| Photos (See all 120 | slideshow) | Videos (see all 14) |
Directed by | |||
| Marc Forster | |||
Writing credits(WGA) | ||
| Paul Haggis | (written by) and | |
| Neal Purvis | (written by) & | |
| Robert Wade | (written by) | |
Produced by | |||
| Barbara Broccoli | .... | producer | |
| Guido Cerasuolo | .... | line producer: Italy | |
| Callum McDougall | .... | executive producer | |
| Andrew Noakes | .... | associate producer | |
| Anthony Waye | .... | executive producer | |
| Gregg Wilson | .... | assistant producer | |
| Michael G. Wilson | .... | producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Roberto Schaefer | (director of photography) | ||
Film Editing by | |||
| Matt Chesse | |||
| Richard Pearson | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| James Foster | |||
| Mark Harris | |||
| Paul Inglis | |||
| Chris Lowe | (supervising art director) | ||
| Marco Rubeo | |||
| Mike Stallion | |||
Set Decoration by | |||
| Anna Pinnock | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Anita Burger | .... | crowd hair coordinator | |
| Mike Dargan | .... | makeup artist | |
| Linda DeVetta | .... | make-up and hair | |
| Naomi Donne | .... | makeup & hair: Bond girls | |
| Paul Engelen | .... | makeup supervisor | |
| Eithne Fennel | .... | make-up and hair | |
| Andrea Finch | .... | makeup & hair: second unit | |
| Marilyn Gonzalez | .... | make-up and hair: Panama | |
| Chloe Meddings | .... | makeup artist | |
| Clare Ramsey | .... | makeup artist | |
| Alex Rouse | .... | wigmaker | |
| Zoe Tahir | .... | hairdressing supervisor | |
| Norma Webb | .... | makeup & hair: second unit | |
| Tracey Wells | .... | hair stylist | |
| David White | .... | special prosthetic effects designer | |
Art Department | |||
| Alex Aitken | .... | plasterer | |
| John Allen | .... | carpenter | |
| Martin Asbury | .... | storyboard artist | |
| Chris Baker | .... | conceptual design and storyboards | |
| Celia Barnett | .... | specialist researcher | |
| Pedro Barquin | .... | key greens foreman | |
| Malcolm Bensted | .... | props storeman | |
| Steve Bohan | .... | construction manager | |
| Alex Boswell | .... | chargehand stand-by props: second unit | |
| John Botton | .... | props | |
| Michael Brinkley | .... | action vehicle technician | |
| Matthew Broderick | .... | stand-by props | |
| Burpo | .... | storyboard artist (as Stephen Debonrepos) | |
| Neal Callow | .... | stand-by art director | |
| Roy Chapman | .... | chargehand dressing props | |
| Richard Cheal | .... | propshop model maker | |
| Dean Clegg | .... | assistant art director | |
| Fergus Clegg | .... | assistant set decorator | |
| Dean Coldham | .... | supervising plasterer | |
| Charlotte Crosbie | .... | assistant production buyer | |
| Graham Dale | .... | props | |
| Jeffrey DeBell | .... | greens coordinator | |
| Paul Duff | .... | head carpenter | |
| Colin Ellis | .... | props | |
| Jordana Finkel | .... | junior draughtsman | |
| Dean Fisher | .... | stand-by prop: second unit | |
| Dean Fisher | .... | stand-by props | |
| Gavin Fitch | .... | assistant art director | |
| Kim Frederiksen | .... | draughtsman | |
| Barry Gibbs | .... | property master | |
| Hayley Gibbs | .... | props coordinator | |
| Craig Gleeson | .... | supervisor | |
| Gavin Gordon | .... | construction supervisor | |
| Laura Grant | .... | assistant graphic artist | |
| Shane Harford | .... | dressing props | |
| Catherine Haugh | .... | construction coordinator | |
| Nicholas Henderson | .... | draughtsman | |
| Jason Hopperton | .... | props | |
| Peter James | .... | stand-by art director | |
| Michael King | .... | production buyer | |
| Dougie Lankston | .... | dressing prop daily | |
| Cathal MacIlwaine | .... | carpenter | |
| Tony Marks | .... | carpenter | |
| Richard Mccarthy | .... | hod plasterer | |
| Paul Anthony McGill | .... | concept illustrator | |
| John Moolenschot | .... | carpenter | |
| Joaquin Morales | .... | assistant property master | |
| Roy Morris | .... | art department photography | |
| Sebastiano Murer | .... | second unit props assistant | |
| Eddie Murphy | .... | carpenter | |
| Sophie Newman | .... | assistant set decorator | |
| Mitch Niclas | .... | chargehand stand-by propman | |
| Darryl Paterson | .... | assistant property master | |
| Wesley Peppiatt | .... | chargehand dressing props | |
| Carl Peters | .... | propman | |
| Sandra Phillips | .... | assistant art director | |
| Sophie Phillips | .... | assistant set decorator | |
| Heather Pollington | .... | graphic artist | |
| Alessandra Querzola | .... | assistant set decorator | |
| Adam Rashbrook | .... | stagehand | |
| Domenico Reordino | .... | painter | |
| Terry Royce | .... | dressing props | |
| Annushka Russell | .... | junior draughtsman | |
| Will Savage | .... | art department archivist | |
| Toby Shears | .... | prop making senior modeller | |
| Tamazin Simmonds | .... | art department coordinator | |
| Anna Skrein | .... | art department coordinator | |
| Hebe Vaizey | .... | armoury assistant | |
| David Weller | .... | on-set rigger | |
| Kevin Wheeler | .... | storeman | |
| Ian Whiteford | .... | greensman | |
| Carl Wilson | .... | senior propmaker | |
| Eddie Wolstencroft | .... | painter | |
| Christopher Young | .... | painter | |
| Paul Couch | .... | stand-by painter (uncredited) | |
| Lydia Fry | .... | art department work experience (uncredited) | |
| Rohan Harris | .... | paintings (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Thomas Jones | .... | props model maker (uncredited) | |
| Thomas Jones | .... | props mould-maker (uncredited) | |
| Stefania Monetti | .... | construction assistant (uncredited) | |
| Roy Morris | .... | stills photography (uncredited) | |
| Tyrone Reed | .... | stagehand (uncredited) | |
| Michael Riedacher | .... | prop production assistant (uncredited) | |
| Terence 'Doc' Popolo Rubbio | .... | engineer (uncredited) | |
Special Effects by | |||
| Charles Adcock | .... | explosives engineer | |
| Andy Aitken | .... | special effects technician | |
| Adam Aldridge | .... | special effects technician | |
| Bruce Armstrong | .... | senior special effects supervisor | |
| Scott Armstrong | .... | special effects technician | |
| John Arnitt | .... | special effects technician | |
| Phil Ashton | .... | animatronic designer | |
| Michael Badley | .... | special effects engineer (as Mike Badley) | |
| Manuel Beccaro | .... | special effects assistant | |
| Steve Benelisha | .... | special effects technician | |
| Paul Bentman | .... | special effects technician | |
| Ian Biggs | .... | senior special effects supervisor | |
| Nick Bonathan | .... | animatronic designer | |
| Nick Bonathan | .... | special effects crew | |
| David Brighton | .... | special effects senior technician | |
| Pete Britten | .... | special effects trainee (as Peter Britten) | |
| Richard Brown | .... | senior special effects supervisor | |
| Jim Busby | .... | special effects rigger | |
| Gordon Cave | .... | special effects technician | |
| Alan Cavell | .... | consulting special effects engineer | |
| Richard Cheal | .... | special effects modeller | |
| Paul Clancy | .... | senior special effects technician | |
| Viola Colditz | .... | special effects modeller | |
| Chris Corbould | .... | special effects coordinator | |
| Lynne Corbould | .... | special effects buyer/coordinator | |
| Stefano Corridori | .... | special effects technician | |
| Steve Crawley | .... | wire supervisor (as Stephen Crawley) | |
| Dave Crownshaw | .... | snow effects supervisor | |
| Steve Cullane | .... | senior special effects supervisor (as Stephen Cullane) | |
| Nic Curragh | .... | special effects technician | |
| Michael Durkan | .... | senior special effects technician | |
| Dave Eltham | .... | senior special effects technician (as David Eltham) | |
| Alexander Fabre | .... | special effects trainee | |
| Nick Finlayson | .... | senior special effects technician | |
| David Ford | .... | senior special effects supervisor (as Dave Ford) | |
| Michael Fox | .... | special effects technician (as Mike Fox) | |
| Vincent Gilbert | .... | special effects engineer | |
| Clive Goble | .... | wireman: specialist wire rigs | |
| Mark Goldeman | .... | special effects rigger (as Mark Godleman) | |
| Tom Goodman | .... | special effects trainee | |
| Richard Gregory | .... | animatronic designer | |
| Darrell Guyon | .... | senior special effects technician | |
| Mark Haddenham | .... | special effects senior technician | |
| Charlie Harper | .... | special effects health and safety advisor | |
| Lindsay Harris | .... | special effects modeller | |
| Kevin Herd | .... | special effects workshop supervisor | |
| John Holmes | .... | senior special effects supervisor | |
| Dan Homewood | .... | special effects technician | |
| Chris 'Flimsy' Howes | .... | senior special effects technician | |
| Matthew Johnson | .... | special effects technician (as Matt Johnson) | |
| Tim Jordan | .... | animatronic designer | |
| Dave Keen | .... | senior special effects supervisor (as David Keen) | |
| Vernon Kim | .... | winch programmer: specialist wire rigs (as Vernon 'Keone' Kim) | |
| Paul Knowles | .... | special effects workshop supervisor | |
| Stuart Leach | .... | special effects modeller | |
| Steve Lewis | .... | senior special effects supervisor (as Steven Lewis) | |
| Ian Lowe | .... | floor supervisor | |
| Alex MacBride | .... | special effects technician | |
| Jim Machin | .... | senior special effects supervisor | |
| Steve Mansfield | .... | special effects technician | |
| Kevin Mathews | .... | wire coordinator: specialist wire rigs | |
| Bruce Mayhew | .... | special effects technician | |
| Martin 'Marty' McLaughlin | .... | snow effects floor supervisor | |
| Huw Millar | .... | special effects engineer | |
| James Murrell | .... | special effects technician (as Jamie Murrell) | |
| Tom Murtagh | .... | senior special effects supervisor | |
| Peter Notley | .... | special effects floor supervisor | |
| Roy Quinn | .... | special effects workshop supervisor | |
| Franco Ragusa | .... | special effects technician | |
| Jason Reed | .... | animatronic designer | |
| Del Reid | .... | snow effects technician | |
| Lee Rider | .... | senior technician | |
| Terence 'Doc' Popolo Rubbio | .... | special effects assistant | |
| Toby Shears | .... | senior modeller | |
| Andy Simm | .... | animatronic designer | |
| Tony Smart | .... | special effects technician | |
| Andrew Smith | .... | special effects workshop supervisor (as Andy Smith) | |
| Paul Taylor | .... | senior special effects supervisor | |
| Richard Todd | .... | senior special effects supervisor | |
| John Van Der Pool | .... | senior special effects technician | |
| Emma Kay Vautier | .... | special effects assistant | |
| Cameron Waldbauer | .... | special effects senior technician | |
| Andrew Warner | .... | special effects technician (as Andy Warner) | |
| Steven Warner | .... | senior special effects supervisor (as Steve Warner) | |
| Barry White | .... | special effects technician | |
| David Williams | .... | wire supervisor: specialist wire rigs (as Dave Williams) | |
| Lee Winter | .... | senior special effects supervisor | |
| Oliver Guy-Watkins | .... | snow effects technician (uncredited) | |
| James Payton | .... | snow technician (uncredited) | |
Visual Effects by | |||
| Tony Abejuro | .... | matchmove supervisor: The Moving Picture Company (as Anthony Abejuro) | |
| Abubakar Abrar | .... | rotoscope artist | |
| Paolo Acri | .... | digital compositor: MPC | |
| Ben Aghdami | .... | visual effects production assistant | |
| Diccon Alexander | .... | digital matte painter: Double Negative | |
| Antony Allen | .... | roto artist | |
| Christopher Anciaume | .... | matchmove artist: Double Negative | |
| Szvák Antal | .... | visual effects coordinator: Cube Effects | |
| Suzie Askham | .... | matchmove Artist: MPC | |
| Myles Asseter | .... | modeller: Framestore | |
| Oliver Atherton | .... | digital compositor | |
| Michael Atkin | .... | visual effects: Double Negative | |
| Kate Auld | .... | digital compositor | |
| David Aulds | .... | digital compositor | |
| Sergio Ayrosa | .... | digital compositor: Double Negative | |
| Richard Baillie | .... | roto/prep artist: MPC (as Richard Ballie) | |
| Heath Baker | .... | paint & roto artist: Framestore | |
| John Baker | .... | visual effects: MK12 | |
| Mark Bakowski | .... | lead compositor | |
| Aaron Barclay | .... | compositor: Framestore | |
| Angela Barson | .... | visual effects supervisor: MPC | |
| Tom Baskaya | .... | digital compositor | |
| Susanne Becker | .... | digital compositor | |
| Jo Ann Cordero Belen | .... | compositor/roto prep artist: Double Negative | |
| Zoltán Benyó | .... | visual effects production supervisor: Cube Effects | |
| Frank Berbert | .... | digital compositor: Double Negative | |
| Jarnail Bhachu | .... | digital compositor: Framestore CFC | |
| Nic Birmingham | .... | lighting artist: MPC | |
| Michelle Blok | .... | previs artist | |
| Michael Borhi | .... | visual effects artist | |
| Mark Bortolotto | .... | digital artist | |
| Tom Bracht | .... | character rigger: Double Negative | |
| Andre Braithwaite | .... | digital lighter | |
| Heather Brantman | .... | visual effects: MK12 | |
| Andrew Brittain | .... | matchmove artist | |
| Jon R. Brown | .... | lead data wrangler (as Jon Brown) | |
| Nik Brownlee | .... | digital compositor: Double Negative | |
| Stuart Bullen | .... | digital compositor | |
| Derek Burgess | .... | visual effects editor | |
| Paul Burke | .... | scanning and recording: Framestore | |
| Paul Burton | .... | visual effects | |
| Naomi Butler | .... | roto/prep artist | |
| Robert Byrne | .... | senior technical director | |
| Vajda Bálint | .... | rotoscope artist: Cube Effects | |
| Warwick Campbell | .... | digital compositor | |
| Felipe Canfora | .... | 3D artist: Machine | |
| Simon Carlile | .... | camera tracker: Framestore | |
| Ronan Carr | .... | paint & roto artist | |
| Jed Carter | .... | visual effects: MK12 | |
| Martin Chamney | .... | lead previs artist: Nvizage | |
| Steve Cho | .... | senior digital compositor: Framestore | |
| Jeppe N. Christensen | .... | visual effects producer | |
| Daniel Claesson | .... | technical director | |
| Philip Clark | .... | visual effects location scout | |
| Karen Clarke | .... | visual effects coordinator: Double Negative | |
| Oli Clarke | .... | layout artist: MPC | |
| Rebecca Clay | .... | paint & roto artist | |
| Isabel Cody | .... | previs animator | |
| Isabel Cody | .... | previsualization artist: Nvizage | |
| Debra Coleman | .... | digital compositor | |
| Fabien Coupez | .... | Flame artist | |
| Chris Coupland | .... | visual effects editor: MPC | |
| Don Crawford | .... | digital compositor | |
| Mark Curtis | .... | compositing supervisor | |
| Mária Czeglédi | .... | rotoscope artist: Cube Effects | |
| Nicola Danese | .... | effects technical director: MPC | |
| Alexandra Daunt Watney | .... | visual effects line producer: Framestore | |
| Colin Davidson | .... | research & development | |
| Christopher Davies | .... | render wrangler | |
| Simon Davis | .... | first assistant visual effects editor | |
| Ana Mestre de Almeida Pereira | .... | compositor: Double Negative (as Ana Mestre) | |
| Stanley A. Dellimore | .... | head of layout: MPC | |
| Ciaran Devine | .... | lead effects technical director: Double Negative | |
| Keith Devlin | .... | 2D supervisor: Machine Effects | |
| Keith Devlin | .... | senior compositor: Machine | |
| Lee Dexter | .... | camera tracker: Framestore | |
| Teddy Dibble | .... | visual effects: MK12 | |
| Paul Doogan | .... | record supervisor | |
| Tamira Draz | .... | paint & roto artist | |
| Seth Dubieniec | .... | digital environment artist: Double Negative | |
| Lorna Dumba | .... | roto/prep coordinator: MPC | |
| Mick Ebeling | .... | visual effects executive producer: MK12 | |
| Mohamed Effandi | .... | matchmove artist: Double Negative | |
| Jenni Eynon | .... | digital environment artist: Double Negative | |
| Theo Facey | .... | 3d artist: Double Negative | |
| Ian Fallon | .... | render wrangler: MPC | |
| Péter Farkas | .... | lead roto artist: Cube Effects | |
| Reischig Ferenc | .... | systems administrator: Cube Effects | |
| Bruno Fernandes | .... | digital compositor: Machine FX | |
| Tamás Fiedler | .... | digital artist: Cube Effects | |
| Zoltán Fiedler | .... | digital artist: Cube Effects | |
| Timmy Fisher | .... | visual effects: MK12 | |
| James D. Fleming | .... | digital compositor: Framestore (as James Fleming) | |
| Andrew Fletcher | .... | digital compositor: MPC | |
| Niall Flinn | .... | lead effects technical director | |
| Niall Flinn | .... | visual effects supervisor: MPC | |
| Steven Forrester | .... | additional visual effects editor: Framestore CFC | |
| James Foster | .... | digital compositor | |
| Jerome Fournier | .... | matte painter | |
| Richard Fox | .... | digital compositor | |
| André Gabriella | .... | roto/prep artist: Cube Effects | |
| Papp Gabriella | .... | rotoscope artist: Cube Effects | |
| Jim Gaffney | .... | 3D modeller: Painting Practice | |
| Jigesh Gajjar | .... | matchmove supervisor: The Moving Picture Company | |
| Danny Geurtsen | .... | digital matte painter: Framestore (as Danny Guertsen) | |
| Tracey Gibbons | .... | associate visual effects producer | |
| Ben Gillingham-Sutton | .... | lead roto/prep artist: MPC (as Benedict Gillingham-Sutton) | |
| Ben Goodson | .... | digital compositor | |
| Azzard Gordon | .... | digital matchmove artist: Double Negative | |
| Holly Gosnell | .... | data wrangler | |
| Christopher Gray | .... | visual effects assistant | |
| Elizabeth Gray | .... | animator: Double Negative | |
| Mai Gray | .... | digital paint/roto artist: Framestore | |
| Philip Greenlow | .... | visual effects coordinator: MPC | |
| Sandra Guarda | .... | 3D artist: Machine | |
| Kevin T. Hahn | .... | cg supervisor: MPC (as Kevin Hahn) | |
| Faraz Hameed | .... | previz artist | |
| Owen Hammer | .... | digital compositor | |
| Owen Hammer | .... | visual effects: MK12 | |
| Shaun Hamontree | .... | visual effects: MK12 | |
| Gunnar Hansen | .... | compositing supervisor | |
| Gunnar Hansen | .... | post-visualization supervisor | |
| Pete Hanson | .... | studio manager: double negative | |
| Gavin Harrison | .... | lead lighting technical director: Double Negative | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Nic Hatch | .... | previs supervisor: Nvizage | |
| Kevin Tod Haug | .... | visual effects designer | |
| Oliver Hearsey | .... | matchmove artist: The Moving Picture Company | |
| Karsten Hecker | .... | film mastering engineer: Framestore | |
| Colin Hess | .... | visual effects: MK12 | |
| Martin Hession | .... | digital artist | |
| Martin Hession | .... | modeler: MPC | |
| Martin Hession | .... | texture artist: MPC | |
| Alex Hessler | .... | effects artist: Framestore | |
| Frederic Heymans | .... | digital paint and roto artist: Framestore | |
| John C. Hill | .... | previsualization artist: Painting Practice (as John Hill) | |
| Alex Hislop | .... | matchmove artist/roto anim | |
| Andrew Hogden | .... | junior compositor | |
| Matthew Hunt | .... | render wrangler | |
| Ludovic Iochem | .... | digital matte painter: Double Negative | |
| Alex Ireland | .... | digital compositor | |
| Carl Jackson | .... | camera tracker: Framestore | |
| Carl Jackson | .... | matchmove artist: Framestore | |
| Oliver James | .... | research and development supervisor: double negative | |
| Kristine-Joeann Jasper | .... | matchmove artist: Double Negative | |
| Jariwala Jignesh | .... | visual effects artist | |
| Helen Johnson | .... | prep artist | |
| Ross Johnson | .... | visual effects coordinator | |
| Drew Jones | .... | executive producer: MPC | |
| Marc Jones | .... | matchmove Artist: MPC | |
| Timothy P. Jones | .... | visual effects: digital film bureau | |
| Sarah Juniper | .... | digital paint and roto | |
| Christian Kaestner | .... | lead compositor: Framestore | |
| Rafal Kaniewski | .... | compositor | |
| Gerard Keating | .... | assistant technical director: Framestore | |
| Jon Keene | .... | visual effects coordinator: Framestore | |
| Tim Keene | .... | senior visual effects producer: Framestore | |
| James D. Kelly | .... | visual effects photographer: MPC | |
| Richard Ketteridge | .... | assistant visual effects editor | |
| Christopher Kilshaw | .... | computer graphics artist: Double Negative (as Chris Kilshaw) | |
| Keone Kim | .... | software engineer | |
| Tom Kimberley | .... | digital compositor: Machine FX | |
| Chris King | .... | lighting technical director: Framestore | |
| Pál Klemm | .... | lead digital compositor: Cube Effects | |
| Marcin Kolendo | .... | digital compositor | |
| László Kondor | .... | systems developer: Cube Effects | |
| Dean Koonjul | .... | digital compositor: Double Negative | |
| Éva Korda | .... | rotoscope artist: Cube Effects | |
| Dávid Kozma | .... | rotoscope artist: Cube Effects | |
| Brian Kranz | .... | computer graphics artist: Double Negative | |
| Benjamin Krebs | .... | digital compositor: Machine | |
| Dan Kripac | .... | CG supervisor: Double Negative | |
| Nicha Kumkeaw | .... | digital painter and compositor | |
| Sweekim Lai | .... | texture artist | |
| Pedro Lara | .... | digital compositor: MPC (as Pedro Lara-Garcia) | |
| Pedro Lara | .... | digital compositor: MPC | |
| Stafford Lawrence | .... | animator: Double Negative | |
| Isaac Layish | .... | 2D sequence lead: Double Negative | |
| Aaron Lear | .... | paint & roto artist | |
| Sue Lee | .... | visual effects: MK12 | |
| John Peter Li | .... | lead lighting technical director: Framestore (as J.P. Li) | |
| Seeta Lingam | .... | previsualization artist: technical breakdown, Painting Practice | |
| Benjamin Loch | .... | lighting technical director: Framestore (as Ben Loch) | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| Pascal Loef | .... | lighting technical director | |
| Peter Logarusic | .... | lead paint & roto artist: Framestore | |
| Natalie Lovatt | .... | visual effects coordinator | |
| Steven Lovell | .... | render wrangler | |
| Imre Lovász | .... | pipeline technical director: Cube Effects | |
| Patrick Lowry | .... | lighting technical director: Framestore | |
| Martin Macrae | .... | digital environment supervisor: Framestore | |
| Aysha Madina | .... | lead animator | |
| Sophie Marfleet | .... | roto/prep artist | |
| Luke Massingberd | .... | paint and roto artist | |
| Mark Masson | .... | senior digi-doubles technical director: Double Negative | |
| Ian Mathews | .... | paint and roto artist | |
| Daniel May | .... | pre-visualization supervisor: Painting Practice (as Dan May) | |
| Peregrine McCafferty | .... | matchmove artist: Double Negative | |
| Grant McKean | .... | compositor: Machine | |
| Leslie McMinn | .... | visual effects producer | |
| Dan McRae | .... | digital paint artist: Framestore | |
| Dan McRae | .... | senior paint and rotoscope artist | |
| Peter Medrow | .... | r&d technology | |
| Gurel Mehmet | .... | digital matte painter: Double Negative | |
| Christophe Meslin | .... | head of systems | |
| Adrian Metzelaar | .... | digital compositor: Framestore CFC | |
| Andy Middleton | .... | texture painter lead: Double Negative | |
| Thomas Middleton | .... | digital compositor: Double Negative | |
| Standish Millennas | .... | visual effects producer: Machine | |
| Sangita Mistry | .... | compositor: Double Negative | |
| Danielle Morley | .... | visual effects coordinator: Framestore | |
| Victoria Mowlam | .... | visual effects producer: MPC | |
| Ryan Mullany | .... | digital artist | |
| Thierry Muller | .... | digital compositor: Double Negative | |
| Hiroaki Muramoto | .... | environment technical director: Framestore | |
| Hiroaki Muramoto | .... | visual effects artist | |
| Tristan Myles | .... | 2D sequence lead: Double Negative | |
| Patrick Nagle | .... | compositor | |
| Emiliano Nanfaro | .... | previsualization character artist: Painting Practice | |
| Leo Neelands | .... | roto/prep artist: MPC | |
| Bruce Nelson | .... | digital compositor: Framestore CFC | |
| Kryzysztof Nemiec | .... | previsualization artist: Painting Practice | |
| Timo-Pekko Nieminen | .... | computer graphics effects artist: Double Negative | |
| Peter Olliff | .... | visual effects editor: Double Negative | |
| Sam Osborne | .... | digital paint artist: Framestore | |
| John Palmer | .... | digital film bureau manager: Scanning and Laser record | |
| Anna Panton | .... | visual effects coordinator | |
| Tamás Papp | .... | systems administrator: Cube Effects | |
| Puja Parikh | .... | matchmove & rotoanim - MPC | |
| Michael Parker | .... | computer graphics effects artist: Double Negative | |
| Daniel Pastore | .... | matchmove artist | |
| Ami Patel | .... | digital compositor | |
| Tilman Paulin | .... | 2D sequence lead: Double Negative | |
| James Payfer | .... | rotoscope artist | |
| John Peck | .... | digital compositor | |
| Tony Peck | .... | digital compositor: MPC (as Anthony Peck) | |
| Claire Pegorier | .... | visual effects artist: MPC | |
| Chad Perry | .... | visual effects: MK12 | |
| Nicolas Petit | .... | hair & cloth lead: Double Negative (as Nick Petit) | |
| Kim Phelan | .... | visual effects line producer: Double Negative | |
| Rob Pieke | .... | research and development: MPC | |
| Andrew Pinson | .... | rotoscope artist (as Andy Pinson) | |
| Caroline Pires | .... | digital paint and roto artist | |
| Rob Pizzey | .... | digital colourist UK | |
| Fred Place | .... | compositor | |
| Melvin Polayah | .... | camera tracker: Framestore (as Melvyn Polayah) | |
| Melvin Polayah | .... | matchmove artist | |
| Carlos Poon | .... | lighting technical director | |
| Donna Poynton | .... | roto/prep artist: MPC | |
| Joel Prager | .... | matchmove supervisor: Double Negative | |
| Katherine Pursey | .... | effects technical director | |
| Simon Pynn | .... | matchmove artist: double negative | |
| Csaba Pépp | .... | digital compositor: Cube Effects | |
| Ben Radatz | .... | visual effects: MK12 | |
| James Ramirez | .... | visual effects: MK12 | |
| Lee Rankin | .... | scanning and recording: Framestore | |
| Adrian Ratley | .... | on-set matchmover | |
| Derek Rausch | .... | visual effects: MK12 | |
| Carly Reddin | .... | visual effects | |
| Nicholas David Reed | .... | matchmove artist | |
| Nicholas David Reed | .... | visual effects | |
| Tim Riley | .... | technical director: Double Negative | |
| Christian Roberton | .... | visual effects executive producer: MPC | |
| James William Roberts | .... | digital paint and rotoscope artist | |
| Katherine Roberts | .... | visual effects | |
| Dave Robinson | .... | systems engineer | |
| James Russell | .... | digital compositor: Double Negative | |
| Steve J. Sanchez | .... | compositor: MPC (as Steve Sanchez) | |
| Paul Scott | .... | compositor | |
| Andrew E. Scrase | .... | matchmove artist: Double Negative | |
| Aatesh Shah | .... | systems engineer: Framestore | |
| Matthew Shaw | .... | digital compositor | |
| David Shorey | .... | visual effects | |
| Dominic Sidoli | .... | visual effects: Double Negative | |
| Jennifer Silver | .... | senior visual effects producer: Double Negative | |
| David Sjodin | .... | compositor | |
| Anthony Smith | .... | lead compositor: Framestore | |
| Jeremy Smith | .... | effects technical director | |
| Tammy Smith | .... | digital artist/compositor | |
| Marcin Stangel | .... | system engineer | |
| Richard Stay | .... | compositor | |
| Richard Stay | .... | visual effects: Double Negative | |
| Jim Steel | .... | 2D sequence lead: Double Negative | |
| Paul Venn Stirling | .... | digital compositor: Double Negative | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Jonathan Styles | .... | matchmove artist: Double Negative | |
| Christopher Sweet | .... | body tracking: Double Negative | |
| David Swift | .... | digital matte painter: Framestore | |
| Esben Syberg | .... | technical director | |
| Makai Szabolcs | .... | visual effects line producer: Cube Effects | |
| Gábor Székely | .... | technical director: Cube Effects | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Bridget M. Taylor | .... | compositing sequence supervisor: Double Negative (as Bridget Taylor) | |
| Scott Taylor | .... | digital compositor: MPC | |
| Michael Adam Thompson | .... | matchmover: Framestore | |
| Stephen Thornhill | .... | digital artist: Double Negative | |
| Joe Thornley | .... | effects technical director: Framestore | |
| Jon Thum | .... | visual effects supervisor: Framestore | |
| Matthew Tinsley | .... | post-viz artist | |
| Shahin Toosi | .... | compositor | |
| Oscar Tornincasa | .... | digital compositor | |
| Guy Trevers | .... | scanning and recording | |
| Christine Troianello | .... | roto/prep supervisor: MPC | |
| Eric Tsui | .... | matchmove artist: Double Negative | |
| Niki Turpin | .... | roto artist: Double Negative | |
| Fani Vassiadi | .... | roto/prep artist: MPC | |
| Jon Veal | .... | senior modeller | |
| Gergely Velki | .... | rotoscope artist: Cube Effects | |
| Lars Vinther | .... | digital compositor | |
| Lars Vinther | .... | visual effects editor | |
| Attila Vócsa | .... | rotoscope artist: Cube Effects | |
| Victor Wade | .... | compositing supervisor | |
| Victor Wade | .... | visual effects supervisor: Double Negative | |
| Pragti Wadhwa | .... | paint artist | |
| Christian Waite | .... | matchmove artist | |
| Maggie Walby | .... | digital paint & roto artist: Framestore CFC | |
| Tara Walker | .... | compositor | |
| Michael Waltl | .... | computer graphics effects artist: Double Negative | |
| Jason Wen | .... | senior previsualization artist: Painting Practice | |
| Neil West | .... | matchmove artist: Double Negative | |
| Andrew Wheater | .... | texture painter: Framestore | |
| Ben White | .... | lighting technical director: Framestore | |
| Stephen Willey | .... | senior systems engineer | |
| Guy Williams | .... | digital environment supervisor: Double Negative | |
| Toby Winder | .... | matchmover | |
| Christine Wong | .... | 2D sequence lead: Double Negative | |
| Ged Wright | .... | visual effects supervisor: Double Negative | |
| Rachel Wright | .... | compositor | |
| Alex Wuttke | .... | visual effects supervisor: Double Negative | |
| Fani Yassiadi | .... | roto/prep artist: MPC | |
| Patrick Zentis | .... | compositor: Machine | |
| Patrick Zentis | .... | senior matte painter: MPC | |
| Péter Závorszky | .... | visual effects producer: Cube Effects | |
| Thomas Øhlenschlæger | .... | technical director | |
| Alistair Darby | .... | matchmove artist: Double Negative (uncredited) | |
| Federico Frassinelli | .... | visual effects (uncredited) | |
| Kevin Tod Haug | .... | visual effects unit director (uncredited) | |
| Jariwala Jignesh | .... | particle effects animator: MK12 (uncredited) | |
| Martin Lake | .... | visual effects editor: Double Negative (uncredited) | |
| Daniel Leatherdale | .... | roto artist: Absolute Post (uncredited) | |
| Duncan Lees | .... | head of 3D services: Plowman Craven and Associates (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Stuart Messinger | .... | asset department manager: MPC (uncredited) | |
| Neil Nafus | .... | special cinematography: MK12 (uncredited) | |
| Derek Rausch | .... | roto artist: MK12 (uncredited) | |
| Eric Reinhard | .... | rotoscoper (uncredited) | |
| Nezih Savaskan | .... | junior rotoscope artist (uncredited) | |
| Markus Schmidt | .... | modeler: Double Negative (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Matteo Bertocchi | .... | extras casting | |
| Christian Casper | .... | additional casting (zurich) | |
| Brendan Donnison | .... | adr voice casting | |
| Kate Dowd | .... | casting services (europe) | |
| Bernadette Gepheart | .... | casting assistant: europe (uncredited ) | |
| Corinna Glaus | .... | additional casting (zurich) | |
| Andrea Held | .... | extras casting assistant: Austria | |
| Genaro Hernandez | .... | casting assistant | |
| Carla Hool | .... | additional casting (mexico) | |
| Camilla-Valentine Isola | .... | additional casting (spain) | |
| Francine Maisler | .... | additional casting (u.s.) | |
| Reg Poerscout-Edgerton | .... | associate casting director | |
| Eliseo Ruiz | .... | casting assistant | |
| Juan Carlos Gutiérrez Barrón | .... | casting assistant: Mexico (uncredited) | |
| Katie Taylor | .... | casting associate: USA (uncredited) | |
| Marco Tosti | .... | extras casting assistant: second unit: Siena (uncredited) | |
| Rodrigo Urbano | .... | casting associate: Mexico (uncredited) | |
Costume and Wardrobe Department | |||
| Javier Arrieta | .... | costumer | |
| Regina Calvo | .... | costume buyer: Panama | |
| Charlotte Child | .... | crowd costume supervisor | |
| Tom Ford | .... | tailored clothing: Daniel Craig | |
| Perry Goyen | .... | costume runner | |
| Brendan Handscombe | .... | wardrobe master: crowd | |
| Jenny Hawkins | .... | assistant costume designer | |
| Max Jones | .... | crowd costumer: Austria | |
| Liberty Kelly | .... | costume maker | |
| Ciara McArdle | .... | set costumer | |
| Jacqueline Mulligan | .... | costume maker | |
| Valeria Perucci | .... | costume assistant | |
| Lindsay Pugh | .... | costume supervisor | |
| Adam Roach | .... | set costumer | |
| Lucilla Simbari | .... | costume assistant: second unit | |
| Sophia Spink | .... | crowd costumer: Austria | |
| Mark Sutherland | .... | costumer: Bond | |
| Magali Telliol | .... | costume maker: Panama | |
| Maurizio Torti | .... | costume assistant | |
| Nat Van Halle | .... | crowd costumer: Austria (as Nathalie Karni) | |
| Justine Warhurst | .... | crowd costumer: Austria | |
| Diana Wyand | .... | wardrobe assistant | |
| Dominic Young | .... | costume cutter | |
Editorial Department | |||
| Des Carey | .... | digital intermediate producer | |
| Martin Corbett | .... | first assistant editor | |
| Rob Farris | .... | digital intermediate producer | |
| Robin Gonsalves | .... | first assistant editor | |
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | digital on-line editor | |
| Tom Harrison-Read | .... | first assistant editor | |
| Laurence Johnson | .... | second assistant editor | |
| Max Malagoni | .... | apprentice editor | |
| Patrick Malone | .... | digital intermediate head of department | |
| Erin McGookin | .... | digital intermediate producer | |
| Harry Muller | .... | color timer (uncredited ) | |
| Stephen Nakamura | .... | digital film colorist | |
| Anita M. Patel | .... | post-production coordinator | |
| Jamie Payne | .... | colorist: high-definition dailies | |
| Rob Pizzey | .... | colorist | |
| Darren Rae | .... | colorist: dailies | |
| David Rees | .... | color grader | |
| Laurent Treherne | .... | digital intermediate technical supervisor | |
| Stefan Weiß | .... | dailies editor: Munich | |
| Michael Deming | .... | digital film transfer (uncredited) | |
| Jon Ellis | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Chris Cozens | .... | auricle control systems | |
| Peter Davies | .... | musician | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | supervising music editor | |
| Geoff Foster | .... | recording engineer | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Michael Higham | .... | music editor: Tosca (as Mike Higham) | |
| Michael Higham | .... | on-set music editor | |
| Stephen Hilton | .... | music programmer (as Steve Hilton) | |
| Stephen Hilton | .... | musician: keyboards and programming | |
| Rael Jones | .... | musician: guitar | |
| Pete Lockett | .... | music programmer (as Peter Lockett) | |
| Pete Lockett | .... | musician: ethnic percussion (as Peter Lockett) | |
| Charlie Morgan | .... | musician | |
| Monty Norman | .... | composer: James Bond theme | |
| Rob Playford | .... | music programmer | |
| Michael Price | .... | additional music arranger | |
| Matt Robertson | .... | additional music editor | |
| Matt Robertson | .... | music pre-production | |
| Jill Streater | .... | music preparation | |
| Robin Whittaker | .... | music editor (as Robin Quinn) | |
| Jonathan Williams | .... | musician: cello | |
| Laurence Love Greed | .... | assistant engineer (uncredited) | |
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| Casino Royale | The A-Team | The Dark Knight | The Professional: Golgo 13 | G.I. Joe: The Rise of Cobra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
This is the first time I ever came out of a Bond film at the cinema thinking, 'I enjoyed almost none of that.' And there was no mystery for me as to why I felt this way. I didn't have to weigh up the other pros and cons (it is not an unsophisticated film) or think far or deeply. I couldn't stand Quantum Of Solace because ninety-five percent of its action sequences are appallingly directed and edited. Endless, wobbly extreme closeups are cut together too rapidly into a meaningless dirge which prohibits you from discerning anything about the nature of the scene.
How many cars are participating in this car chase? Will I be allowed to glimpse anyone's face in this scene other than Bond's? Will I be allowed to glimpse even Bond's face? Which boat is in front? Where is anything in relation to anything else, ever? And just what was that? That blur in front of me for the past half a second, what the hell was it? The answers to these questions respectively throughout Quantum of Solace are, 'I have no clue, no, no, I don't know, I will never know, I don't know, I still don't know.'
I'm tired of reading any defence for the most extreme incarnation of this style of action coverage. It is purposeless obfuscation. It's anti-exciting, annoying and just plain rubbish. Bond films in particular are known for their history of spectacular action and stunts, and if you briefly consider any eighties Bond film, you'll recall that somewhere in it was a long, held shot of something amazing. People fighting on the back of an airborne plane, racing cars through Paris or pursuing each other down a mountain on skis. Compared to any one of those scenes, everything in Quantum is a disgrace, incapable of engendering marvel or wonder.
Perhaps I should try to be less catastrophic about the direction of cinema in general and just apportion blame directly to the guy from the Bourne films whose second unit did this to Quantum, and to Marc Forster, who directed the film, and either sanctioned or did not repel the Bourne-on-steroids content. Call me Mister Insane, but I demand the context, information and sense of place delivered by even the occasional wide shot. To see how Bond kung-fu'd an elevator full of guys would be cool, right? The event happens in this film, but what you actually see is a camera jerking crazily over ten inch wide patches of dark clothing, to the accompaniment of cabbages being walloped on the soundtrack. Imagine if Bruce Lee tried to get away with this crap. And this wasn't a well considered case of indicating what had just happened by offering the impression of it rather than the depiction of it, it was simply a continuation of the house style.
Quantum Of Solace takes anti-illuminating film-making to new, stupid lows!