| Photos (See all 22 | slideshow) | Videos (see all 3) |
| Steve Coogan | ... | Tristram Shandy / Walter Shandy / Steve Coogan | |
| Rob Brydon | ... | Capt. Toby Shandy / Rob Brydon | |
| Keeley Hawes | ... | Elizabeth / Keeley Hawes | |
| Shirley Henderson | ... | Susannah | |
| Raymond Waring | ... | Trim | |
| Conal Murphy | ... | Young Tristram Shandy - Age 6 | |
| Joe Williams | ... | Young Tristram Shandy - Age 9 | |
| Paul Kynman | ... | Obadiah | |
| Mark Tandy | ... | London Doctor | |
| Mary Healey | ... | Midwife | |
| Dylan Moran | ... | Dr. Slop | |
| Jack Shepherd | ... | Surgeon | |
| David Walliams | ... | Parson | |
| Jeremy Northam | ... | Mark | |
| Benedict Wong | ... | Ed | |
| Naomie Harris | ... | Jennie | |
| Claire Keelan | ... | Make-up Assistant | |
| Kelly Macdonald | ... | Jenny | |
| Mark Hadfield | ... | Leo | |
| Elizabeth Berrington | ... | Debbie | |
| Mark Williams | ... | Ingoldsby | |
| Jenny Ogilvie | ... | Sandy | |
| Tony Wilson | ... | TV Interviewer (as Anthony H. Wilson) | |
| Justine Mitchell | ... | Tony's Director | |
| Kieran O'Brien | ... | Gary | |
| Roger Allam | ... | Adrian | |
| Ashley Jensen | ... | Lindsey | |
| James Fleet | ... | Simon | |
| Ian Hart | ... | Joe | |
| Ronni Ancona | ... | Anita | |
| Greg Wise | ... | Greg | |
| Paul Rider | ... | Prop Guy | |
| Stephen Fry | ... | Patrick Curator / Parson Yorick | |
| Sara Stewart | ... | Joanna | |
| Gillian Anderson | ... | Widow Wadman | |
| Stephen Rodrick | ... | New York Times Reporter | |
| Stuart Wilson | ... | Sound Mixer | |
| Rosie Cavaliero | ... | Rachel | |
| rest of cast listed alphabetically: | |||
| Damon Caliendo | ... | Fire Dancer | |
| Andy Callaghan | ... | Playing Film Crew | |
| Richard Tree | ... | Redcoat Officer | |
| Peter Bach | ... | Visual Effects Supervisor (uncredited) | |
Directed by | |||
| Michael Winterbottom | |||
Writing credits | ||
| Laurence Sterne | (novel "The Life and Opinions of Tristram Shandy") | |
| Frank Cottrell Boyce | (screenplay) (as Martin Hardy) | |
Original Music by | |||
| Edward Nogria | |||
Cinematography by | |||
| Marcel Zyskind | |||
Film Editing by | |||
| Peter Christelis | |||
Casting by | |||
| Wendy Brazington | |||
Production Design by | |||
| John Paul Kelly | |||
Art Direction by | |||
| Emma MacDevitt | |||
Costume Design by | |||
| Charlotte Walter | |||
Makeup Department | |||
| Deborah Jarvis | .... | hair stylist | |
| Deborah Jarvis | .... | makeup artist | |
| Marese Langan | .... | chief hair designer | |
| Marese Langan | .... | chief makeup designer | |
| Chris Lyons | .... | special effects teeth | |
Production Management | |||
| Layla Blackman | .... | post-production supervisor (as Layla Evans) | |
| Jethro Harris | .... | post-production manager | |
| Cass Marks | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jessica Hurles-Laws | .... | second assistant director (as Jessica Hurles) | |
| Josh Hyams | .... | third assistant director | |
| Barrie McCulloch | .... | first assistant director | |
| Lucy Thomas | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Mark Billingham | .... | dressing props | |
| Byron Broadbent | .... | stand-by art director | |
| Dan Carling | .... | art department trainee: East Midlands (as Daniel Carling) | |
| Justin Chappell | .... | carpenter | |
| Shay Leonard | .... | property master | |
| Andrew Palmer | .... | art department assistant | |
| Luke Stevens | .... | art department trainee: Norfolk | |
| Jackie Yau | .... | prop buyer | |
| Rob Anderson | .... | construction coordinator (uncredited) | |
| Luke Daniels | .... | model constructor (uncredited) | |
| Cara Higgins | .... | model constructor (uncredited) | |
Sound Department | |||
| Tim Alban | .... | foley recordist | |
| Mark Appleby | .... | assistant dubbing mixer (as Mark Apply) | |
| Orin Beaton | .... | boom operator | |
| James Bennett | .... | adr recordist | |
| Richard Davey | .... | dubbing mixer | |
| James Hamilton | .... | foley artist | |
| Vincent Hazard | .... | sound effects editor | |
| Richard Kondal | .... | dialogue editor | |
| Mitch Low | .... | boom operator (as Mitchell Low) | |
| Rowan October | .... | sound trainee | |
| Jonathan Rimas | .... | adr mixer | |
| Joakim Sundström | .... | supervising sound editor | |
| Jessie Taylor | .... | assistant dubbing mixer | |
| Stuart Wilson | .... | sound | |
| Jamie Roden | .... | adr mixer (uncredited) | |
| Ted Swanscott | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Doug McCarthy | .... | senior special effects technician | |
| Jon Moore | .... | special effects prosthetic technician | |
| Charlie Bluett | .... | special effects prosthetics (uncredited) | |
| Jo Grover | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | head of film: Clear Films | |
| Melissa Butler Adams | .... | compositor: Clear Films | |
| Chris Eborn | .... | Shake engineer: Clear Films | |
| James D. Etherington | .... | compositor: Clear Films (as Jim Etherington) | |
| Adam Gascoyne | .... | lead compositor: Clear Films (as Adam Gasgcoine) | |
| Laura Ricketts | .... | line producer: Clear Films | |
| David J. Zimmerman | .... | data operator: Clear Films (as David Zimmerman) | |
| Simon Hughes | .... | digital compositor (uncredited) | |
Stunts | |||
| Daniel Naprous | .... | stunt double: Obadiah | |
| Gerard Naprous | .... | stunt coordinator | |
| Andreas Petrides | .... | stunt coordinator | |
| Tom Struthers | .... | stunt double: Dr. Slop | |
Camera and Electrical Department | |||
| John Colley | .... | gaffer | |
| Derek Docherty | .... | rigger | |
| Kevin Edwards | .... | camera trainee | |
| Henry Landgrebe | .... | second assistant camera | |
| John Law | .... | rigger | |
| Pim Tjujerman | .... | first assistant camera | |
| Amelia Troubridge | .... | still photographer | |
| Mat Wilson | .... | best boy (as Matt Wilson) | |
Casting Department | |||
| Ruth Breslaw | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Paula Casarin | .... | costume continuity | |
| Richard Cooke | .... | assistant costume designer | |
| Kate Eden | .... | wardrobe supervisor | |
| Shane Kingdon | .... | costume assistant | |
| Georgina Painter | .... | wardrobe assistant | |
| Gilli Thompson | .... | period costume dyer | |
| Sabrina Vickery | .... | wardrobe assistant | |
| Hannah Walter | .... | costume assistant | |
Editorial Department | |||
| Ian Buchan | .... | assistant editor | |
| Scott Hinchcliffe | .... | on-line editor: Pepper Post Production Ltd. | |
| Jet Omoshebi | .... | digital colorist: Pepper Post Production Ltd. | |
| Shane Warden | .... | on-line editor: Pepper Post Production Ltd. | |
| Simon Giblin | .... | on-line editor (uncredited) | |
| Steve Lemley | .... | color timer (uncredited) | |
Music Department | |||
| Christopher Barnett | .... | composer: additional music | |
| Michael Nyman | .... | music arranger: Handel Sarabande | |
| Leonard Rosenman | .... | music arranger: "Lilburlero" from "Barry Lyndon" | |
Transportation Department | |||
| Graham Farmer | .... | driver: East Midlands & Norfolk | |
| Bob Hawkins | .... | driver: East Midlands & Norfolk | |
| Chris Johnson | .... | driver: East Midlands & Norfolk | |
| Alan Lewandowski | .... | driver: wardrobe truck (as Alan Lewandlyski) | |
| George Martin | .... | driver: make-up truck | |
| John Oxborough | .... | driver: East Midlands & Norfolk | |
| Linton 'Bullet' Small | .... | driver: wardrobe truck | |
| Bren Tierney | .... | driver coordinator | |
| Bernie Walsh | .... | driver: East Midlands & Norfolk | |
| Frank Wisbey | .... | driver: East Midlands & Norfolk | |
Other crew | |||
| Chris Andrews | .... | security officer | |
| Isabel Begg | .... | head of business and legal affairs: BBC Films | |
| Sarah Best | .... | production and finance coordinator: BBC Films | |
| Izzy Bolling | .... | set runner: Norfolk | |
| Emma Brazier | .... | assistant accountant | |
| Fran Budd | .... | production secretary | |
| Francesca Budd | .... | production secretary | |
| Darren Capper | .... | rushes runner | |
| Nicole Carmen-Davis | .... | production executive: Scion Films | |
| Gilly Case | .... | location manager: Norfolk | |
| Rachel Clark | .... | set runner: East Midlands | |
| Owen Davies | .... | set runner: East Midlands | |
| Megan Davis | .... | head of business and legal affairs: Scion Films | |
| Dell Gakhal | .... | chef | |
| Kidj Gakhal | .... | catering assistant | |
| Helen Giles | .... | legal and business affairs executive: BBC Films | |
| Robert Gomdez | .... | catering assistant | |
| Alix Graham | .... | assistant production coordinator | |
| Nicola Graydon | .... | publicist | |
| David J. Groom | .... | floor runner (as David Groom) | |
| Michael Groom | .... | floor runner | |
| Hilary Grove | .... | production runner: Norfolk | |
| Michael Harm | .... | additional location manager | |
| Susy Liddell | .... | head of production: BBC Films | |
| Fiona McGuire | .... | head of production: Revolution Films | |
| Stephen Nex | .... | production assistant: Revolution Films | |
| Melissa Parmenter | .... | assistant: Michael Winterbottom and Andrew Eaton | |
| Melissa Parmenter | .... | location manager: East Midlands | |
| Bev Reid | .... | production secretary: Scion Films | |
| Joanne Sennitt | .... | production accountant: Scion Films | |
| Camille Sims | .... | set runner: Norfolk | |
| Maxine Stanley | .... | post-production accountant | |
| Trevor Stanley | .... | production accountant | |
| Laura Tatton | .... | production assistant: Scion Films | |
| Ben Thomas | .... | business and legal affairs: Scion Films | |
| Molly Tudhope | .... | assistant location manager | |
| Nick Warren | .... | rushes runner | |
| Sam Williams | .... | security officer | |
| Sally Wright | .... | production runner: East Midlands | |
| Pauline Burt | .... | risk manager (uncredited) | |
| Heather Mansfield | .... | risk manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
How do you film an unfilmable book? Well, you can either make it up as you go along, as David Cronenberg did with Naked Lunch, or you take this approach and make a film about a film crew making a film of an unfilmable book. The tricky tome in question here is The Life and Opinions of Tristram Shandy, Gentlemen - a bawdy work of wit and wonderment penned in 1760 by clergyman Laurence Sterne.
Steve Coogan plays Tristram - even though he's not born by the end of the book - as well as Tristram's father Walter... and himself. Or rather, a semi-fictional version of himself. Rob Brydon also stars as himself and Walter's brother - Tristram's Uncle Toby. There are lots of other familiar British TV actors either playing themselves playing other characters or simply playing characters who interact with the stars of the film-within-the-film (for example, Ian Hart plays the screenwriter but doesn't play Ian Hart). And Gillian Anderson makes an appearance. Confused? Don't worry, you won't be.
As the writer and director strive to retain the spirit of Shandy compromises have to be made to allow for star egos, historical accuracy (Mark Williams is excellent as a pain-in-the-arse military consultant), and a miniscule budget. In one cracking scene, the crew watch the 'rushes' of the underwhelming battle scene ("Look at that! There are, literally, tens of people..."), leaving the director in despair and the costume designer in tears.
The seemingly complicated set-up actually makes a lot of sense, with Coogan sending up the naughty-boy persona created for him by the British press and Brydon sending up Coogan, while the film itself sends up the movie-making process. Viewers will be frequently amused but never bewildered as Michael Winterbottom pulls it all together with panache.
Anyone unfamiliar with the novel won't learn much, but it matters not. Bawdy and barmy, A Cock And Bull Story embodies Sterne's work perfectly. Coogan gamely shows his vulnerable side (or maybe that's just good acting?) and shows terrific rapport with Brydon, who steals the show with marvellously mundane banter and spot-on impersonations of Coogan-as-Alan Partridge and Roger Moore. Give that man his own movie.