8 items from 2015
Coming to theater on April 3rd is the film Effie Gray.
The film explores the fascinating, true story of the relationship between Victorian England’s greatest mind, John Ruskin, and his teenage bride, Euphemia “Effie” Gray, who leaves him for the Pre-Raphaelite painter John Everett Millais.
Effie Gray is the first original screenplay written by Oscar-winning screenwriter Emma Thompson. In this impeccably crafted period drama, Thompson delicately and incisively probes the marital politics of the Victorian Era, and beyond.
- Michelle McCue
The pic is about an assassination attempt on Reinhard Heydrich, an SS general who led the Nazi forces in Czechoslovakia, and gained the nickname “The Butcher of Prague.” Two soldiers from Czechoslovakia’s army in exile are trained by British forces, and parachuted into their homeland with the assignment, code-named Anthropoid, to kill Heydrich.
Pic is being produced by Leonard Glowinski (“The Diving Bell and the Butterfly”) for 22h22, Anita Overland (“Rush”) and Chris Curling (“The Last Station”). Krystof Mucha and David Ondricek are co-producing for Lucky Man Films.
Altitude Film Sales is handling international sales. »
- Leo Barraclough
The film’s title refers to the code-name for the Allied operation to assassinate Heydrich, the head of the SS who was one of the main architects of the Holocaust and was widely considered number three in the Nazi ranks behind Hitler and Himmler .
Operation Anthropoid was led by two soldiers (trained by British forces) from Czechoslovakia’s army-in-exile who were parachuted into their homeland to carry out the mission against the Nazi nicknamed “The Butcher of Prague”.
- firstname.lastname@example.org (Andreas Wiseman)
Stumbling across that list of best-edited films yesterday had me assuming that there might be other nuggets like that out there, and sure enough, there is American Cinematographer's poll of the American Society of Cinematographers membership for the best-shot films ever, which I do recall hearing about at the time. But they did things a little differently. Basically, in 1998, cinematographers were asked for their top picks in two eras: films from 1894-1949 (or the dawn of cinema through the classic era), and then 1950-1997, for a top 50 in each case. Then they followed up 10 years later with another poll focused on the films between 1998 and 2008. Unlike the editors' list, though, ties run absolutely rampant here and allow for way more than 50 films in each era to be cited. I'd love to see what these lists would look like combined, however. I imagine "Citizen Kane," which was on top of the 1894-1949 list, »
- Kristopher Tapley
By Anjelica Oswald
Of the five foreign-language films nominated this year, Poland’s Ida is the only film to receive an Oscar nomination in another category. The black-and-white film is nominated for best cinematography.
Eighteen foreign-language films have received nominations for their cinematography and four have won. Only six of the 18 films were also nominated for best foreign-language film; however, three of the six won for their cinematography.
The first foreign-language film to earn both a best foreign-language film nomination and a cinematography nomination was Sweden’s Fanny & Alexander in 1984. The film won both awards, as well as best art direction and costume design. Writer-director Ingmar Bergman was also nominated for best director and original screenplay.
Ten years later, Hong Kong’s Farewell My Concubine received both nominations as well. It lost the foreign-language race to Spain’s Belle Epoque and lost the cinematography award to Steven Spielberg’s Schindler’s List, »
- Anjelica Oswald
Clermont-Tonnerre (pictured) prevailed with her upcoming debut Mustang and will receive the award at a private ceremony during the Sundance Film Festival, set to kick off on Thursday (January 22).
Mustang follows a convict who is invited to a rehabilitation programme that trains inmates to break wild horses.
Clermont-Tonnerre, whose acting credits include The Diving Bell And The Butterfly, is a screenwriting fellow at the 2015 Sundance Institute January Screenwriters Lab.
Hiroshi Kurosaki from Japan earns a special mention for Prometheus’ Fire. Kurosaki was selected last August for the Nhk Screenwriters Workshop and will also receive ongoing creative and strategic support from Sundance Institute’s Feature Film Program.
- email@example.com (Jeremy Kay)
In what is now a new and continuing tradition, the Golden Globe Awards have been revealed ahead of the Oscar nominations, which will be made public this Thursday. Of course, voting for the Oscar nominations was closed before the awards were revealed so don't think last night's wins will have any effect on the nominees. But this isn't an article designed to look at nominations, though we'll certainly get into a little of that. Instead we're looking at what chance last night's Globe winners have at winning the Oscar based on the recent Globe vs. Oscar history. This post serves as my ninth installment of my "Globes vs. Oscars" column (2005, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014) and we'll take a look at the past 30 years of Golden Globe winner history compared to the Oscars and see where last night's winners may gain an edge and where they most likely won't and we'll begin with the lead acting categories. »
- Brad Brevet
Paris –Pathe’s “Daddy or Mommy,” Wild Bunch’s “Do Not Disturb” and The Other Angle’s “Discount” will compete next week for one of Europe’s most valuable non-official crowns: the UniFrance Paris Rendez-vous Most Popular New Comedy.
Also in the running: Gaumont’s “I Kissed a Girl,” Kinology’s “Caprices,” EuropaCorp’s “Bis” and “Buddy Guards,” Studiocanal’s “Chic!”, Versatile’s “A trois, on y va,” “Valentin, Valentin,” from Sbs Productions, and TF1.’s Intl.’s “Boomerang.”
Having punched a robust first five-day $3.7 million through Jan. 4, Patrice Leconte’s “Do Not Disturb” opens Paris’ 17th UniFrance Rendez-vous with French Cinema, Europe’s biggest film mart after Cannes, Berlin, Venice, San Sebastian and Locarno.
Running Jan. 15-19, and screening an announced 86 French movies, 47 market premieres per UniFrance, the Rendez-vous will unveil a score-or-so of new comedies. With Rdv buzz helping to galvanize boffo sales and even double –or sometimes »
- John Hopewell and Elsa Keslassy
8 items from 2015
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