Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Nick, is a young Scottish soccer player living in the big city. He meets Karen, and the two fall in love and move in together. Soon after, Nick exhibits signs of serious illness. As his ... See full summary »
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It's bad luck for the ... See full summary »
The story of two Scottish "squaddies" (young, trainee soldiers) who hitchhike to Budapest to go to a concert of the band Simple Minds. The film is a love triangle between the two soldiers and one beautiful Hungarian girl.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative. Written by
[Steve is hanging upside down in the model womb]
How about filming the other way around, the right way up, and then just flip the image?
Well, maybe, but I'd have to have a word with Mark about that. I mean, I think he wanted the realism.
He wants realism?
Yeah, I'm a grown man, talking to the camera, in a fucking womb!
See more »
Opening credits have (intentional) spacing issues, and mismatched fonts. See more »
Smart, funny, original. I just saw this at the Toronto Film Festival tonight, and was really impressed. Great and hilarious performances, especially by Steve Coogan, who is SO funny. But Rob Brydon is almost as great, and the two of them have a great rapport.
The film really captures the anarchistic spirit of the book. Hard to imagine that anyone could come up with an idea to bring this unusual book to the screen, and Michael Winterbottom hasn't been the most consistent of directors lately (or ever, really) but this is a winner. The story is told in several layers: a film is being made of the novel "Tristram Shandy", starring Steve Coogan as both Tristram and his father Walter Shandy, but the behind the scenes drama of the making of the film is an important component. And lots of parallels with the various players real lives (Steve Coogan and lap dancers, etc.) Incredibly clever. Definitely check it out.
40 of 60 people found this review helpful.
Was this review helpful to you?