Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
When a drug lord who strongly resembles McCloud disappears after a by, McCloud assumes his identity, goes to prison, and tries to con the crime family who was setting up a French Connection with the ...
Attorney and US Navy vet Stuart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on... See full summary »
Susan Saint James
Ex-Marshal McCloud now is senator of New Mexico, fighting for a new environment law. His enemy is Maitland, unscrupulous owner of Chemtel, the world's most important chemical manufacturer. ... See full summary »
Sam McCloud is a town Marshal from Taos, New Mexico. He goes to New York to find an escaped criminal, and there falls for reporter Chris Coughlin, who is the cousin of the deputy police commissioner. After he tracks the criminal down, Chris convinces her cousin to request that Sam be assigned to temporary duty with the NYPD to learn modern police methods. He is assigned to the detective bureau headed by Chief Peter B. Clifford, who is less than thrilled with having McCloud under his command and gives him nothing but menial duties. Sam always winds up deep in homicides, drug busts, and various other major crimes. He is often helped out by Sgt. Joe Broadhurst, and solves them using a combination of good police work and good old country know-how. Written by
Brian Washington <Sargebri@att.net>
For the first two seasons, music (including the theme) was composed by David Shire in a strongly country-music fashion. During the third season, there was no regular composer, with four different closing themes used in five episodes. The main title theme used in most openings and all closings from "Butch Cassidy Rides Again" (episode 4.1) was never given screen credit, but its resemblance to other scores in the fourth season suggests that Frank De Vol (My Three Sons, The Brady Bunch, Fernwood 2Night) composed all or most of the theme. The theme is somewhat similar in a driving beat to others which series producer Glen A. Larson composed for later series such as Switch and Sword of Justice. See more »
Although I think that the original inspiration for the McCloud series came from Clint Eastwood's film Coogan's Bluff which involved a New Mexico sheriff in New York, Dennis Weaver certainly made Marshal Sam McCloud his own character and certainly was a lot less stiff than Eastwood's Joe Coogan.
The premise had Sam McCloud of Taos, New Mexico in New York to take some training in new law enforcement techniques. But it seemed that in every show he was teaching those New York City slickers a thing or two about criminal apprehension.
He was the bane of the existence of Chief Clifford who was played by J.D. Cannon. Cannon looked like he was about to let an ulcer get the better of him in each show. A bit more patient was the NYPD babysitter Terry Carter who played Sergeant Joe Broadhurst. Weaver even got a little romance going with reporter Diana Muldaur. Weaver was good for scoops at least.
And there was McCloud's eternal catchphrase. Whenever the New Yorkers finally got whatever he was doing it was always "There Ya Go". Weaver was always springing country aphorisms which he had to translate.
Weaver really made this show click. He hated playing Chester in Gunsmoke, always thought he should have been the marshal.
I'd say he proved it with McCloud.
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