Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State ... See full summary »
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative. Written by
Forget anything pedagogical that this film's title might unfortunately imply and as a result keep butts out of seats. it is wildly entertaining, ribald, and simply fun, fun, fun. all of which Sterne intended. the addition of the play within the play within the play is really brilliant.
I loved the behind the scenes bits of story that had to do with the failure of the film's execution-particularly the whole shoe business. By far the greatest bit was the piece about acting techniques. Steve Coogan at first imagines what hot (as in temperature) walnuts- or some type of nut-would feel like dropped down his trousers and caught next to his genitals. He tries many interpretations but the one that slayed the audience was when he actually dropped the "hot nuts" into his trousers in order to see how close his interpretation came to the actual reaction. it was uproariously entertaining.
i was wondering if winterbottom and gilliam have ever thought to produce something together? please sir may we have some more?
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