| Photos (See all 10 | slideshow) |
Directed by | |||
| Edward James Olmos | |||
Writing credits(WGA) | ||
| Jane Espenson | (written by) | |
Produced by | |||
| Maril Davis | .... | associate producer | |
| David Eick | .... | executive producer | |
| Jane Espenson | .... | executive producer | |
| Harvey Frand | .... | producer | |
| Ron French | .... | producer (as Ron E. French) | |
| Glen A. Larson | .... | consulting producer | |
| Paul M. Leonard | .... | co-producer | |
| Siân McArthur | .... | co-producer | |
| Ronald D. Moore | .... | executive producer | |
| Andrew Seklir | .... | associate producer | |
| Gregg Tilson | .... | associate producer | |
Original Music by | |||
| Bear McCreary | |||
Cinematography by | |||
| Stephen McNutt | |||
Film Editing by | |||
| Michael Lim | |||
| Andrew Seklir | |||
Production Design by | |||
| Richard Hudolin | |||
Costume Design by | |||
| Glenne Campbell | |||
Makeup Department | |||
| Vincenza Celentano-Smith | .... | assistant makeup artist (as Vincenza Celentano) | |
| Ankaraj Eden | .... | key makeup artist | |
| Patricia Murray | .... | key makeup artist | |
Production Management | |||
| Brooke Murphy | .... | post-production supervisor | |
| Wayne Rose | .... | production manager | |
| Todd Sharp | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Marian Koprada | .... | third assistant director | |
| Wayne Rose | .... | second unit director | |
| Jody Ryan | .... | second assistant director | |
Art Department | |||
| Dylan Dowd | .... | lead greens person | |
| Lisle Fehlauer | .... | set dresser | |
| Colin Meacham | .... | on-set dresser | |
| Mark Prior | .... | lead dresser | |
| Maurice Woodworth | .... | on-set dresser: second unit | |
| Maurice Woodworth | .... | set dresser | |
Sound Department | |||
| Rick Bal | .... | sound mixer | |
| Daniel Colman | .... | sound designer | |
| Daniel Colman | .... | supervising sound editor | |
| Greg Hewett | .... | boom operator | |
| Sam C. Lewis | .... | supervising foley editor | |
| Richard Partlow | .... | foley artist | |
| Naan Spiess | .... | second boom operator | |
Special Effects by | |||
| Andrew Chamberlayne | .... | special effects coordinator | |
| Michael Radil | .... | special effects assistant | |
| William D. Ryan | .... | first assistant | |
Visual Effects by | |||
| Greg Behrens | .... | visual effects coordinator | |
| Manuel Choi | .... | render coordinator | |
| Michael Davidson | .... | visual effects artist | |
| O.T. Hight | .... | visual effects artist | |
| Gary Hutzel | .... | visual effects supervisor | |
| Jeremy Lang | .... | head of information technology | |
| Randy Little | .... | visual effects artist | |
| James Allan May | .... | visual effects artist | |
| Heather McAuliff | .... | digital compositor | |
| David Takemura | .... | visual effects coordinator | |
| Farrah L. Welch | .... | render assistant | |
| Kelly Whitfield | .... | visual effects production assistant | |
Stunts | |||
| Dustin Brooks | .... | fire performer | |
| Colin Decker | .... | fire stunt assistant | |
| Mike Mitchell | .... | stunt coordinator | |
| Dan Redford | .... | stunt double | |
| Chad Sayn | .... | stunts | |
Camera and Electrical Department | |||
| Paul Akehurst | .... | lightboard operator | |
| Jonathan Chapman | .... | rigging lamp operator | |
| Darius de Andrade | .... | camera trainee | |
| Curt Griebel | .... | key grip | |
| Andrew Mackie | .... | key rigging grip | |
| Ryan McMaster | .... | camera operator: "a" camera | |
| Ryan McMaster | .... | director of photography: second unit | |
| Mike Sankey | .... | digital imaging technician | |
| Richard F. Spencer | .... | director of photography: behind the scenes | |
| Tim Spencer | .... | camera operator "a" camera (2009) | |
| Jeff Trebenski | .... | gaffer | |
Costume and Wardrobe Department | |||
| Linda Leduc | .... | costume supervisor | |
| Katherine Wigzell | .... | assistant costume designer | |
Editorial Department | |||
| Matthew Gilna | .... | assistant editor | |
| Eric Lea | .... | visual effects editor | |
| Christopher Currall | .... | on-line editor (uncredited) | |
| Bettina Zachariah | .... | post-production coordinator (uncredited) | |
Music Department | |||
| John Avila | .... | musician: bass | |
| Michael Baber | .... | music editor | |
| Steve Bartek | .... | musician: guitars | |
| Chris Bleth | .... | musician: ethnic woodwinds | |
| Paul Cartwright | .... | musician: violin | |
| M.B. Gordy | .... | musician: percussion | |
| Ira Ingber | .... | musician: guitars | |
| Steve Kaplan | .... | scoring engineer | |
| Brandon Roberts | .... | composer: additional music | |
| Aaron Roethe | .... | composer: additional music | |
| Aaron Roethe | .... | scoring coordinator | |
| Laurence Schwarz | .... | assistant engineer | |
| Jordan Seigel | .... | orchestrator | |
| John W. Snyder | .... | scoring assistant | |
| Martin St. Pierre | .... | musician: erhu | |
| Dan Rimas | .... | music licensing (uncredited) | |
Transportation Department | |||
| Brian Whitlock | .... | transportation coordinator | |
Other crew | |||
| Laurie Boyle | .... | production accountant | |
| Jess Campbell | .... | key production assistant | |
| Kevin R. Grazier | .... | science advisor | |
| Brynn Kinnee | .... | background coordinator | |
| Glen A. Larson | .... | original creator | |
| Laura Livingstone | .... | assistant production coordinator | |
| Bonita Mackay-Larson | .... | payroll clerk | |
| Carol Marks-George | .... | unit publicist | |
| Julian Marles | .... | location production assistant | |
| Ben McGinnis | .... | assistant to writer | |
| Ronald D. Moore | .... | developer | |
| David Reed | .... | script coordinator | |
| Jessica Sawaf | .... | office production assistant | |
| Kent Sponagle | .... | location manager | |
| Nicole Stojkovich | .... | second assistant coordinator | |
Thanks | |||
| Harvey Frand | .... | in loving memory | |
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| Star Trek: First Contact | Across the Universe | Mr. & Mrs. Smith | Avatar | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Don't come looking for any kinds of answers here. The plan is nothing more than some cut scenes and clumsy looking additions that never really make for a really coherent whole. One possible general reason the movie falls down is that it tries to tell both stories (human & cylon) and really expects no previous knowledge of the series from the viewer. Even the effects feel weaker than in the series - perhaps as there are more of them.
If you want to add a bit of depth to the BSG world, watch the pilot of Caprica. That was much cooler and at least teased with the possibility of shedding some light onto the one-true-god nonsense of the Cylons. If you haven't seen the series, don't start here. You'll only think it's all rubbish. Watching the miniseries gives a fine (albeit a bit over long) start to the series, while the series is at its best from the second half of 1st season to the end of second season. Go there to see some fun and surprising scifi/drama.
Maybe a rating of 1 is excessive. But that's relative to the idea of the show and to the execution of the first couple of seasons that truly shined.
*EDIT* Original rating: 1 Corrected rating: 3 -- i did this simply to give the movie some credit, 'cause the performances are what they were in the series... and as I am huge BSG fan. My issues are with the promise and delivery (i.e. lack-of) the movie. *EDIT*