Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative. Written by
All of the armed soldiers (those with working guns) in the battle scenes, plus some other extras were members of the Sealed Knot Society, which tours the UK, performing historical re-enactments of the English Civil War. See more »
Why "Tristram Shandy"? This is the book that many people said is unfilmable.
I think that's the attraction. "Tristram Shandy" was a post-modern classic written before there was any modernism to be post about. So it was way ahead of its time and, in fact, for those who haven't heard of it, it was actually listed as number eight on the Observer's top 100 books of all time.
That was a *chronological* list.
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Opening credits have (intentional) spacing issues, and mismatched fonts. See more »
In trying to film a movie based on the novel Tristam Shandy, it is explained that this book is utterly unfilmable. modestly rather, they show the actual process of trying to make this movie while discussing the parts of the book that displayed meaning so they can decide what scenes will be added/cut in the movie. Cleverly enough, this entire process serves as a metaphor for the actual book and the digressive nature of it. Maybe not the most interesting topic to watch, but it is done well enough for you to be curious as to how everything is resolved. If you don't get the metaphor, you will not like the movie. If you do, you might be as delighted as ever that something quite unique has just been viewed.
didn't i just sound ridiculous?
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