant Patron (uncredited) | |
| Todd Bobenrieth | ... | McKinley Resident (uncredited) | |
| Troy Bogdan | ... | Farmer (uncredited) | |
| Kim Bordwine | ... | Girl On Porch / Bar Patron (uncredited) | |
| Robert Braund | ... | Town Hall (uncredited) | |
| Cara Clark | ... | Fifth Grader (uncredited) | |
| Daniel Clayton | ... | Scorekeeper (uncredited) | |
| Tyler Cook | ... | Walking Restaurant Patron (uncredited) | |
| Susan Feldbusch | ... | Townsperson (uncredited) | |
| Eric Frank | ... | Pool Player / Bar Patron (uncredited) | |
| Ryan Goimarac | ... | Fair Worker (uncredited) | |
| David Gragg | ... | Maitre d (uncredited) | |
| Vito Grassi | ... | Restaurant Patron (uncredited) | |
| Richard Guesman | ... | Town Supervisor (uncredited) | |
| Rosemary Howard | ... | McKinley High Spanish Teacher (uncredited) | |
| John W. Iwanonkiw | ... | Officer Breedlove (uncredited) | |
| Kevin Jacobs | ... | Kevin (uncredited) | |
| Joanne Jeffers | ... | Upscale Restaurant Patron (uncredited) | |
| Tiffany Kemp | ... | Town Hall Meeting (uncredited) | |
| Sharyn Kmieciak | ... | Town Hall Meetings (uncredited) | |
| Andrew Knode | ... | Town Hall Meeting Attendee (uncredited) | |
| Scott Lockhart | ... | McKinley High School Assistant Basketball Coach (uncredited) | |
| Laura Lukasik | ... | Town Hall Patron (uncredited) | |
| Frank McAleavey | ... | Town Hall Meeting (uncredited) | |
| Tiffany Sander McKenzie | ... | Festival Worker (uncredited) | |
| F. Robert McMurray | ... | Farmer at Town Hall Meeting (uncredited) | |
| Phil Nardozzi | ... | Restaurant Patron (uncredited) | |
| Jennifer Obed | ... | Alice's Friend (uncredited) | |
| Brent Reichert | ... | Upscale Restaurant Patron (uncredited) | |
| John D. Reilly | ... | Bar Patron (uncredited) | |
| Heidi Noel Schermaier | ... | Town Hall Meeting (uncredited) | |
| John Seibel | ... | Butcher (uncredited) | |
| Julie Simon | ... | Town Hall Meeting (uncredited) | |
| Douglas Slygh | ... | Restaurant Patron (uncredited) | |
| Shane Thompson | ... | Town Hall Meeting (uncredited) | |
| John E. Tremba | ... | Carny12 (uncredited) | |
| Blake Vogel | ... | Blake Dennon (uncredited) | |
| Debbie Vogel | ... | Restaurant Patron (uncredited) | |
| James Werley | ... | Council Member (uncredited) | |
| Lawrence Whitener | ... | Town Hall Meeting (uncredited) | |
| Lisa Y. Wong | ... | Upscale Restaurant Patron (uncredited) | |
Directed by | |||
| Gus Van Sant | |||
Writing credits(WGA) | ||
| John Krasinski | (screenplay) & | |
| Matt Damon | (screenplay) | |
| Dave Eggers | (story) | |
Produced by | |||
| Isabel Freer | .... | associate producer | |
| Jonathan King | .... | executive producer | |
| Chris Moore | .... | producer | |
| Mike Sablone | .... | co-producer | |
| Ron Schmidt | .... | executive producer | |
| Jeff Skoll | .... | executive producer | |
| Drew Vinton | .... | co-producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Linus Sandgren | |||
Film Editing by | |||
| Billy Rich | |||
Production Design by | |||
| Daniel B. Clancy | |||
Art Direction by | |||
| Gregory A. Weimerskirch | |||
Set Decoration by | |||
| Rebecca Brown | |||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Myriam Arougheti | .... | makeup artist | |
| Christine Beveridge | .... | makeup artist: Mr. Damon | |
| Kay Georgiou | .... | hair department head | |
| Nancy Keslar | .... | key hair stylist | |
| Rachel Kick | .... | key makeup artist | |
| Kelley Mitchell | .... | makeup department head | |
Production Management | |||
| Richard E. Chapla Jr. | .... | unit production manager | |
| Tami Goldman | .... | post-production supervisor | |
| Josh Rappaport | .... | post-production manager: Focus Features | |
| Ben Urquhart | .... | post production executive | |
Second Unit Director or Assistant Director | |||
| Neil Lewis | .... | second assistant director | |
| Walter E. Myal | .... | second second assistant director | |
| David J. Webb | .... | first assistant director | |
Art Department | |||
| Jenn Albaugh | .... | art department coordinator | |
| Demian Aspinwall | .... | set dresser | |
| Timothy Barnhill | .... | set dresser | |
| Lisa Bradley | .... | construction secretary | |
| Matthew Carraher | .... | additional props | |
| Julie Chill | .... | painter | |
| Jolene Dames | .... | props | |
| Josh Drylie | .... | set dresser | |
| Chip Eccles | .... | carpenter | |
| Joshua Hogan | .... | painter | |
| Smith Harper Hutchings | .... | on-set scenic | |
| Gregory Jones | .... | key greensman | |
| John A. Kelly | .... | charge painter | |
| Mike Matesic | .... | construction foreman | |
| Tim McGrane | .... | painter | |
| Christina Myal | .... | graphic designer | |
| Samuel Noel | .... | set dresser | |
| Barbie Pastorik | .... | buyer | |
| Justin Pelissero | .... | leadman | |
| Buster Pile | .... | construction coordinator | |
| Donald Lee Rager | .... | props | |
| Scott A. Reeder | .... | property master | |
| Michael G. Richer | .... | general foreman | |
| Kelley Snyder | .... | assistant property master | |
Sound Department | |||
| Felix Andrew | .... | sound mixer | |
| Wade Barnett | .... | adr recordist | |
| Ryan Collins | .... | supervising sound effects editor | |
| Colette Dahanne | .... | sound re-recording mixer | |
| Chad Djubek | .... | boom operator | |
| Brian Dunlop | .... | foley editor | |
| Jesse Ehredt | .... | sound recordist | |
| Ellen Heuer | .... | foley artist | |
| Robert Jackson | .... | supervising sound editor | |
| Tim Limer | .... | sound recordist | |
| Brandon McDonnell | .... | additional sound utility | |
| A. Josh Reinhardt | .... | sound mixer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Chris Strollo | .... | sound recordist | |
| Callie Thurman | .... | assistant sound editor | |
| Irene Vinader | .... | foley editor | |
Special Effects by | |||
| Jake Hays | .... | special effects technician (as Jacob Hays) | |
| Jim Heastings | .... | special effects assistant | |
| Raymond M. Tasillo | .... | special effects coordinator | |
| Jason Trosky | .... | special effects foreman | |
Visual Effects by | |||
| Scott M. Davids | .... | visual effects supervisor: Level 256 VFX | |
| Dick Edwards | .... | visual effects supervisor: Invisible Effects | |
| Adam Lima | .... | digital compositor | |
| Brad Sutton | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Casting Department | |||
| Donna M. Belajac | .... | casting: Pittsburgh | |
| Brittany Forringer | .... | additional extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Chelsea Lynn Peterson | .... | extras casting assistant | |
| Laura Zech | .... | casting associate | |
Costume and Wardrobe Department | |||
| Darcie Buterbaugh | .... | costume supervisor | |
| Paul John Carli | .... | key costumer | |
| Alison Evans | .... | set costumer | |
| Tori Musial | .... | costume assistant | |
| Sylvianne Shurman | .... | additional set costumer | |
Editorial Department | |||
| J.D. Funari | .... | marketing editor | |
| Bernie E. Gomez | .... | apprentice editor (as Bernie Gomez) | |
| David Marks | .... | first assistant editor | |
| Julian McDougald | .... | digital intermediate producer | |
| Mariah K. Shields | .... | post-production assistant | |
| Everette Webber | .... | digital intermediate editor | |
| Darin Wooldridge | .... | additional digital intermediate colorist | |
| Darin Wooldridge | .... | home video mastering colorist | |
Music Department | |||
| Steve Bartek | .... | orchestrator | |
| Isobel Griffiths | .... | orchestral contractor | |
| Lisa Jaime | .... | music editor | |
| Ben Kopec | .... | composer: additional music | |
| Michael Perfitt | .... | music engineer | |
| Brian Reitzell | .... | music supervisor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Edgardo Simone | .... | orchestrator | |
| Nick Wollage | .... | score engineer | |
Transportation Department | |||
| Frank Conforti | .... | transportation captain | |
| Ron Goddard | .... | production driver | |
| Donald A. Kraus | .... | transportation coordinator | |
| Angelo Sotereanos | .... | production driver | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It's becoming more and more rare for films to be allowed to exist in an area between the big expensive franchise pictures, the Oscar-adored prestige pieces, the disposable genre flicks and the ultra low-budget independents. There used to be a time when you could have a film that existed somewhere else, a simple story that focused first and foremost on character as opposed to high concepts or genre thrills. These pictures didn't make the most money and they didn't earn a lot of awards attention, but for those who sought them out they were often treated to a unique experience that was able to pull on emotional strings without ever hoping to achieve something on a much grander scale. Promised Land is one of those pictures, and it's a type of film that I deeply wish we saw more of in the current cinematic climate.
Written by Matt Damon and John Krasinski, this is a small-town American tale centered on an earnest protagonist who is forced to take a hard look in the mirror when his ideals are shattered and the tables are turned against him. The script doesn't paint things as black-and-white as they seem at first, with shifting motivations and some unexpected turns later in the game that really tilt things on their axis. Promised Land is the kind of simple picture that filmmakers such as Frank Capra and Billy Wilder excelled at in their better days and while this one doesn't quite exist on the higher levels of those great artists, it's certainly hitting in the same ballpark. Unfortunately, the film industry doesn't have much room for these kind of mid-level pictures anymore and it's not a surprise that this one was met with no major acclaim or box- office receipts. Missing it would be a mistake though, as it's a superbly written and acted morality tale that presents a welcome contrast to the kind of larger pictures that dominate most of the year these days.
Originally slated to be Damon's directorial debut, he instead elected to keep himself restricted to the screenplay and the starring role, bringing in former collaborator Gus Van Sant to helm the picture. Damon portrays Steve Butler, a salesman for a natural gas company who arrives in a small Anytown, U.S.A. in order to buy up their land so they can drill into their natural resources. Arriving with his partner Sue Thomason (Frances McDormand), what starts off as an easy job turns complicated when schoolteacher Frank Yates (Hal Holbrook) advises the townsfolk to educate themselves on the company's techniques and an environmentalist named Dustin Noble (John Krasinski) comes in to fight against Butler and his group.
Promised Land is a topical story that utilizes the economic crisis as a key theme in its depiction of the farm workers in this kind of small town that exists all over the country, with people who were shattered by the recession and are fighting to keep themselves alive. Butler's company could easily be seen as a greedy corporation looking to profit on the misfortune of others, but Butler himself has the kind of personal experience that keeps him believing that he is doing the right thing, no matter how much things may point to the contrary. When faced with the potentially nefarious operations of his company, Butler is quick to insist that he is not a bad guy, and Damon plays him with an earnestness that makes you believe that.
As the opposition from Noble and the pressure from his superiors mounts and begins to push Steve into a corner, Damon's performance takes on some heavier shades that really speak to his skills as an actor. Despite the bad things his company is capable of, I found it impossible not to root for this guy, and I deeply felt for him when he began to hit his lowest points. Damon's long been an underrated actor who doesn't get the credit he deserves simply because he's so effortlessly natural in most of his portrayals, and this is a character that makes great use of that authenticity he brings to every role. There's one scene in particular when he's at his low point and is confronted by some of the townsfolk where he launches into this angry tirade about what he labels "f-ck you money" that I found especially impressive.
Promised Land came and went without a strong reception and that's not a big surprise in the current state of the industry, but it's a shame for multiple reasons. Not only is it just a great film on any level, it also represents a dying market in American cinema that I had always found myself particularly drawn towards. The intelligent Capra-esque script, the ace ensemble and the assured, well-paced direction from Gus Van Sant all gel smoothly in forming a wholly impressive picture that I rank among the best of the year. There's also a warm, very dry sense of humor to it that is woven in comfortably with the richer themes and darker dramatic turns that it takes over its duration. Unlike many of the films this year, there's something that resonated firmly with me here and it's got a topicality that would speak to a lot of the American audience -- if they saw it, that is.