Directed by
| Gary Nelson | ||
Writing Credits
| Mel Brooks | ... | (created by) (with) & |
| Buck Henry | ... | (created by) |
| Lloyd Turner | ... | (written by) & |
| Gordon Mitchell | ... | (written by) (as Whitey Mitchell) |
Cast (in credits order)
| Don Adams | ... | Maxwell Smart | |
| Barbara Feldon | ... | Agent 99 | |
| Edward Platt | ... | Chief | |
| Ronald Long | ... | Leadside | |
| Paul Carr | ... | Norman | |
| Annazette Chase | ... | Kelley | |
 |
Robert Karvelas | ... | Larabee |
Produced by
| David Davis | ... | associate producer |
| Burt Nodella | ... | producer |
| Arne Sultan | ... | executive producer |
Music by
| Irving Szathmary | ||
Cinematography by
| Meredith M. Nicholson | ... | director of photography (as Meredith Nicholson) |
Editing by
| M. Pam Blumenthal | ||
Casting By
| Pat Harris | ||
Art Direction by
| Frank T. Smith | ||
Set Decoration by
| Anthony D. Nealis | ||
Makeup Department
| Ray Forman | ... | hair stylist |
| Ray Sebastian | ... | makeup artist |
Production Management
| Ted Rich | ... | post-production supervisor |
| Leonard Stern | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Neil T. Maffeo | ... | assistant director |
| Michael Messinger | ... | assistant director |
Art Department
| James Harris | ... | property master (as James R. Harris) |
Sound Department
| Bill Flannery | ... | sound engineer |
Special Effects by
| Paul Byrd | ... | special effects (as Paul B. Byrd) |
Camera and Electrical Department
| Chuck Morgan | ... | key grip |
| Burl Stafford | ... | gaffer |
Costume and Wardrobe Department
| C. Capriotti | ... | wardrobe designer and furnisher: Barbara Feldon |
| Leslie Hall | ... | wardrobe: women |
| Donald MacDonald | ... | wardrobe |
Music Department
| Irving Szathmary | ... | conductor |
Script and Continuity Department
| Victoria Gail Weisbart | ... | script supervisor (as Vicki Weisbart) |
Additional Crew
| Chris Hayward | ... | story consultant |
| Harry R. Sherman | ... | production executive |
