Director Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while... See full summary »
Jean Michel Basquiat,
On December 8, 1995, at the age of 43, Jean-Dominque Bauby, editor-in-chief of ELLE Magazine, suffered from a stroke and fell into a coma. When Bauby awoke he found himself completely ... See full summary »
Forty-three year old Elle magazine editor Jean-Dominique Bauby - Jean-Do to his friends - awakens not knowing where he is. He is in a Berck-sur-Mer hospital, where he has been for the past several weeks in a coma after suffering a massive stroke. Although his cognitive facilities are in tact, he quickly learns that he has what is called locked-in syndrome which has resulted in him being almost completely paralyzed, including not being able to speak. One of his few functioning muscles is his left eye. His physical situation and hospitalization uncomfortably bring together the many people in his life, including: Céline Desmoulins, his ex-lover and mother of his children; Inès, his current lover; and his aged father who he calls Papinou. Among his compassionate recuperative team are his physical therapist Marie, and his speech therapist Henriette. Henriette eventually teaches him to communicate using a system where he spells out words: she reads out the letters of the alphabet in ... Written by
The script was originally in English and Johnny Depp was cast to play Jean-Dominique Bauby. He dropped out because it conflicted with filming of "Pirates of the Caribbean: At World's End." Gary Oldman was also in consideration. But eventually, director Julian Schnabel convinced the studio (Pathé, a French studio founded in Paris) to change the language to French to stay true to Bauby's life and story. See more »
Jean-Dominique shaves his father's mustache, removing the shaving cream. In the next shot, his mustache is covered with shaving cream again. In the following shot, the shaving cream is gone again. See more »
The inadequacies of the descriptions of this movie emphasize the gulf between the written (or spoken) word and the work of art itself. I could write all the spoilers and it wouldn't make a difference, because the riveting quality here doesn't depend on plot surprises. It is the improbable story, a story that will touch you and then executed by actors who seem like their lives depend on being true to the story.
This is an anti-Hollywood, anti-formula movie. Those have their place, but this is a great antidote to the silly decisions made by inappropriately powerful studio execs.
See it. You'll be thankful you did.
123 of 157 people found this review helpful.
Was this review helpful to you?