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Directed by | |||
| Julian Schnabel | |||
Writing credits(WGA) | ||
| Ronald Harwood | (screenplay) | |
| Jean-Dominique Bauby | (book "Le scaphandre et le papillon") | |
Original Music by | |||
| Paul Cantelon | |||
Cinematography by | |||
| Janusz Kaminski | |||
Film Editing by | |||
| Juliette Welfling | |||
Production Design by | |||
| Michel Eric | |||
| Laurent Ott | |||
Costume Design by | |||
| Olivier Bériot | |||
Makeup Department | |||
| Olivier Afonso | .... | assistant special effects makeup artist (as Olivier Alonso) | |
| Florence Batteault | .... | makeup artist | |
| Sandrine Cirilli | .... | makeup artist | |
| Raphael Cornillon | .... | wigs (as Raphaël Cornillon) | |
| Elizabeth Delesalle | .... | makeup artist | |
| Thierry Di Cecca | .... | hair stylist | |
| Mélanie Gerbeaux | .... | wigs | |
| Christian Gruau | .... | key hair stylist | |
| Myriam Hottois | .... | key makeup artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Laure Moulin | .... | hair stylist | |
| Geoffroy Selley | .... | assistant special effects makeup artist (as Geoffroy Felley) | |
| Chloé Van Lierde | .... | makeup artist | |
Production Management | |||
| Virginia Anderson | .... | post-production manager | |
| David Artigala | .... | assistant unit manager | |
| Virginie Bernard | .... | assistant unit manager | |
| Olivier Billard | .... | assistant unit manager | |
| Delphine Brunet | .... | assistant unit manager | |
| Gwenael Camuzard | .... | assistant unit manager | |
| Xavier Champagnac | .... | assistant unit manager | |
| Sebastien Cosset | .... | assistant unit manager | |
| Sébastien Coulet | .... | assistant unit manager | |
| Mathieu Desouches | .... | assistant unit manager | |
| Deborah Dours | .... | assistant unit manager | |
| Stephan Guillemet | .... | unit production manager | |
| Varujan Gumusel | .... | post-production supervisor | |
| Maud Hubert | .... | assistant unit manager | |
| Olivier Jacob | .... | unit manager | |
| Emilie Larribaut-Guinguene | .... | assistant unit manager | |
| Vincent Lefeuvre | .... | assistant production manager | |
| Logan Lelièvre | .... | assistant unit manager | |
| Julien Linières | .... | assistant unit manager | |
| Anne-Claire Loridant | .... | assistant unit manager | |
| Emmanuel Mathieu | .... | unit manager | |
| Julien Minet | .... | assistant unit manager | |
| Jean-Patrick Nourricier | .... | assistant unit manager | |
| Laurent Platiau | .... | assistant unit manager | |
| David Thooris | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Mathilde Cavillan | .... | second assistant director | |
| Stéphane Gluck | .... | first assistant director | |
| Sébastien Marziniak | .... | assistant director | |
| Lucie Wagner | .... | trainee assistant director | |
Art Department | |||
| Christian Gazio | .... | property master | |
| Alain Pitrel | .... | set dresser | |
| Jean-Noël Vincensini | .... | assistant art director | |
| Julien Durguel | .... | props finder (uncredited) | |
| Franck Gies | .... | carpenter (uncredited) | |
Sound Department | |||
| Damien Bera | .... | assistant sound mixer (as Damien Lazzérini) | |
| Damien Bera | .... | sound re-recording mixer | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Boris Chapelle | .... | assistant sound editor | |
| Toni Di Rocco | .... | sound mix technician | |
| Philippe Dongé | .... | sound mix technician | |
| Dominique Gaborieau | .... | sound | |
| Yann Lebrun | .... | sound detection | |
| Frédérique Liébaut | .... | post-synchronization | |
| Vincent Milner | .... | assistant foley artist | |
| Jean-Paul Mugel | .... | sound recordist | |
| Yves-Marie Omnes | .... | boom operator | |
| Philippe Penot | .... | foley artist | |
| Cyrille Richard | .... | dialogue editor | |
| Francis Wargnier | .... | sound editor | |
Special Effects by | |||
| Olivier Afonso | .... | special effects makeup | |
| Philippe Alleton | .... | special effects | |
| Jean-Claude Dauphinot | .... | special effects | |
| Georges Demétrau | .... | special effects supervisor | |
| Clive R. Kay | .... | special effects contact lenses | |
| Jérome Miel | .... | special effects | |
Visual Effects by | |||
| Lech Anita | .... | digital effects artist | |
| Luc Augereau | .... | visual effects producer | |
| Yann Blondel | .... | senior visual effects supervisor | |
| Adrien Borzakian | .... | digital artist | |
| Arnaud Damez | .... | digital artist | |
| Jacques Delzescaux | .... | digital artist | |
| Anita Lech | .... | digital artist (as Anita Lech Bedez) | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Charlotte Quemy | .... | retouch and restoration | |
| Fred Roz | .... | titles | |
| Laurence Vidot | .... | visual effects coordinator | |
| Aurélie Villard | .... | digital artist | |
Stunts | |||
| Pascal Guégan | .... | stunt coordinator | |
Casting Department | |||
| Rachel Desmarest | .... | casting assistant (as Rachel Berger) | |
| Sana El Ghoul | .... | casting assistant | |
| Jérôme Sacerdot | .... | extras casting assistant | |
| Laurent Soulet | .... | extras casting | |
Costume and Wardrobe Department | |||
| Alexia Crisp-Jones | .... | wardrobe | |
| Camille Janbon | .... | assistant costume designer | |
| Camille Joste | .... | costumer | |
| Lucia Lefebvre | .... | on-set costumer | |
| Sylvie Néant | .... | on-set costumer | |
| Daniella Telle | .... | costumer | |
Editorial Department | |||
| Christian Dutac | .... | color timer: LTC | |
| Marcela Figueroa | .... | assistant editor | |
| Marie-Pierre Frappier | .... | assistant editor | |
| Margot Meynier | .... | assistant editor | |
| Nelly Ollivault | .... | assistant editor | |
| Carlos Pinto | .... | second assistant editor | |
| Gilles Granier | .... | dailies color grader (uncredited) | |
Music Department | |||
| Christian Chevalier | .... | music clearance | |
| Julian Schnabel | .... | music supervisor | |
Transportation Department | |||
| Arnaud Bisselbach | .... | driver | |
| Hélène Millet | .... | driver | |
Other crew | |||
| Hiam Abbass | .... | acting coach | |
| Edith Barrier | .... | production administrator | |
| Virginie Bernard | .... | production assistant | |
| Catherine Brelet | .... | personal assistant: Mr. Max Von Sydow (as Catherine Brelet-Von Sydow) | |
| Bernard Caroff | .... | groupman | |
| David Caroff | .... | groupman | |
| Sylvie Coen | .... | general counsel | |
| Maguy J.B. Cohen | .... | personal assistant: Mr. Schnabel (as Maguy Cohen) | |
| Sean Cooney | .... | post-prodution executive | |
| Amélie Dibon | .... | production secretary | |
| Marion Gervais | .... | coach: children | |
| Claudy Gibier | .... | groupman | |
| Marie Guillon | .... | production administrator | |
| Elyse Klaits | .... | associate: Ms. Kennedy | |
| George Pank | .... | business affairs: Pathe | |
| Bianca Turetsky | .... | personal assistant: Mr. Schnabel | |
| Wolfgang W. Werner | .... | press agent | |
| Linda A. Borgeson | .... | executive in charge of post production (uncredited) | |
Thanks | |||
| Laurie Anderson | .... | special thanks | |
| Kathleen Brennan | .... | special thanks | |
| Naomi Campbell | .... | special thanks | |
| Jean-Pierre Cassel | .... | dedicatee | |
| Ferdinand Chesnais | .... | dedicatee | |
| Aurelio De Laurentiis | .... | special thanks | |
| Raffaella De Laurentiis | .... | special thanks | |
| Linda Evangelista | .... | special thanks | |
| Laird John Hamilton | .... | special thanks (as Laird Hamilton) | |
| Dennis Hopper | .... | special thanks | |
| François Ivernel | .... | special thanks | |
| Mike Medavoy | .... | special thanks | |
| Luce Mellor | .... | special thanks | |
| Tatjana Patitz | .... | special thanks | |
| Roman Polanski | .... | special thanks | |
| Lou Reed | .... | special thanks | |
| Jack Schnabel | .... | dedicatee | |
| Batan Silva | .... | special thanks (as Sebastián Silva) | |
| Joe Strummer | .... | special thanks | |
| U2 | .... | special thanks | |
| Tom Waits | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
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| IMDb France section |
American painter turned director Julian Schnabel loves biopics of extraordinary artists. His feature debut, "Basquiat" (1996), was an interesting portrait of the troubled painter (played by Jeffrey Wright). His second film, "Before Night Falls" (2000), was even better, and told the story of Cuban poet/novelist Reinaldo Arenas (the magnificent Javier Bardem). His new film, "The Diving Bell and the Butterfly", surpasses his previous efforts and is nothing short of a masterpiece, for lack of a better word. This time, though, his "artist" is a successful 43 year-old man, Elle magazine editor Jean-Dominique Bauby (Mathieu Amalric), a bon-vivant who becomes a victim of the so-called "locked-in syndrome" after a sudden stroke. His mental faculties are intact, but he can't move anything but his left eyelid. With the help of a speech therapist, he struggles to write his memoirs, by blinking letter by letter and letting her write what he wants to say.
Saying more about the plot would spoil the wonderful experience of watching "The Diving Bell and the Butterfly". The camera angles/visuals are breathtaking (courtesy of two-time Oscar winning cinematographer Janusz Kaminski), and in some moments he makes us see everything from Bauby's point of view. In spite of Bauby's disability, the film is never overly melodramatic, being similar to (but even better than) "The Sea Inside" and "My Left Foot". The cast is fantastic, from Amalric to screen legend Max von Sydow, and the beautiful women in Jean-Do's life (Marie-Josée Croze, Anne Consigny and Emmanuelle Seigner, among others). The soundtrack is also memorable, including Charles Trenet's wondrous "La Mer" (which was recorded by Bobby Darin in English as "Beyond the Sea"). "The Diving Bell and the Butterfly" won the Golden Globes for best director and foreign film, and got four Oscar nominations (director, adapted screenplay, editing and cinematography - but NOT Best Foreign Film). France made the mistake of submitting the (fantastic) animation "Persepolis" instead of "Diving Bell", but they should know the Academy would never give Best Foreign Film for an animated movie, as good as it might be, and therefore neither of them got the nomination. But that's actually the Academy's fault for their stupid rules, since France should've been allowed to submit both movies. What if two of the best foreign movies of the year were from the same country? In a perfect world, there would be only a Best Picture category and films from any country and any language would be nominated, but since most people still ignore subtitles, this 'segregation' has to exist. Oh well. Oscar blunders apart, this is a film that will make you see and value the beauty of life. Bravo, Mr. Schnabel! Bravo, Monsieur Bauby! 10/10.