"McCloud" Horse Stealing on Fifth Avenue (TV Episode 1970) Poster

User Reviews

Review this title
4 Reviews
Sort by:
Filter by Rating:
7/10
The ICONIC McCloud!
profh-11 August 2023
Warning: Spoilers
Sam McCloud & Joe Broadhurst are removed from a case involving a man stealing drugs when Chris Caughlin's latest society column spotlights Sam to such a degree it ruffles Chief Clifford's feathers. "As long as you're under my command, I don't want to be aware you're even here." So they get re-assigned to finding a missing police HORSE-- stolen from in front of a drug store. As luck has it, both get involved in another altercation with the drug thief, ending in a tense scene on a rooftop, in which Sam is shot-- but not seriously. Sam comes to believe the man they're after is both an army vet and an expert marksman, as he's shot 2 police officers without doing serious damage to either. After meeting with the suspect's wife, Clifford thanks Sam for his help... but then puts him back on the "pony patrol". UNTIL the man's wife contacts Chris about setting up a meeting between her husband and Sam, to give himself up without anyone getting hurt. It doesn't quite work out that simply, and Sam, after finding the missing horse, winds up borrowing it HIMSELF-- in possibly the single most iconic action sequence in the entire series!

For the 2nd weekly FOUR-IN-ONE episode, McCLOUD really came into its own, as producer & future exec Glen A. Larson supplied his first script for the series, accompanied by director Bruce Kessler, the same team who would later do the incredible 4th season finale, "This Must Be The Alamo". As it turns out, this was the very 1st episode I ever saw, during the rerun season sometime in 1971 when I was in Houston. I got instantly hooked on this show, and kept watching all the way to the end. Seeing this one intact for the first time in 52 years, I was surprised that this must have been my first exposure to some of the guest-actors.

Lorraine Gary is "Joan Stanford", a woman who's seen her marriage fall to pieces because her husband got addicted to pain-killers while recovering in an army hospital. She places her trust in Sam, believing he may be her husband's only chance to turn his life around. I later saw her in both "JAWS" and "1941" (both from director Steven Spielberg).

Leo Gordon is "Officer Shannen", who wonders what the city's coming to when someone makes off with his horse. McCloud finds it being used by a woman posing as "Lady Godiva" at a Women's Liberation protest rally, but moments after he's returned, McCloud takes off with "Toby" in a long high-speed race through the city streets and deep into Central Park. I've seen Gordon in so many things, but the stand-out roles for me are probably "THE INTRUDER" and, moreso, "THE HAUNTED PALACE" (both from director Roger Corman).

Ken Scott debuts as "Detective Polk". Although this was his only appearance this season, he returned at the end of season 4 and became a recurring character (along with Detectives Grover & Simms) after that. Aside from McCLOUD, I mainly know him as one of John Astin's henchman in the Adam West BATMAN story, "Batman's Anniversary".

J. D. Cannon, Terry Carter & Diana Muldaur continue as Clifford, Broadhurst & Caughlin. Chief Clifford managed to display anger, concern, thoughtfulness, and a wicked sense of humor (the latter at Sam's expense). Joe winds up telling Sam about the latest in the case they've been removed from, which leads Sam to try and get back involved in it (so he has no one to blame but himself). Chris gets Sam into trouble, then tries to make up for it, and in one scene the dialogue get extremely "suggestive" for network television at the time! Chris is definitely my favorite role Muldaur ever had.

I'll say it again-- it was absolutely criminal how Universal BUTCHERED the 6 episodes from this season, and then lost the originals. It took 50 YEARS for these to be available again in America. Although the prints are not in the greatest shape, I can hardly express how happy I am to finally be able to see them again properly after all this time.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Dawson plays a complete jerk in this one and McCloud gets shot!
planktonrules2 February 2020
There are two plots in this episode. The first is about an extremely obnoxious and noxious Broadway producer who has contacted the police because he claims someone is trying to kill him. At one point, a man does take a shot at him...but McCloud thinks there's far more going on in this case. The second involves a guy who shoots McCloud. However, McCloud was only a few feet away from the suspect and McCloud thinks the shooter didn't try to kill him. In fact, he thinks the guy needs help.

This third episode of the series is the best one I've seen so far. I really enjoyed seeing Richard Dawson playing this vile Broadway slug...he did it with gusto and really makes the viewers hate him. The other plot is nice, too, as it shows a softer side of McCloud. Well worth seeing.
3 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
good episode
trashgang27 September 2012
When I looked at my DVD I didn't find the particular title that was stated here on IMDb. A bit confused I searched for the storyline about an arrogant Broadway producer so I came across Manhattan Manhunt. It looked like the same story but strangely when the episode started it was also titled Manhattan Manhunt. Again, IMDb said it was just one hour long, but on my DVD (region 2) it took 72 minutes to watch. But when I watched it I also recognised the story about McCloud and a gunman. So here we have it, Manhattan Manhunt is a compilation of Who Says You Can't Make Friends in New York City? and The Stage Is All the World.

The story, as for many McCloud episodes, is rather simple and doesn't have a lot of shootings or pursuits. Still, this episode was watchable but coming from the early seventies couldn't stand the time but being that old it is watchable just to see Time Square back then or here a party going on with some kind of hippies. That part is heavily edited but it worked out fine.

All acting was believable but you could fall over the thing that McCloud is new in the city but always finds his way through New York.

Horse Stealing on Fifth Avenue is never used on region 2 DVD's, the only thing they used from it is here to see, the horseback chase used in all subsequent episode titles.

Gore 0/5 Nudity 0/5 Effects 0/5 Story 3/5 Comedy 0/5
2 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Borrowed without permission
bkoganbing1 July 2015
Warning: Spoilers
As westerner operating in the wild and woolly east of New York City, Marshal Sam McCloud paid homage to the west he came from by tracking and running down a suspect in Central Park. Of course he had to borrow the horse from one of New York's finest mounted units. Later on there would be an episode where McCloud actually was assigned to the Mounted police.

Dennis Weaver is wounded and two other officers wounded in pursuit of a robber of drugstores. His western instinct acquired from years on the job in Taos, New Mexico tells him this guy could have wounded him and the others had he so chose. Which makes him more determined to bring him in alive unlike the other cops who usually shoot to kill when it's someone who shoots one of their own.

Things start to heat up between Weaver and columnist Diana Muldaur in this story. But those are fringe benefits for Muldaur who finds the marshal good copy.

He would stay good copy throughout the series run.
0 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed