|Page 1 of 18:||          |
|Index||171 reviews in total|
David Boreanaz and Emily Deschanel start well with better than two-dimensional characters in a fresh look at a CSI type show. Based on the real-life work of forensic anthropologist and novelist Kathy Reichs, it's fun, kicky, and only occasionally too gruesome to look at. Not quite like one of Ms. Reichs' novels, it is still a pleasure for a fan (me!) to watch. Boreanaz' past work on Buffy and Angel stands in good stead here as he delivers lines that stand up to a strong female role without diminishing it. Also like Buffy, humor lends grace to embarrassing social situations that highlight common human vulnerabilities. Surrounding the 2 major players are other characters who add to the thrust of a character driven show. The writers do good work giving each character unique attributes that have nothing to do with hair color or body measurements. The entire cast does a good job presenting real, quirky individuals who don't have to rely on looks to sell the worth of their character to the viewers. That alone is something new for any CSI show. Still some rough edges in writing and delivery (Tempe's "I wish this was the worst I have seen" was painful for all the wrong reasons),"Bones" has great potential.
Here is a show that is refreshingly real, from characters to plots,
while intellectually stimulating, and willing to tickle our funny bone.
Dr. Temperance 'Bones' Brennan (Emily Deschanel) is a smart, focused, professional woman whose sensitivities are not so far from the surface that she is hard, or hardened by avoiding them, nor so close to the surface that she is weak, or weakened by them. She is serious, candid and forthright. Her ability to "handle" herself stems from confidence and experience, not tragedy or pathology as is so often the case in TV-land female characters.
Special Agent Seeley Booth (David Boreanaz) could be a hardened, tough guy, stereotypical character. He is not. While we are reminded regularly of his past as a military sniper, the sensitivity he brings to his duties as an FBI agent redeem his past actions, as is his hope. Make no mistake, he is a fierce patriot and proud FBI man, yet his character's motives and motivation are clear and noble. They are never fanatically righteous or overbearingly macho.
These two characters are wonderfully balanced with each other: their approach to life, to their work, to the pursuit of this week's mystery. Their relationship rings true. Through agreements, disagreements and the sense of humor it takes to weather both, Deschanel and Boreanaz always deliver the wry portrayal these two staunchly serious, but genuinely human characters deserve. Each character's work is expertly accomplished and equally important to the solutions they unravel together. As audience, we enjoy their working together. Temperance Brennan and Seeley Booth are a great team - as are Emily Deschanel and David Boreanaz.
With these two very real 21st Century individuals, and stories that skillfully incorporate forensic anthropology, both as it is used in the discipline of anthropology to understand the most ancient of artifacts, and as it is used in the most modern criminal labs, the foundation is strong for TV entertainment of the highest kind. But, it isn't only the charisma of the two main characters or their portrayers that keeps the show real, believable, compelling. Dr. Brennan's support team at the lab are a fine crew (Michaela Conlin as Angela Montenegro - forensic artist and friend to Dr. Brennan, Eric Millegan as Zack Addy - genius, geeky, naively lovable forensic anthropologist in-training, T.J. Thyne as Dr. Jack Hodgins - soil, bug and all-things-creepy expert, and Jonathan Adams as Dr. Daniel Goodman - administrator/anthropologist and the lab crew's boss). Each has an expertise that is technically viable and each is well portrayed by the actors cast. It all adds up to a TV show you can't wait to see again next week!
The dialogue is sharp, the acting is spot on; the characters are fun and well defined and each episode is worth watching. I mean nobody cheats! Emily Deshawhatever doesn't make her character more "appealing" (more "cute")- thus, making her more appealing!; her being so out of touch with the modern world is so well acted it's believable; and her best friend is hot because she's a perfect foil being so IN the modern world. I'm conflating all of these ideas because i want to cram in every reason why this is one of the 5 best shows on T.V. It is funny and smart and charming and if it is cancelled for some dumb ass executive reason I swear to God I will boycott...uh...whatever network it's on. Fox? Crap. Cause it's got one of the other 5: The Shield. But I will. This is a great show.
I love this show. I have to say, the pilot is not that good but keep on
watching the episodes and I can assure you, you are gonna love it.
The character are really amazing and you can see them dealing with real life and their own "world of bones" at the same time. Zach is one of those character I don't really have much to say. Angie is really nice and at the same time I can't stand how she always seems to connect with the cases they are working on. To emotional. Hodgins has his own view of life and really wants to stay away from his family, so he spends most of the time at work... just like all the characters. Booth and Bones have an amazing chemistry together and exact opposites, but at the same time they are the same. Both of them, you can say, uses their work as a way to "fix" their personals issues.
About the cases, it's amazing how they always seem to solve them in the most amazing and clever ways, LOVE IT.
You have to see it.
I didn't expect to like it as much as I liked it. In fact, it's a sure
sign of cancellation how much I like this show. I never like crime
shows. My mom loves them, but I find them dull, because they're about
plots not characters. This is a crime show about characters (not as
good as "The Closer" -- the crime show I adored this summer -- mind
you), and I enjoyed it. At times, it seemed far-fetched, and the whole
Senator plot-point in the pilot seemed awful easy, but the dialogue
worked, the characters intrigue me, and the chemistry is great. I
expect good things from it.
OK, so I AM a big fan of Kathy Reichs books, and was intrigued to see
what this show would be like. The addition of David Boreanaz also was a
big draw, as he is a very charismatic actor(and I adored Angel!) For
fans of Ms Reichs books, this is a slightly odd amalgam of Kathy
herself and her main character Temperance Brennan, who on the show is
also a crime author (like Ms Reichs - a top forensic anthropologist and
The characters are all new, apart from Brennan's ex-husband Pete (although we only got a glimpse of him in the season premiere) plus it is set in Washington DC rather than Canada and Virginia as in the books.
Tempe herself is rather different than the book character. Emily Deschanel is fine, but rather young and headstrong compared to the book Tempe. Even in the one episode, we have seen her rushing into things quite recklessly. I guess they wanted to make her a little more dynamic for TV.
The chemistry between Brennan and Booth (Boreanaz) was pretty good from the start, although they need to handle it properly. Maybe the Mulder and Scully reference is a hint of how they might handle things. However, the crime was a little flimsy. This first episode seemed to focus far more on establishing character and tone than on plot. Probably something that will change with future episodes.
On the whole, Riechs fans can have fun being snooty and complaining about Tempe's drinking and the lack of her cat, but I thought the show had definite possibilities. I know I'm keen to see how things unfold.
I am a massive fan of David Boreanaz so obviously i started watching this show for him alone, but to my delight this is turning out to be one of the most well-rounded show there has been on television in years. Despite what people might have thought of David Boreanaz's acting abilities, by starring in Bones he has proved that he is a well rounded actor whom can take any role and make it his own. The rest of the cast has been perfectly selected to bounce of David and make the show the best there can be. Also i am impressed with how Emily has turned out as an actor, in the first few episodes i thought she was a bit of a hollow actress, kind of carboardy, but i have since been proved very wrong and feel bad for terrible of how quick i judged her. I can only hope than this show continues to be made for a least another couple of years so we fans can find out as much as there is to know about our beloved characters. P.S To Fox Please please do not be as cruel as the bigwigs at the WB and cancel this show at the prime of it's run as it would be a dying shame and also doing this would grossly reduce your viewers. Thanks Danielle
*** This review may contain spoilers ***
This is so bad I don't know where to begin.
The lead role is a good starting point. It is a supreme Mary Sue character that has few things in common with the original one from the book, who was (a bit) more credible. No, this one is invincible, infallible, indomitable, and insipid even beyond the overinflated standards that this "chicks with swords" era that our medias are spinning out of late. She is a twenty-something top-model, thin as a match yet rich, already a leader in her academic field, a kung-fu master, a natural sniper and seems to have enough authority to naturally trump anyone official like puny FBI agents. She is God.
To balance it out, she is supposed to be socially awkward (due to her typically harsh upbringing that transformed her into a "Spock") which gives us some delighted moments where she wonders what is "Star Wars", or "American Idol", but yet when it's really important she can conveniently reveal herself as a top negotiator and diplomat, because she is so superior, ya know. To top it out, she is played by a wooden actress.
The more talented Boreanaz serves as a faire-valoir token for this construct, acting as a bumbling comic-relief and house "Watson". In fact, everything in there is a pop-parody of better works like Sherlock Holmes, CSI and X-Files, from which it tries to emulate the sexual tension between main protagonists. It is however cheaper, as this is delivered with all the subtlety of an elbow poke in the ribs, but a million million poor factory girls will doubtlessly buy into it, hence the crazy rating this turkey gets.
In fact, the lowest common denominator goes a long way in this sad puppy, resulting in titillating sex details from the legion of sidekicks that aim to pass it out as daring and trendy, while the overall tone of the show carries an obvious neo-conservative view on things.
Story-wise, there's not much here to feast upon, as crimes (that always start out with some gruesome remains) are resolved using non-existent technology while the "squints", lovable but so wrong (the women less than the guys) goes on varied theories, all of them futile as the main character has it all from the start, and once it is established she goes out and then punch the guy, typically a real tough hombre, with a spin kick here and a slapper there. The end.
I watched the show and it did feel familiar, yet fresh also.
Emily/Temperance is very convincing and the rest of the cast isn't your
every day cute side kicks. They seem like real squints, and that is a
whole other world they live in. A bit of a stretch on the Holographic
skull and body stuff. I'll go with you there, but only if you let the
squint out of the lab more.
David B is and always will be Angel to some people, watch this show and you'll come away thinking its more Angelus than Angel, the humor and comic timing between him and Emily has the makings of a Moonlighting relationship if, IF the writers want to play it out that way. All in all, a good show, directing was crisp the photography was also good.
Today's featured IMDb user comment, by a Fox marketer posing as an IMDb
user, describes "Bones" as "refreshingly real, from characters to
Here's one of these "refreshingly real" plots:
A corpse turns up with a mutilated face that upon computer reconstruction looks like... a chicken's. Also, an autopsy shows that the corpse's neck has been wrung, like a chicken's. Bones and Booth trace the corpse to a chicken farm, which is being picketed by hipster protesters chanting, "Cluck you, cluck you." Here they learn that the victim developed his chicken-like face when the farm's chicken stench caused his nasal passages to become deformed. Then, they probably solve the case. I don't know. I couldn't finish watching. I've never made it more than halfway through an episode. Not for lack of trying.
I don't remember exactly, but the chicken episode may be the same one in which the corpse is found by a troop of girl scouts who carefully preserve it and transport it to the FBI lab on their scout bus, with the consent of their scout leader. And let me tell you, the realism left me feeling refreshed.
The above plot description might make it sound like this is an inspired, surreal parody of cop shows, but it isn't. If this was parody, I'd expect the actors to play it completely deadpan. Instead, they're trying to be so cute and precious that we just want to eat them up.
There's Bones -- whose level of social awkwardness is wildly inconsistent, depending on which writer is phoning in the gags today -- and Booth, her thoroughly bland boss, and a bunch of thirteen year old boys disguised as lab technicians. One of these guys is named "Sweets," which alone is enough to push this show from annoying to intolerable.
There's also a slutty girl (Angela, I think her name is?) who has no identifiable function other than letting us know every six minutes that she's been sleeping around. How this advances the plot in any way is beyond me. Maybe it all comes together in the second half, when I'm not watching.
The only unique aspect of "Bones" is the shockingly grotesque corpses. Now, if the REST of the show was as grotesque -- if these corpses were put into any sort of appropriate context, that is -- it would be one of the darkest, most compelling shows on television. Instead, we are treated to the bizarre spectacle of these hideous, decaying bodies that look like they're from the set of a Lucio Fulci movie displayed in brightly-lit rooms while childish actors poke at them and flirt with other against sparkly background music. It's one of the weirdest things I've ever seen, but it's not funny or interesting at all. It's unwatchable.
|Page 1 of 18:||          |
|External reviews||Official site||Plot keywords|
|Main details||Your user reviews||Your vote history|